State of the Art

Call Yourself a Critic?

The untidy tradition of criticism by Sam Thorne

Pretty, Pretty Good

Tell Tales

How memory has changed by Jennifer Allen

State of the Art

The Future Is NowRegistered only

What Makes Us Human by Amy Sherlock

Other cities, other seas

Calling It QuitsSubscriber only

What is the future of arts education in Baghdad? by Kaelen Wilson-Goldie


Why So Serious?Registered only

In search of a pan-European sense of humour

Art History

More or LessSubscriber only

Radical minimalism from India and Pakistan by Shanay Jhaveri


The Art of ConsumptionRegistered only

Renzo Piano’s new Whitney Museum by Carson Chan


A History of ViolenceRegistered only

Filmmaker Sergei Loznitsa’s exploration of the post-Soviet condition by Bert Rebhandl


BooksSubscriber only

Two recent books explore how online trolling is reshaping publishing and communication by David Crowley


MusicRegistered only

Influential composer Pierre Boulez turns 90 by Leo Chadburn

By Design

By Design

The pros and cons of new digital interface design by Alice Rawsthorn

State of the Art

This Must Be The Place

The complicated idea of ‘home’ by Dan Fox


Public Property

The fate of postwar murals in the UK by Brian Dillon

In These Intemperate Times

Compare and Contrast

Creating and contesting categories by Lynne Tillman


Who Owns Images?

What the case against Luc Tuymans reveals about the difference between US and EU copyright law by Daniel McClean


Postcard from Manchester

Change is in the air at the city’s institutions by Eleanor Clayton



Why are so many writers and artists turning books into albums? by Rob Young

Weekend Special

International Style

Design, architecture and optimism in postcolonial Africa by Sean O’Toole


The Art of Curating

The personal process of exhibition-making by Isobel Harbison


A Chronicle of Failed Therapy

Revisiting Berlin Alexanderplatz on the 70th anniversary of Rainer Werner Fassbinder’s birth by Tal Sterngast



What MoMA’s ‘Björk’ exhibition reveals about the uneasy relationship between museums and music by Dan Fox

State of the Art

Total Recall

On collective memory and personal experience by Paul Teasdale

Art Schools

The Phoenix

The Glasgow School of Art — past and future by Mark Sadler

Art History

Indian Satire

Mining the traditions of the political cartoon by Shanay Jhaveri

Weekend Special

Why are there so few biographies of African artists?

Why are there so few biographies of African artists? by Sean O’Toole


Creative Accounting

W.A.G.E.’s fight for artist fees by Nicole Cohen and Greig de Peuter



PJ Harvey records a new album in public by Lucy O’Brien

Ideal Syllabus

Ideal Syllabus

Meriç Algün Ringborg discusses the books that have influenced her



Re-reading Shulamith Firestone’s The Dialectic of Sex by Jenni Sorkin

By Design

By Design

The shifting influence of Milan’s Salone del Mobile by Alice Rawsthorn

State of the Art

The Solace of Art

Creativity as resistance by Jennifer Higgie

In These Intemperate Times

A Knowing Look

The importance of being curious by Lynne Tillman

Other cities, other seas

Crackdowns and Chaos

Can Egypt’s NGOs survive repressive new legislation? by Kaelen Wilson-Goldie


Uncertain Times

Arts funding and the recent elections in Brazil by Silas Martí

Life in Design

Life in Design

An alternative history of graphic design by Fraser Muggeridge



A new futurism in dance music? by Philip Sherburne


Data-Doubles of the Self

Twinship in contemporary art by William Viney



Art, auctions and storytelling meet in Valeria Luiselli’s latest novel by Natalie Ferris


Green Shoots

Ecological innovation in Chinese architecture by Beatrice Leanza

State of the Art

The Quiet Life

Artists and the freedom of the desert by Jonathan Griffin


History 2.0

How Wikipedia skews the story of art by Olivian Cha

Weekend Special

Town & Country

The role of the village in perceptions of Africa by Sean O’Toole

Art History

Loaded Vehicle

How the iconic, discontinued Ambassador car has inspired Indian artists by Shanay Jhaveri


