Call Yourself a Critic?
The untidy tradition of criticism
Tell Tales
How memory has changed
Lip Service
From the Vatican to the Venice Biennale: the limits to symbolic acts of altruism
City Living
The shifting landscape of contemporary art in Beijing
Decade-ism
How taste and preferences change
Bodies of Evidence
Artists respond to migration in Africa
The Italian Job
Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’
Loop the Loop
A brief history of the GIF
Books
Oulipo and the re-release of Raymond Queneau’s 1947 Exercises in Style
After Life
A new film reconstructs Félix Guattari’s unproduced sci-fi script
Dirty Money
An artist-led guided tour of corruption in the Czech Republic
Music
The dub rhythms of artist and composer Marina Rosenfeld
Ideal Syllabus: Gary Panter
Artist Gary Panter draws and discusses the books that have influenced him
Talking Shop
How do you define jargon?
Little Women
At least five current TV shows include the word ‘girl’ in their title. What’s going on?
Time Regained
The collected writings of Richard Bartholomew, one of India’s pre-eminent art critics
Open Up
The mutating activities of DIS
Life in Design
In a new occasional column, frieze asks a respondent to nominate the objects, people or ideas that have influenced them
Here & There
Tate Modern and African art
Dream Screens
Remembering Antony Balch, filmmaker and distributor extraordinaire
Music
From The Jazz Singer to Nick Cave, music’s conflicted relationship with the movies
Net Gains
Claire Bishop versus the Internet
Phantomville
A specially commissioned drawing for frieze
Can I Go Now?
Trying to leave the art world
Marking Time
Boredom and death: two sides of the same coin?
Style & Content
The post-colonial essay
Beyond the Frame
Painting as performance in recent exhibitions
Games & Systems
Digital art in Cuba
Books
'Presentism’ versus ‘future shock’
Music
21 years of wildly inventive recordings – and a new album – by the Baltimore-based duo Matmos
Music
From retro to repro, and beyond
Learning by Heart
What can art teach us about happiness?
New Year Quiz
New Year Quiz
Free Wheeling
On limousines, road trips and mobility
Everything & Nothing
On working as an artist in Beirut today
Horror Vacui
Trevor Paglen and the final frontier
Conversation Pieces
Taking part in Tino Sehgal’s These associations
What Next?
How Occupy influenced New York’s art scene
Books
Three new publications about globalization and contemporary curating
Ideal Syllabus: Andrea Büttner
In an ongoing series, frieze asks an artist, curator or writer to list the books that have influenced them
What’s Hot, What’s Not
My practice is ...
Of Its Time
How do artists respond to current events?
High & Lows
The rise and fall of biennials in the Democratic Republic of Congo, Senegal and South Africa
What’s in a Word?
Do we live in a time of ‘patho-politics’?
Dear Yona
A letter to the visionary architect Yona Friedman
Music
The repercussions of Frank Ocean’s coming out
Longing & Belonging
Measuring success in community design projects, from Dakar to Newfoundland
Leaps of Faith
The new wave of social-realist storytelling in American cinema
The Year in Books
Journals, poems, biography and ‘direct implication’– the year in books
Up in the Air
Looking at art from different angles
Time Traveller
Remembering Chris Marker
Warhol’s Canada
What constitutes ‘real work’ in the cultural sphere?
Ways of Being
Looking back at John Berger’s G. and Ways of Seeing, published 40 years ago
Books
The life and work of the late, great experimental writer, Christine Brooke-Rose
Art for All?
The display of museum collections: a modest proposal
Ramallah Syndrome
Artistic responses to the question of Palestine
Life in Film: Clemens von Wedemeyer
In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them
Music
35 years of Steven Stapleton’s Nurse With Wound
Tears of a Clown
Exhibiting comics: the graphic novels of Daniel Clowes and his contemporaries
Point & Shoot
Conflicts in high-definition
Permissions
Dear Mr Jankel...
Ideal Syllabus: Katerina Gregos
In an ongoing series, frieze asks an artist, curator or writer to list the books that have influenced them
Spam the Barricades!
For this special art and activism-themed issue of frieze, gymnast / collector / dealer / gun-runner Jean-Philippe Obu-Stevenson has granted us an exclusive extract from his memoir of a life in art and politics, Keeping Myself Occupied (Editions Obu-Stevenson, 2013)
The Hardest Thing
What constitutes political art?
