Richard Flood

18/09/11

• 1

  Men Without Women by Collier Schorr

  Issue 49, November-December 1999

  On Lukas Duwenhögger. 'Reasoning as pleasure.'

• 2

  Blue Notes by Jim Lewis

  Issue 59, May 2001

  On Raymond Pettibon. 'A perfect couple.'

• 3

  Distant Relations by Dominic Eichler

  Issue 105, March 2007

  Collier Schorr’s photographs and collages question what we look at – and why. 'A very clear look at a very complex artist.'

• 4

  Cosmic Rays by Jörg Heiser

  Issue 110, October 2007

  Sigmar Polke’s body of work since the mid-1960s has been consistently iconoclastic, enigmatic and technically innovative. 'Polke in ecstasy.'

• 5

  Naples by Jörg Heiser, Mario Codognato and Pádraig Timoney

  Issue 119, November-December 2008

  'Great travel advisory.'

• 6

  How Will This Affect Me? by Dominic Eichler

  Issue 120, January-February 2009

  Censorship, sexuality, creativity and the economic meltdown. 'Prurience only makes it better.'

• 7

  A Serious Business by Dan Fox

  Issue 121, March 2009

  What does it mean to be a professional artist? 'Pathfinding through land mines.'

• 8

  Secret Society by Jan Verwoert

  Issue 124, June 2009

  Cracking the codes of Conceptual art. 'A timely caution.'

• 9

  Back & Forth by Emily King

  Issue 138, April 2011

  The histories of two legendary Milanese magazines, Domus and Abitare, are intertwined with the extraordinary generation of Italian designers who burst onto the scene 50 years ago. 'Now I know.'

• 10

  Down the Line by Lauren Cornell and Kazys Varnelis

  Issue 141, September 2011

  The last 20 years have seen revolutions in technology that have transformed our lives. How have art and its institutions reacted? 'Essential information.'

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