Things To Come

Hollywood’s recent taste for revolt by Mark Fisher



The haunting soul music of Lonnie Holley by Andrew Hultkrans

By Design

By Design

Is the design world still a boys’ club? by Alice Rawsthorn


The Sharp, White Background

Thoughts on race and art in the 21st century by Naomi Beckwith



#Accelerate, a new reader for the fast-moving theory of Accelerationism by Orlando Reade

State of the Art

The Art of Distraction

Movie stars, late capitalism and fragmented attention spans by Tom Morton

In These Intemperate Times


Is too much information ever enough? by Lynne Tillman

Weekend Special

Being Observant

The films of Abderrahmane Sissako by Sean O’Toole

Other cities, other seas

Productive Anguish

How to survive exile by Kaelen Wilson-Goldie

Life in Fragments

Life in Fragments

Conversations, buildings, books and films by Céline Condorelli


Rare Minds

The dark, unsettling feminism of Jacqueline Rose by Nina Power



James Hoff’s music goes viral by Andy Battaglia


Museum Guide

Frederick Wiseman’s new documentary about London’s National Gallery by Nick Pinkerton



Gilda Williams’s new book on how to write about contemporary art by Orit Gat

State of the Art

Every Cloud

Can’t relate? Don’t worry: you’re not alone by Dan Fox


Postcard from Paris

What a fashion designer can teach us about the display of contemporary art by Vivian Sky Rehberg

Art History

Paper Chase

Radical collage and cut-outs in India

1914 Centenary

One Hundred Years

Public art and the commemoration of World War I by Lara Pawson

Life in Film

Life in Film

From Chantal Akerman to Roberto Rossellini, the British film director discusses her influences by Joanna Hogg



Who should the internet serve? by Stephanie DeGooyer



Playing for laughs in pop music


After Images

How artists and photographers in Japan have responded to the disasters of 3 March 2011 by Christy Lange


Radical Villains

20th-century illustrations of Fantômas by Erik Morse

By Design

By Design

New technology and endangered objects by Alice Rawsthorn

State of the Art

Learning Curve

An art education — at what cost? by Vivian Sky Rehberg

Other cities, other seas

Traveller’s Tales

Lady adventurers and the legacies of colonial history by Kaelen Wilson-Goldie

Weekend Special

Own Story

How to Write about Africa by Sean O’Toole

In These Intemperate Times


In defence of irony by Lynne Tillman



Cinema, growing up & Richard Linklater’s Boyhood by Nick Pinkerton



A new work by jazz pioneer Anthony Braxton by Franklin Bruno

Value for Money

Galleries throughout the UK turn to crowdfunding by Ellen Mara De Wachter

Life in Death

Life in Death

Trying to make sense of the loss of a friend by Travis Jeppesen


Fresh Ink

Why start a print magazine? by Elizabeth Glickfeld

State of the Art

Art Hearts Poetry

The role of poetry in the world of appearances by Quinn Latimer


What’s Hot What’s Not

Despair, ceramics, manners …


Drawing a Blank

Ukraine’s Maidan Protests and Manifesta by Sean Snyder and Olga Bryukhovetska


European Dropouts

The consequences of Russia’s cultural policies by Valentin Diaconov

Art History

Reel World

‘Sarkari Shorts’ and the Films Division of India by Shanay Jhaveri


Novel Idea

Omer Fast’s film adaptation of Tom McCarthy’s book, Remainder by Tom Morton

By Design

By Design

The difference between disciplines by Alice Rawsthorn


Scene of the Crime

The photographic archives of the Los Angeles Police Department by Erik Morse



Three new publications by artists catalogue the minutiae of contemporary existence by Robert Barry


Leaving Time

Image and imagination in the films of Alain Resnais by Jonathon Sturgeon



In pursuit of Erik Satie by Charlie Fox

Ideal Syllabus

Ideal Syllabus: Katrina Palmer

The artist and writer discusses the books that have influenced her by Katrina Palmer