The Art Hangover
Spectatorship, fatigue and addiction
Music
The Aztec imagery and digital soundworld of Mexican producer Javier Estrada
The Modern Game
Imagination, football and the Cameroonian philosopher Achille Mbembe
Taking Place
Performance art in Burma
Never Enough
AIDS activism now and then – 25 years of ACT UP and Gran Fury
Books
Three new publications on socially engaged art by Claire Bishop, Creative Time and Pablo Helguera
Shouts & Murmurs
Art’s disputed relationship to activism
Emigre Ugly Faces
From Virtual Reality to Computer Graphics, the media has made much of technology's impact on the culture industry. Nowhere has this impact been more visible than in the field of Graphic Design. Emigre, a small group of West Coast designers, are at the forefront of the field, publishing typefaces that are demanding of designers and readers alike. Stephen Mayle spoke to Rudy Vanderlans, Editor of Emigre.
Visible Energy
David Lillington spoke to Albert Irvin about the position of abstract expressionism today.
Dear Claes ...
What kind of art do you stand for?
What’s Hot, What’s Not
Eggs, poodles, Minimalism?
A Taste of Politics
Art and the Cold Civil War
To Die For
A brief history of deadly art
Stand Up
One woman’s protest in Damascus
If I Were a Rich Man
The shifting iconography of the wealthy
Talk, Talk
When does bar-room debate count as criticism?
Echo Chamber
Is today’s art too self-referential?
Music
In new interviews, Conny Plank’s collaborators – including Brian Eno and Holger Czukay – remember the radical music producer.
Books
Bertolt Brecht and the media today
Life in Architecture
The first in an occasional series in which an artist, curator or writer discusses the buildings and environments that have most influenced them
Open Eyes
Online or in person? The different ways of paying attention today
Write of Spring
Life is a quotation. Sort of.
There, Not There
How our attitudes betray us
Made in Pyongyang
The controversial history of the $28-million African Renaissance Monument in Dakar
Right & Wrong
Have American conservatives taken over transgression?
Do It Yourself
New York’s energetic community of experimental music and film venues
Every Day is Good
One hundred years of John Cage
Ideal Syllabus: Brian Kennon
In an ongoing series, frieze asks an artist, curator or writer to list the books that have influenced them
On Your Marks
The conflicted cultural legacy of the London 2012 Olympics
Towers of Babble
The ArcelorMittal Orbit and the recent history of large-scale folly
Books
Non-linear reading
Music
A voyage of discovery to Belgium’s Popcorn clubs
Face Time
What does our interest in the face tell us about contemporary methods of communication?
From the Mailbox
At frieze we receive hundreds of emails every day from artists, galleries and public relations companies around the world. We would like to share some excerpts with you. Names have been blocked out to protect the guilty. But they know who they are.
A Time of Gifts
The donation of an art collection to the American University of Beirut has prompted plans to create two new galleries in Lebanon
Face Value
The changing appearance of money
Ai Weiwei
Ai Weiwei
The thrill of it all
'An artist inventor of undimming good humour, whose work provides the soul with strength to face a not too terrible hereafter.'
Blurred Visions
What do drones see? And how can we see them?
In Your Head
The surreal, oddly familiar world of Nicole Eisenman
Picture Piece: Joe Orton’s bedroom
The Islington bedroom where the playright was bludgeoned to death
Mascots & Muses
From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair
In Focus: Petrit Halilaj
The Kosovar artist’s biographical narratives and loaded artefacts
Focus Interview: Ian Cheng
Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’
Thought Maps
Gianfranco Baruchello’s long career encompasses painting, sculpture and film as well as farming and psychoanalysis
Organic Systems
Argentinian artist Adrián Villar Rojas talks to Kathy Noble about creating with clay, sculpture-as-film and team-work
My Influences: Helen Marten
The artist discusses skeuomorphism, skins and soup
Focus Case Study: Peles Empire
A collaboration that began with a castle in the Carpathians
In Focus: Emily Floyd
Utopian Modernism, children’s toys and art in the public realm
Other Criteria
From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany
Studio Spaces
A number of recent exhibitions and artist projects have utilized the architecture of the television studio. How does this tendency relate to TV’s shifting significance as a cultural form?
