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Issue 122 April 2009 RSS

Martin Creed

Questionnaire

Martin Creed is an artist who lives and works in London, UK. Over the next year, his solo show from the Ikon Gallery, Birmingham, UK, will be travelling to Hiroshima City Museum of Contemporary Art, Japan, the Sonje Art Centre, Seoul, Korea, and the Museo de Arte in Lima, Peru. His solo show at the Hiromi Yoshii Gallery, in Tokyo, Japan, will open in May.

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If you could live with only one piece of art what would it be?
Perhaps, or probably, a painting by Pablo Picasso. They usually shock me and make me stop.

What images keep you company in the space where you work?
I don’t have much around except some notes on the wall and a general mess of paperwork. I try not to look at things too much.

What was the first piece of art that really mattered to you?
Probably one of Frank Stella’s ‘Black’ series (1967) or shaped ‘Aluminum’ series (1960). Because they’re not pictures of anything, but just great big things in themselves, I found them inspiring. Their straightforward compositions are a relief. They fill up space beautifully.

What is your favourite title of an art work?
I can’t think of a good one.

What do you wish you knew?
How to finish. It’s easy to start, but it’s hard to go on, and it’s very difficult to finish.

What could you imagine doing if you didn’t do what you do?
I can’t. I don’t know how to do anything except whatever it is that I am doing.

What are you reading?
Postwar: A History of Europe Since 1945 (2005) by Tony Judt. I haven’t read many history books, but I am enjoying this one.

What music are you listening to?
The album Day & Age (2008) by The Killers and a Maria Callas collection. I just went to a concert of a piece by Hector Berlioz called ‘Overture: Le Carnival Romain’ (1844). It’s eight minutes long but I cried in two.

What do you like the look of?
I am scared to look. I find looking sticky. I can’t stop. The more you look the more you find: that’s why it’s better to work blind.

What is art for?
I don’t know. It is something for people to use as they like. For me, it is a diversion and an exciting entertainment, a kind of food for feelings and thought that makes life more bearable and makes it easier to get up in the morning. It is a comfort too, like a handrail on a cliff-top, something to hold on to in a scary world.


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Issue 122, April 2009

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