State of the Art

Bringing the Battle Home

What makes a war story true? by Christy Lange

In These Intemperate Times

A Fictional Past

The myth of the ‘Great American Novel’ by Lynne Tillman

Other cities, other seas

What Remains

Can art survive a civil war? by Kaelen Wilson-Goldie

Weekend Special

First Site

Africa’s first mega-museum to open in Cape Town by Sean O'Toole

Life in Film

Life in Film (& Sculpture)

Jordan Wolfson discusses his influences by Jordan Wolfson


Black Water

Combustion and digestion in Matthew Barney’s latest work by Ross Simonini



Smartphones vs. the live experience by Damon Krukowski


Real Time

Radical filmmaking at the Sensory Ethnography Lab by Agnieszka Gratza


New Sweden

Re-evaluating modernist housing at Tensta Konsthall by Mark Fisher


Public Enemy

Machiavellian scheming and political drama by Timotheus Vermeulen



Two recent publications examine conflict and collaboration in public art projects by David Crowley

State of the Art

What’s the Use?

Museums take on social practice by Sam Thorne


Ai Weiwei

Ai Weiwei


The thrill of it all

'An artist inventor of undimming good humour, whose work provides the soul with strength to face a not too terrible hereafter.' by Michael Bracewell


Erase and Rewind

In memory of the late Sturtevant we present this archive piece by Bruce Hainley on her long and influential career by Bruce Hainley


Above & BelowSubscriber only

Decoding Maria Loboda’s enigmatic archaeology

Think Piece

A Very Peculiar PlaceRegistered only

The intermingling of art and illustration in the work of Catrin Morgan, Jockum Nordström, Tomi Ungerer and others. by Charlie Fox


In Focus: Alice TheobaldSubscriber only

Acting, therapy, song and humour by Jonathan P. Watts


What is Metahaven?Registered only

Sarah Hromack unpacks the work of the Dutch design studio by Sarah Hromack


This Land Is Your LandSubscriber only

David Campany interviews LaToya Ruby Frazier, winner of the International Center of Photography’s 2015 Infinity Award for her first book, The Notion of Family by David Campany


In Focus: Yngve HolenRegistered only

Reformulating the human body in the age of mass digitization by Pablo Larios


Pay AttentionSubscriber only

In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art? by Anthony Huberman


Landscape ArtistRegistered only

Nicholas Mangan’s exploration of raw materials and social change


In Focus: Kevin BeasleySubscriber only

Sculpture, field recordings and the ghosts of dead rappers by Andy Battaglia

One Take

One Take: Whole EarthRegistered only

Herman de Vries’s Dutch pavilion in Venice by Jörg Heiser

Picture Piece

Picture Piece: Max HeadroomSubscriber only

Max Headroom by Matthew Noel-Tod


Questionnaire: Casey Jane EllisonRegistered only

Q: What image keeps you company in the space where you work? A: An enormous, airbrushed, lenticular hologram of myself. by Casey Jane Ellison


Questionnaire: Joan Jonas

Q: What do you like the look of? A: The everyday world: grand and microscopic. by Joan Jonas


A Natural Elegance

Novelist Sarah Hall talks to Sarah Lucas about sculpture, sexual politics and representing Britain at this year’s Venice Biennale

Think Piece

Ebb & Flow

On the ruptures and restlessness of much contemporary art, and how this is reflected in the 56th Venice Biennale by Kaelen Wilson-Goldie


Data Mine

Travis Jeppesen considers disruption and ambivalence in the work of Simon Denny, in the run-up to the artist’s major project for the Venice Biennale by Travis Jeppesen


In Focus: Jesse Darling

Undivided selves by Ellen Mara De Wachter

Think Piece

Near & Far

How a sense of the local shapes art in the US by Jennifer Kabat


Exorcisms of the Self

Connections across time and place in the work of Danh Vo by Jörg Heiser


In Focus: Max Hooper Schneider

Imagining a world without humans by Ed Schad


Space is the Place

Rediscovering the late, great philosopher Henri Lefebvre, whose ideas are increasingly relevant to contemporary life by Timotheus Vermeulen