Books
Richard Meyer’s new publication: What Was Contemporary Art?
The Real World
Artist Matthieu Laurette and the prolific curator, collector and dealer Seth Siegelaub discuss the legacy of Conceptual art, the origins of curating and how art history is made.
Oslo City Report
Europe’s fastest-growing city is home to a supportive community of artists, curators and writers. From independent spaces in the Grønland neighbourhood and the influential Academy of Fine Art to OCA’s uncertain future and Renzo Piano’s divisive Astrup Fearnley Museet, Jason Farago and Milena Hoegsberg report from the Norwegian capital
Code Maker
The hermetic, inventive world of Thomas Scheibitz
Focus Interview: Hannah Perry
Filmmaking as a ‘series of introductions’
Focus Interview: Yuki Kimura
The Japanese artist discusses photography and the viewer as an intermediary
On Rupture
How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day
Social Works
Keith Coventry’s fusion of cultural commentary and Modernist art
In Focus: Julia Sherman
Cultural anthropology via impersonation, pageantry and apprenticeship
In Focus: Emilie Pitoiset
Withholding, covering up and glimpsing the secret world of objects
Being Curated
Dan Fox invited eight artists and artist groups to reflect on their relationships to curators and curatorial discourse. Alongside responses from Ed Atkins, Marc Camille Chaimowicz, Nick Mauss, Tom Nicholson, Paulina Olowska, Slavs and Tatars and W.A.G.E., Daniel Buren reassesses his 1972 statement ‘Exhibiting Exhibitions’
Picture Piece: Vicente B. Ballestar
The pulp paintings of Vicente B. Ballestar
Questionnaire: Gerard Byrne
Q: What should change? A: Deregulated global financial systems, obviously. Nothing else would have quite the same impact on the prospects of so many people.
A Step Out Of Time
Sylvia Sleigh’s extraordinary ‘history pictures’
My Influences: Alexandra Bachzetsis
Artist, performer and choreographer Alexandra Bachzetsis on her influences
Picture Piece: Frescoes in the Palazzo Schifanoia, Ferrara
Francesco del Cossa’s frescoes in the Hall of the Months
All for One
What makes a successful artist-run institution?
Focus Interview: Lucas Blalock
The Los Angeles-based artist discusses his photographic process in which tableau and accident meet
In Focus: Charlotte Prodger
Online subcultures, elusive narratives and structural film
The Man Who Wasn’t There
Jonathan Griffin on Anthony Pearson
Whoever Wants It
Jean-François Chevrier talks to Mark Sadler about his new book on artistic hallucination
In Focus: Marwa Arsanios
The historic layers of Beirut’s neighbourhoods; the fine line between collaboration and individual practice
In Focus: Danilo Correale
Alternative studies of continental branding, subjectivity and our data-driven societies
Strolling with the zeitgeist
Six decades of avoiding being categorized
Questionnaire: Laure Prouvost
Q: What music are you listening to? A: The very best of Italian pop songs. I'm back from six months in Italy - ciao Italia!
House & Home
On the occasion of a major touring retrospective that marks four decades of the artist’s work, Michael Famighetti considers the changing American landscape in the photographs of Robert Adams
Studio Visit: David Brian Smith
Shepherds and colonialism, appropriation and the Romantic tradition
Focus Interview: Laida Lertxundi
The Los Angeles-based filmmaker discusses cities, soundtracks and landscapes
My Influences: Eli Sudbrack
Eli Sudbrack of assume vivid astro focus writes about the people, places and artists that have influences his collaborative multimedia practice
The Whole Thing
British artist David Batchelor talks to Cuban-American painter Carmen Herrera about her 80 years of making art
Taken for Wonders
How Paul Elliman responds to the spaces, objects, words and sounds that surround him
In Focus: Rodrigo Braga
Conflict, communion and making human presence resonate in the landscape
Give Me Shelter
Franco ‘Bifo’ Berardi and Mark Fisher discuss exhaustion, the financial crisis, aesthetic resistance and the ‘slow cancellation of the future’