In Focus: Daniel Steegmann Mangrané

From stick insects to rhombuses: working between the organic and the geometric by Sergio Delgado Moya


The Gap Between Me and Me

Dominikus Müller talks to Olaf Nicolai about place, subjectivity and the artist’s project for the German pavilion in Venice by Dominikus Müller

Picture Piece

Picture Piece: When the Rolling Stones met James Brown

When the Rolling Stones met James Brown by Jonathan Lethem


The Retouch

Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock by Brian Sholis


Carnival Theory

Jennifer Higgie on the bewildered mystics, mournful minstrels and mysterious rituals of Ryan Mosley’s paintings by Jennifer Higgie


In Focus: Julien Prévieux

Working for the man, or machine by Vivian Sky Rehberg


The Walker

Gideon Lewis-Kraus traces the transcontinental journeys of Brazilian artist Paolo Nazareth by Gideon Lewis-Kraus


Free Forms

Ida Ekblad talks to Zoe Pilger about painting, drifting, emptiness and energy by Ida Ekblad


In Focus: Laura Aldridge

Containers, collaboration and perception by Matthew McLean


Construction Sight

How a generation of artists is re-ordering the building blocks of photography by Aaron Schuman


In Focus: Tania Pérez Córdova

The memory and lifespan of objects. by Colin Perry


Local Colour

Simon Ling and plein-air painting in east London by Josephine New

Picture Piece

Picture Piece: Australia’s Big Things

The Big Pineapple by Chloe Hooper


Questionnaire: Daniel Buren

Q: What images keep you company in the space where you work? A: None. I just try to concentrate on what I am doing. by Daniel Buren


Questionnaire: Sophia Al-Maria

Q: What music are you listening to? A: Things that would disgust my teenage self; I have betrayed her. by Sophia Al-Maria

Think Piece

Formal Affairs

In recent years, abstract painting has experienced both a new popularity and a critical backlash. Can it be written off as ‘zombie formalism’ or are innovative approaches to abstraction really being developed?

Click here for the Chinese translation. by David Geers


Photo Finish

Social division and artistic engagement in the work of Mohamed Bourouissa by Vivian Sky Rehberg


In Focus: Emma Hart

Being betrayed by the body by Colin Perry


Ill-Begotten Treasures

Wolf-whistling at fallen angels in Lukas Duwenhögger’s imagined worlds by Charlie Fox


Fibre Is My Alphabet

Jennifer Higgie talks to Sheila Hicks about the 60-year evolution of her artistic language by Jennifer Higgie


In Focus: Sam Lewitt

Material production and the march of history by Joseph Akel


Skin & Surface

Dansaekhwa, or ‘Korean Monochrome Painting’, is the name ascribed to a style of painting practiced by a loosely affiliated set of Korean artists who came to prominence in the 1970s. Three recent exhibitions — at Blum & Poe, Los Angeles, Alexander Gray Associates, New York, and Kukje Gallery, Seoul — have, for the first time in a generation, brought this work to an audience outside of Korea, while a presentation of Dansaekhwa will be shown as part of the 56th Venice Biennale in May this year. We asked the curators of these exhibitions — Sam Bardaouil, Till Fellrath, Joan Kee and Yoon Jin Sup — to reflect on the key factors that led to the development of Dansaekhwa’s unique aesthetic and what its legacy is today. by Yoon Jin Sup, Joan Kee, Sam Bardaouil and Till Fellrath


In Focus: Liu Chuang

Cold portraits and warm-hearted annotations by Paul Teasdale

One Take

The Last Resort

Dan Fox explores handcrafted futures and the automated present in Scott Reeder’s new sci-fi film Moon Dust by Dan Fox

One Take

One Take: Human Mask

In the first of a new series focusing on a single work, Jennifer Higgie considers Pierre Huyghe’s latest film, Human Mask by Jennifer Higgie