Picture Piece: Mechanical Turk
The chess-playing automaton that defeated Napoleon
Men Without Women
The paintings, drawings and animations of Tala Madani
In Focus: Ruth Buchanan
Meaning, memory and mockery
Questionnaire: Jonas Mekas
Q. What should stay the same? A. Clean air, clean earth, clean water.
Brand, New
This year, the Billy Apple® brand turns 50. The artist formerly known as Barrie Bates talked to Anthony Byrt about a career of collaborations and controversies that has consistently redefined art’s relationships with advertising, science and technology
Costume Drama
From Oskar Schlemmer and Cindy Sherman to Seth Price, Michael Portnoy and K8 Hardy, generations of artists have employed the codes of fashion and costume design. Vivian Sky Rehberg takes stock of the traffic between the worlds of art and dress
The Year in Review - UK
Some highlights from the year's exhibitions
The Year in Review - Film
Some highlights
The Year in Review - France
Arts and letters
The Year in Review - Germany
The unsettling installations of Rabih Mroué
The Year in Review - Mexico
The growth of public institutions in Mexico City
The Year in Review - Europe
The little things that stood out in 2012
The Year in Review - Australia
Biennials, new commercial galleries and the reopening of the Museum of Contemporary Art, Sydney
The Year in Review - China
Anti-Japanese protests and the 18th National Congress have meant a rocky year in China
The Year in Review - Egypt
Arts after the revolution
The Year in Review - Brazil
Confidence and resolve in the Brazilian art scene
Energy & Rue
There is a resurgence of interest in the essay, with collections by Jonathan Lethem, John Jeremiah Sullivan and the first biography of David Foster Wallace all published this year. Is it possible to define a form that stretches from Michel de Montaigne to Wayne Koestenbaum, from Virginia Woolf to Chris Marker? Brian Dillon surveys this enigmatic field, and asks whether this centuries-old tradition might be the genre of the future
Amsterdam City Report
To coincide with the long-delayed reopening of the Stedelijk Museum, which closed its doors in 2003, frieze commissioned three reports from the Dutch capital. Nick Aikens reviews the renovated museum, Maxine Kopsa takes stock of last year’s cuts to cultural budgets, and Timotheus Vermeulen considers the impact of the recent national elections
The Year in Review - LA MOCA
Contemplating recent events at the Museum of Contemporary Art, Los Angeles
The Year in Review - USA
Changes in historical perspective that are shaping art being made today
Various Elements
On the occasion of a major retrospective at M HKA in Antwerp, Jimmie Durham talks to Kirsty Bell about enthusiasm, itinerancy, cities, poetry and Cherokee mythology
Influences: Geta Brătescu
I have been influenced by the authority of art. Everything that I’ve seen in museums or cathedrals on my travels – in Italy, Greece, Germany, France, the UK and Denmark – has had an impact on me through the incontrovertible truth of its imagery. In other words, a drawing (whose authority lies in the drawing) cannot be contradicted.
For This Thing To Happen
Roe Ethridge’s work circulates in the worlds of fashion, commercial and art photography. Christy Lange considers his ‘chaotic inventory’.
Frames Of Reference
In recent years, the work of self-taught artists has come to be contextualized within larger narratives of contemporary art. How is Outsider Art best understood and what does this definition mean when ‘inside’ and ‘outside’ become blurred? How does it relate to fraught issues of education and exclusion, originality and exploitation? Jonathan Griffin invited Robert Gober, Matthew Higgs, Paul Laffoley and David Maclagan to discuss these questions
Focus: Shana Moulton
The New York-based artist talks about character, the West Coast, process and slime
Focus: Kiluanji Kia Henda
Post-colonial Angola; photography as both ‘pliable fiction’ and ‘weapon of intervention and denunciation’
Picture Piece: the Chanel lamppost
Coco Chanel and the Duke of Westminster
Focus: Mircea Nicolae
Interventions in Bucharest's history of state bureaucracy and brutalist architecture
Focus: Nicolas Deshayes
Polystyrene and Post-Minimalism; industrial processes and the ‘skin’ of amorphous forms
A Lot of Small Things
Thomas Lommée’s inclusive approach to modular design
Image Games
For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists
Space Man
The preoccupations of the late American artist Robert Watts ranged from anthropology to the space race, from fast food to the Cold War. Annette Leddy explores how the Fluxus member sought to bring the universe into the home
Look into the Camera
Since the early 1960s, Peter Watkins has explored film’s potential as a medium of communication and catharsis for actors and audiences alike
What Matters Most
Often enlisting entire communities, Czech artist Kateřina Šedá’s projects raise questions about the pros and cons of an artistic practice that purports to be for the good of its participants
Redmond Entwistle
Redmond Entwistle on the making of Walk-Through (2012), a film about Michael Asher’s ‘Post-Studio’ class at CalArts.