Both Ways

Viviane Sassen talks to Aaron Schuman by Aaron Schuman


Open City

Vincenzo Latronico visits a utopian community in rural Chile, which is still thriving after over 40 years by Vincenzo Latronico


In Focus: Lucy Stein

Painting on the brink of hysteria by Charlie Fox


Join the Movement

Astrid Kaminski talks to Simone Forti, the legendary artist and choreographer who changed the course of both Postmodern dance and Minimal art. Artists Gerard & Kelly and Maria Hassabi, along with curator Ana Janevski, discuss Forti’s influence on their own work

Click here for the Chinese translation. by Astrid Kaminski


In Focus: Alisa Baremboym

Leaky flesh, soft machines and broken systems by Laura McLean-Ferris

Think Piece

World of Interiors

Imagine a door with no room: Are you inside or outside? by Amy Sherlock


In Focus: Anna Ostoya

Mining historical works for new conceptual paths by Ara H. Merjian

Picture Piece

Picture Piece: Bank of Georgia Headquarters

Bank of Georgia Headquarters by Sam Thorne


Eyes and Ears

Diego Perrone’s audio, visual world by Barbara Casavecchia


A Tension of Moods

Kai Althoff’s recent work by Michael Bracewell


Questionnaire: Karl Ove Knausgård

Q: What do you wish you knew? A: I wish I knew less. by Karl Ove Knausgård


Questionnaire: Julie Ault

Questionnaire: Julie Ault by Julie Ault


What’s so funny?

How humour feeds painting by Paul Teasdale


After the End

With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America by Jonathan Griffin


In Focus: Oscar Santillan

‘Civilizations of the jaguar’, vacuum cleaners and the human body by Timotheus Vermeulen


In Focus: Rachel Reupke

Taking stock of stock images by Dan Kidner


A Wall to Object to

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas by Caoimhín Mac Giolla Léith


The Cartoon Network

Illustration and art history collide in Sanya Kantarovsky’s paintings by Scott Roben


In its Place

Decoding Uri Aran’s mysterious work-tables by Declan Long


Heads Above Water

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde by Andrew Maerkle

Picture Piece

Picture Piece: Egyptian Desert Cinema

Egyptian Desert Cinema by Sukhdev Sandhu


Questionnaire: Anna Maria Maiolino

Q What could you imagine doing if you didn’t do what you do? A Drifting on a boat. by Anna Maria Maiolino

Think Piece

The Stories They Need

A slew of recent exhibitions and projects — from Berlin and Cairo to Marrakech, New York and Paris — reveals an interest in the artist as anthropologist by Kaelen Wilson-Goldie


Perfect Pretence

In Shahryar Nashat’s films and sculptures, dodecahedrons, dance and desire come together in delirious studies of impossible ideals by Jörg Heiser


Iain Forsyth & Jane Pollard: Influences

From the cover of an Adam Ant album to Lindsay Anderson’s films, Samuel Beckett’s plays, Nick Cave’s music and Bruce Nauman’s videos, the artists and filmmakers discuss the evolution of their artistic imaginations by Iain Forsyth and Jane Pollard


Cultural Currency

How Andra Ursuta’s sculptures play with national stereotypes by Summer Guthery


What’s Not to Like?

How Darren Bader has pushed the readymade to its extreme by Domenick Ammirati


In Focus: Katja Novitskova

Silicon wafer weapons and Mars missions by Kirsty Bell


In Focus: Tamara Henderson

Films and installations from the depths of the unconscious by Josefine Wikström


In Focus: Jesse Wine

Botched temporalities and ceramic selves by Matthew McLean


The Sun On Your Face

Zoe Pilger talks to Laure Prouvost about translation, tea, fictitious grandparents, erotic films and trying to make sense of the world by Zoe Pilger

Picture Piece

Picture Piece

The Audium by Geeta Dayal


Strike a Pose

The consistently inconsistent career of Scottish artist Bruce McLean by Colin Perry


Magnificent Obsession

Time-travelling with Pablo Bronstein by Charlie Fox


Into the Void

In the run-up to a major solo exhibition at Chicago’s Renaissance Society, Michael Bracewell considers the work of Mathias Poledna by Michael Bracewell