Focus: Adrien Missika
Melancholy and entropy haunt the French artist’s films and photographs
Designs for Life
Theaster Gates is an artist, musician and activist based in Chicago. Mark Godfrey travelled to four cities to gain a deeper understanding of his unique approach to the intermingling of art with urban regeneration
Picture Piece: The Cycle Savages
Bikesploitation and art: The Cycle Savages
Focus: Liz Magic Laser
Newsrooms, agitprop theatre and the‘living newspaper'
Get Together
Curated by Carolyn Christov-Bakargiev, dOCUMENTA (13)is a vast, challenging exhibition, incorporating more than 300 participants and encompassing sites in Alexandria /Cairo, Banff and Kabul, as well as Kassel. Alex Farquharson and Kaelen Wilson-Goldie grapple with its complexities.
New Schools
A survey of recently founded artist-run art academies and education programmes, with contributions from: The Silent University, The School of Global Art, The External Program, MASS Alexandria, SOMA and Islington Mill Art Academy
Focus: Matheus Rocha Pitta
How a monumental ruin is turned into gravel, in the Brazilian artist’s show ‘Dois Reais’ (Two Reals, 2012)
Questions & Answers
For 40 years, Suzanne Lacy has worked collaboratively to create installations, videos and large-scale performances in response to social themes and urban issues
Renata Lucas
What is art for? Perhaps it’s one of the few things left that allows us to declare that we don’t fit the given standards.
What the World Needs Now ...
22 artists respond to four questions on political art
Damien Hirst
Stuart Morgan interviews Damien Hirst
A New Internationalism
At the recent London art fair, Andrew Renton, Karsten Schubert and Michael Craig-Martin discussed the possibilities of new british art being taken up internationally.
Christian Boltanski
Christian Boltanski interviewed by Rose Jennings
Perfect Moments
Graham Gussin interviewed by Matthew Slotover
Delhi
Since the late 1990s, the art scene in the Indian capital and its environs has swelled from a handful of galleries to a thriving constellation of non-profits, residency programmes and artist-run spaces.
Andy Holden
On a music festival in Wysing, ‘Thingly Time’, the zigzag wave form of Charlie Brown’s jumper and Bedfordshire
Amalia Pica
Q: What is art for? A: It’s a way of resisting the lack of meaning in things, a desperate attempt to make sense of how random and absurd the world is — and it’s also a way of celebrating exactly that.
NYC 1993
New Museum , New York, USA
By Jennifer Kabat
Yoko Ono
Schirn Kunsthalle, Frankfurt, Germany
By Klaus Walter
The Bride & the Bachelors and Robert Rauschenberg
Barbican Art Gallery / Gagosian gallery, London, UK
By Jeremy Millar
Nayland Blake
Matthew Marks Gallery, New York, USA
By David Everitt Howe
Maya Bloch
Thierry Goldberg, New York, USA
By Ara H. Merjian
The Handler of Gravity
Essex Street, New York, USA
By Wendy Vogel
Ok Huyn Ahn
Showroom 170, New York, USA
By Pablo Larios
Tacita Dean
Marian Goodman, New York, USA
By William Corwin
Josiah McElheny
Vizcaya Museum and Gardens, Miami, USA
By Alpesh Patel
Llyn Foulkes
Hammer Museum, Los Angeles, USA
By Jonathan Griffin
Hilma af Klint
Moderna Museet, Stockholm, Sweden
By Jennifer Higgie
Jan Groover
Galerie Paul Frèches, Paris, France
By Robert Barry
Jos De Gruyter & Harald Thys
M_HKA, Antwerp, Belgium
By Kasia Redzisz
Notes on Neo-Camp
Office Baroque Gallery, Antwerp, Belgium
By Laura McLean-Ferris
Simon Denny
Kunstverein Munich,
By Kevin McGarry
Julia Haller
Galerie Christian Nagel, Berlin, Germany
By Mark Prince
Barbara Hammer
KOW, Berlin, Germany
By Matthew Burbidge
John Henderson
Peep-Hole, Milan, Italy
By Barbara Casavecchia
Paola Revenioti
The Breeder, Athens, Greece
By Marina Fokidis
Simeón Saiz Ruiz
Galería Fúcares, Madrid, Spain
By George Stolz
The Themersons and the Avant-Garde
Muzeum Sztuki, Lodz, Poland
By Krzysztof Kosciuczuk
Jeff Keen
Kate MacGarry, London, UK
By Martin Herbert
Michael Krebber
Maureen Paley, London, UK
By Laura McLean-Ferris
Kutlug Ataman
Thomas Dane Gallery, London, UK
By Nick Aikens
Jeremiah Day
Arcade, London, UK
By Chris Fite-Wassilak
Mark Fisher & Justin Barton
The Showroom, London, UK
By Charlie Fox
Rosa Barba
Cornerhouse & Turner Contemporary, Manchester and Margate
By Amy Sherlock
The Universal Addressability of Dumb Things
The Bluecoat, Liverpool, UK
By Giulia Smith
ECONOMY
CCA & Stills, Glasgow and Edinburgh
By Chris Sharratt
Guan Xiao
Magician Space, Beijing, China
By Carol Yinghua Lu
Queering Making II
Abadi Art Space, Delhi, India
By Eleanor ivory Weber
Nityan Unnikrishnan
Chatterjee & Lal, Mumbai, India
By Prajna Desai
Gerard Byrne
Whitechapel Gallery & Lisson Gallery, London, UK
By Martin Herbert
7th Asia Pacific Triennial of Contemporary Art
Queensland Art Gallery | Gallery of Modern Art, Brisbane, Queensland and Brisbane, Australia
By Wes Hill
Destroy the Picture: Painting the Void, 1949–1962
Museum of Contemporary Art, Los Angeles, USA
By Ian Chang
Artur Żmijewski
Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
By Agnieszka Gratza
Mandla Reuter
Kunsthalle Basel, Basel, Switzerland
By Quinn Latimer
Ragnar Kjartansson
Migros Museum, Zurich, Switzerland
By Stefan Heidenreich
Valérie Favre
Galerie Peter Kilchmann, Zurich, Switzerland
By Raphael Gygax
Martin Honert
Hamburger Bahnhof, Berlin, Germany
By Mark Prince
Analia Saban
Sprüth Magers, Berlin, Germany
By Pablo Larios
Simon Evans & Öyvind Fahlström
Kunsthalle Düsseldorf , Düsseldorf, Germany
By Timotheus Vermeulen
Les fleurs américaines
Le Plateau, Paris, France
By Rahma Khazam
Two Thousand and Twelve
Air de Paris , Paris, France
By Cristina Ricupero
Oscar Tuazon
dépendance, Brussels, Belgium
By Elize Mazadiego
re.act.feminism #2
Fundació Antoni Tàpies, Barcelona, Spain
By Rebecca Close & Control-Z
Cristina Iglesias
Museo Reina Sofía, Madrid, Spain
By George Stolz
The Thirties: The Arts in Italy Beyond Fascism
Palazzo Strozzi, Florence, Italy
By Ara H. Merjian
Dmitri Prigov
State Hermitage Museum, St. Petersburg, Russia
By James Cahill
Taking Matters Into Our Own Hands
Richard Saltoun & Karsten Schubert, London, UK
By Morgan Quaintance
The Vivisector
Sprüth Magers, London, UK
By Alice Butler
Edith Dekyndt
Carl Freedman Gallery, London, UK
By Amy Sherlock
Peter Clarke
Iniva, London, UK
By Lara Pawson
Adelita Husni-Bey
Gasworks, London, UK
By Paolo Magagnoli
1913: The Shape of Time
The Henry Moore Institute, Leeds, UK
By William Corwin
Delia Derbyshire Day 2013
Band on the Wall , Manchester, UK
By David Morris
Alice Maher
Irish Museum of Modern Art , Dublin, Ireland
By Brian Curtin
Ian Wallace
Vancouver Art Gallery , Vancouver, Canada
By Robert Linsley
Laura Owens
356 South Mission Road, Los Angeles, USA
By Jonathan Griffin
Faking It: Manipulated Photography Before Photoshop