Picture Piece

Picture Piece

Patrick Caulfield's Gravestone by George Pendle


In Focus: Edward Thomasson

Making a song and dance of things by Basia Lewandowska Cummings


In Focus: Guillaume Leblon

Vital materialism and the unsteady march of progress by Rahma Khazam


The Handmade Web

Digital pasts and futures meet in the work of Aleksandra Domanović by Laura McLean-Ferris by Laura McLean-Ferris


Borrowed Energy

Timotheus Vermeulen talks to philosopher Rosi Braidotti about the pitfalls of speculative realism, the movement that has created a buzz in the art world by Rosi Braidotti and Timotheus Vermeulen


The History Man

Rashid Johnson talks to Tom Morton about fiction, humour and homage by Tom Morton


Head Space

A conversation between Ed Atkins and Matthew De Abaitua about the intertwining of art and technology by Matthew De Abaitua


Questionnaire: Barbara Kruger

Questionnaire: Barbara Kruger by Barbara Kruger


Seven Subjects You Shouldn’t Photograph

(Or Should You?) by Christy Lange


Changed States

Collaboration and conflict in the work of Eric Baudelaire by Ellen Mara De Wachter


Today is an Example

Praised by T.S. Eliot and best friends with Harry Smith, Lionel Ziprin was a mystic and poet whose archive is a source of fascination for many contemporary artists, especially Carol Bove, who now houses it in her New York studio by Andy Battaglia by Andy Battaglia


My Influences: Liliane Lijn

From conversations with friends including André Breton, William Burroughs and Caresse Crosby, to studying astronomy, physics and the Greek myths, Liliane Lijn discusses the evolution of her pictorial language by Liliane Lijn


In Focus: Patrizio di Massimo

Guilty pleasures at home and far away by Amy Sherlock


Focus Studio Visit: Caroline Achaintre

Theatrical textiles and characters in clay by Isobel Harbison

Picture Piece

Picture Piece: Jean Cocteau

Jean Cocteau in Soho by Jennifer Higgie


Always in the Present

Dominikus Müller discusses the role of words and objects in the work of Jason Dodge by Dominikus Müller

Live: Charlemagne PalestineRegistered only

Yale Union, Portland, USA

By Nick Irvin

Michael ParekowhaiSubscriber only

Gallery of Modern Art, Brisbane, Australia

By Andrea Bell

Gary HillSubscriber only

Galleria Lia Rumma, Milan, Italy

By Barbara Casavecchia

Niki de Saint PhalleRegistered only

Guggenheim, Bilbao, Spain

By Amy Sherlock

David LieskeSubscriber only

mumok, Vienna, Austria

By Radhika Kapila

Erkka NissinenSubscriber only

De Hallen, Haarlem, Netherlands

By Tom Morton

Damir OčkoRegistered only

Kasia Michalski Gallery, Warsaw, Poland

By Krzysztof Kosciuczuk

Bojan ŠarčevićSubscriber only

BQ, Berlin, Germany

By Kirsty Bell

Open Source: Art at the Eclipse of CapitalismSubscriber only

Galerie Max Hetzler, Berlin, Germany

By Mark Prince

Two By Two: Mary Heilmann & David ReedRegistered only

Hamburger Bahnhof, Berlin, Germany

By Kirsty Bell

William Pope.LRegistered only

The Geffen Contemporary at MOCA, Los Angeles, USA

By Jonathan Griffin

Sergei TcherepninSubscriber only

Overduin & Co., Los Angeles, USA

By Summer Guthery

Matt HoytRegistered only

Art in General, New York, USA

By Iona Whittaker

Alex Da CorteSubscriber only

Luxembourg & Dayan, New York, USA

By Joseph Akel

Destroy, She SaidRegistered only

The Boiler , New York, USA

By Hannah Stamler

James CordasSubscriber only

Et al., San Francisco, USA

By Monica Westin

Melanie SmithRegistered only

Proyecto Paralelo, Mexico City, Mexico

By Lauren A. Wright

Isabel NolanSubscriber only

Kerlin Gallery , Dublin, Ireland

By Gemma Tipton

Frank WalterRegistered only

Ingleby Gallery , Edinburgh, UK

By Mark Sadler

Johanna BillingSubscriber only

Hollybush Gardens , London, UK

By Robert Barry

Tal RRegistered only

Victoria Miro , London, UK

By Martin Herbert

Leon GolubSubscriber only

Serpentine Gallery , London, UK

By Tom Morton

Giles RoundRegistered only

Young Team, London, UK

By Charlie Fox

Roger AcklingSubscriber only

Kestle Barton , Cornwall, UK

By Jonathan P. Watts

Carol Bove / Carlo ScarpaSubscriber only

Henry Moore Institute , Leeds, UK

By Eleanor Clayton

Kishio SugaRegistered only

Museum of Contemporary Art , Tokyo, Japan

By Andrew Maerkle

Around TownRegistered only

Various Venues, Paris, France

By William Corwin

56th Venice BiennaleSubscriber only

Fondazione Prada, Milan & Venice , Venice, Italy

By Barbara Casavecchia

56th Venice BiennaleRegistered only

Asia in Venice , Venice, Italy

By Matthew McLean

56th Venice BiennaleSubscriber only

Pavilions of Turkey & The Republic of Armenia , Venice, Italy

By Sam Thorne

56th Venice BiennaleSubscriber only

Spanish & Latin American Pavilions , Venice, Italy

By Max Andrews

56th Venice BiennaleSubscriber only

Giardini Pavilions , Venice, Italy

By Jennifer Higgie

56th Venice BiennaleRegistered only

All The World's Futures , Venice, Italy

By Sean O'Toole

3rd New Museum Triennial

New Museum, New York, USA

By Laura McLean-Ferris

Body Talk

WIELS, Brussels, Belgium

By Ellen Mara De Wachter

Around Town

Various venues, Budapest, Hungary

By William Corwin

The Radiants

Bortolami Gallery, New York, USA

By Scott Roben

Alfredo Jaar

Galerie Lelong, New York, USA

By Ara H. Merjian

Vivienne Griffin

Bureau, New York, USA

By Orit Gat

Jack Whitten

Museum of Contemporary Art , San Diego, USA

By Carmen Winant

The Border Again

Human Resources, Los Angeles, USA

By Evan Moffitt

Fiona Connor

1301PE, Los Angeles, USA

By Jonathan Griffin

Mark Bradford

Rockbund Art Museum, Shanghai, China

By Francesca Tarocco


Various venues, Kyoto, Japan

By Christy Lange

Lou Hubbard

West Space , Melbourne, Australia

By Sophie Knezic


Hopkinson Mossman, Auckland, New Zealand

By Anthony Byrt

Vlatka Horvat

ZAK | BRANICKA, Berlin, Germany

By Keren Goldberg

Meyer Vaisman

Portikus, Frankfurt, Germany

By Kirsty Bell

Pierre Bismuth

Kunsthalle Wien, Vienna, Austria

By Ben Eastham

Shifters: Signalling in Latin America and Eastern Europe

gb agency, Paris, France

By Sabrina Tarasoff

What cannot be used is forgotten

CAPC musée d’art contemporain, Bordeaux, France

By Max Andrews

Jasmina Cibic

Ludwig Múzeum, Budapest, Hungary

By Chris Fite-Wassilak

Ahmet Öğüt

Van Abbemuseum, Eindhoven, Netherlands

By Vivian Sky Rehberg

The Alien Within

Malmö Konsthall, Malmö, Sweden

By Pablo Larios

Past Disquiet: Narratives and Ghosts from The International Art Exhibition for Palestine, 1978