Metropolitan Museum of Art, New York, USA
By Brian Sholis
On Creating Reality, by Andy Kaufman
Maccarone, New York, USA
By Summer Guthery
Owen Kydd
Nicelle Beauchene Gallery, New York, USA
By Elwyn Palmerton
Erik Wysocan
Laurel Gitlen, New York, USA
By Nathaniel Cunningham
Barbara Kasten
Jessica Silverman Gallery, San Francisco, USA
By Joseph Akel
Malcolm Morley
Parrish Art Museum, Water Mill, USA
By Michael Pepi
In the Holocene
MIT List Visual Arts Center, Massachusetts, USA
By Scott Roben
Postscript: Writing after Conceptual Art
Museum of Contemporary Art Denver , Denver, USA
By Lauren A. Wright
Geoff Lowe 1972-92 & A Constructed World Ian Potter Museum of Art, University of Melbourne
Ian Potter Museum of Art, University of Melbourne, Melbourne, Australia
By Michael Ascroft
on | off
Ullens Center for Contemporary Art, Beijing, China
By Beatrice Leanza
Kochi-Muziris Biennale
Various venues, Kochi & Muziris, India
By Amanprit Sandhu
Roy Lichtenstein
National Gallery of Art, Washington D.C, USA
By Ara H. Merjian
Tokyo 1955–1970
Museum of Modern Art, New York, USA
By Katie Kitamura
Bernadette Corporation
Artists Space, New York, USA
By Jennifer Kabat
Materializing ‘Six Years’
Brooklyn Museum, New York, USA
By Carmen Winant
Nicolas Ceccaldi
Real Fine Arts, New York, USA
By Kari Rittenbach
Hank Willis Thomas
Jack Shainman Gallery, New York, USA
By A.M. Weaver
Six Lines of Flight
San Francisco Museum of Modern Art, San Francisco, USA
By Jeanne Gerrity
Lutz Bacher
Ratio 3, San Francisco, USA
By Jonathan Griffin
Brian Groombridge
YYZ & Susan Hobbs Gallery, Toronto, Canada
By Charles Reeve
Andrew Grassie
Rennie Collection, Vancouver, Canada
By Michael Harris
Kafou: Haiti, Art & Vodou
Nottingham Contemporary, Nottingham, UK
By Colin Perry
Helen Marten
Chisenhale Gallery, London, UK
By Kathy Noble
John Divola
Laura Bartlett Gallery, London, UK
By Laura McLean-Ferris
Film in Space
Camden Arts Centre, London, UK
By Agnieszka Gratza
Artist Placement Group
Raven Row, London, UK
By Sarah James
William Klein + Daido Moriyama
Tate Modern, London, UK
By Bettina Pousttchi
Revolver
Matt’s Gallery, London, UK
By Colin Perry
Bruno Munari
Estorick Collection, London, UK
By Nicole Yip
Gabriele Beveridge
Rod Barton, London, UK
By Josephine New
Jim Shaw
BALTIC, Gateshead, UK
By Chad Elias
Mike Kelley
Stedelijk Museum, Amsterdam, Netherlands
By Kathy Noble
How Much Fascism?
By Nick Aikens
Neptune Society
Galerie Daniel Buchholz, Berlin, Germany
By Kirsty Bell
Markéta Othová
Bonner Kunstverein, Bonn, Germany
By Noemi Smolik
Marcel Odenbach
Galerie Gisela Capitain, Cologne, Germany
By Noemi Smolik
Christian Mayer
Galerie Mezzanin, Vienna, Austria
By Jörg Heiser
Mike Parr
Kunsthalle Wien, Vienna, Austria
By Simon Rees
Filipa César
Jeu de Paume, Paris, France
By Raphaël Brunel
A Grammar of the Accidental
Fri Art – Centre d’art de Fribourg, Fribourg, Switzerland
By Aoife Rosenmeyer
Karl Larsson
Signal | Center for Contemporary Art, Malmö, Sweden
By Matthew Rana
Issues 
(View All Covers)
Categories
Most Viewed Articles (This Issue)
Most Viewed Articles (All Issues)
RSS Feeds
_frieze.png&contenttype=png)
Combined subscription offer
Subscribe to both frieze (8 issues) and frieze d/e (4 issues), and have both delivered to your door from only £60 for a year.
Publications
Frieze New York Catalogue 2013-14 UK £24.95 Buy the new Frieze New York Catalogue 2013-14