MACBA, Barcelona, Spain

By Rebecca Heald

Deborah Ligorio

Francesca Minini, Milan, Italy

By Federica Bueti


the Bluecoat, Liverpool, UK

By Luke Healey

Patrick Staff

Chisenhale Gallery , London, UK

By Matthew McLean

Andra Ursuta

Massimo de Carlo, London, UK

By Alice Butler

Eileen Quinlan

Campoli Presti, London, UK

By Jonathan P. Watts

Magnificent Obsessions: The Artist as Collector

Barbican, London, UK

By Charlie Fox

Paul Kneale

Evelyn Yard, London, UK

By Ellen Mara De Wachter

Conflict, Time, Photography

Tate Modern , London, UK

By Sara Knelman

Live: The Violet Crab

David Roberts Art Foundation, London, UK

By Matthew McLean

2nd Kochi-Muziris Biennale

Various Venues , Kochi & Muziris, India

By Dieter Roelstraete

The Forever Now: Contemporary Painting in an Atemporal World

The Museum of Modern Art , New York, USA

By Ara H. Merjian

Akram Zaatari

SALT Beyoğlu, Istanbul, Turkey

By Jonathan P. Watts

Ann Böttcher

Galerie Nordenhake, Stockholm, Sweden

By Ronald Jones

Carlos Motta

Röda Sten konsthall, Gothenberg, Sweden

By Matthew Rana

Melik Ohanian

Galerie Chantal Crousel, Paris, France

By Matthew McLean

Trisha Donnelly

Air de Paris , Paris, France

By Sabrina Tarasoff

Nico Vascellari

Monitor, Rome, Italy

By Luisa Grigoletto

Céline Condorelli

HangarBicocca, Milan, Italy

By Barbara Casavecchia

John Latham

La Triennale di Milano, Milan, Italy

By Barbara Casavecchia

Emily Wardill

carlier | gebauer, Berlin, Germany

By Pablo Larios

Vera Molnar

Museum Haus Konstruktiv, Zurich, Switzerland

By Adam Jasper

Ernie Gehr

Centre d’Art Contemporain Genève, Geneva, Switzerland

By Robert Barry

Patricia Gadea

Museo Reina Sofía, Madrid, Spain

By Lorena Muñoz-Alonso

Maria Thereza Alves

Centro Andaluz de Arte Contemporáneo, Seville, Spain

By Max Andrews

Abraham Cruzvillegas

Museo Jumex, Mexico City, Mexico

By Colin Perry

Joan Brown

Gallery Paule Anglim, San Francisco, USA

By Jonathan Griffin

Ryder Ripps

Postmasters Gallery , New York, USA

By Karen Archey

Titus Kaphar

Jack Shainman Gallery , New York, USA

By Hannah Stamler

Believe You Me

247365, New York, USA

By Orit Gat

Yusef Lateef

White Columns, New York, USA

By Joseph Akel

Chris Ofili

New Museum, New York, USA

By Dan Fox

Eric Wesley

356 S. Mission Road , Los Angeles, USA

By Jonathan Griffin

Beth Stuart

Battat Contemporary, Montreal, Canada

By James D. Campbell

Wilfredo Prieto and Ariel Schlesinger

Center for Contemporary Art, Tel Aviv, Israel

By Keren Goldberg

The SAAL Process: Architecture and Participation in Portugal, 1974–1976

Museu Serralves, Porto, Portugal

By Tobi Maier

Mrinalini Mukherjee

National Gallery of Modern Art , Delhi, India

By Devika Singh

Xiao Quan

Museum of Contemporary Art, Chengdu, China

By Carol Yinghua Lu


M21, Shanghai, China

By Radhika Kapila

Lynda Benglis

The Hepworth Wakefield , Wakefield, UK

By Ellen Mara De Wachter

Nástio Mosquito

Ikon Gallery , Birmingham, UK

By Hansi Momodu-Gordon

David Conroy

Seventeen, London, UK

By Morgan Quaintance

Cross Section of a Revolution

Lisson Gallery, London, UK

By Eleanor Nairne

Graham Little

Alison Jacques Gallery, London, UK

By Charlie Fox

Mary Ramsden

Pilar Corrias, London, UK

By Louisa Elderton

Jesse Darling & Takeshi ShiomitsuRegistered only

Andor, London, UK

By Robert Barry

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