State of the Art

Call Yourself a Critic?

The untidy tradition of criticism by Sam Thorne

Pretty, Pretty Good

Tell Tales

How memory has changed by Jennifer Allen

State of the Art

Art Hearts PoetrySubscriber only

The role of poetry in the world of appearances by Quinn Latimer


What’s Hot What’s NotRegistered only

Despair, ceramics, manners …


Drawing a Blank

Ukraine’s Maidan Protests and Manifesta by Sean Snyder and Olga Bryukhovetska


European Dropouts

The consequences of Russia’s cultural policies by Valentin Diaconov

Art History

Reel WorldRegistered only

‘Sarkari Shorts’ and the Films Division of India by Shanay Jhaveri


Novel IdeaRegistered only

Omer Fast’s film adaptation of Tom McCarthy’s book, Remainder by Tom Morton

By Design

By Design

The difference between disciplines by Alice Rawsthorn


Scene of the CrimeSubscriber only

The photographic archives of the Los Angeles Police Department by Erik Morse


BooksRegistered only

Three new publications by artists catalogue the minutiae of contemporary existence by Robert Barry


Leaving TimeRegistered only

Image and imagination in the films of Alain Resnais by Jonathon Sturgeon


MusicRegistered only

In pursuit of Erik Satie by Charlie Fox

Ideal Syllabus

Ideal Syllabus: Katrina PalmerSubscriber only

The artist and writer discusses the books that have influenced her by Katrina Palmer

State of the Art

Bringing the Battle Home

What makes a war story true? by Christy Lange

In These Intemperate Times

A Fictional Past

The myth of the ‘Great American Novel’ by Lynne Tillman

Other cities, other seas

What Remains

Can art survive a civil war? by Kaelen Wilson-Goldie

Weekend Special

First Site

Africa’s first mega-museum to open in Cape Town by Sean O'Toole

Life in Film

Life in Film (& Sculpture)

Jordan Wolfson discusses his influences by Jordan Wolfson


Black Water

Combustion and digestion in Matthew Barney’s latest work by Ross Simonini



Smartphones vs. the live experience by Damon Krukowski


Real Time

Radical filmmaking at the Sensory Ethnography Lab by Agnieszka Gratza


New Sweden

Re-evaluating modernist housing at Tensta Konsthall by Mark Fisher


Public Enemy

Machiavellian scheming and political drama by Timotheus Vermeulen



Two recent publications examine conflict and collaboration in public art projects by David Crowley

State of the Art

What’s the Use?

Museums take on social practice by Sam Thorne


Share & Like

The confusion around photography bans in museums by Ellen Mara De Wachter


Heritage Inc.

Consumption, conflict and the Beijing cityscape by En Liang Khong

Art Criticism

A Larger World

New approaches to exhibition-making in India by Shanay Jhaveri


Opening Time?

The visibility and invisibility of art in Cairo by Clare Davies


Form Follows Folly

Architecture, whimsy and the Gwangju Biennale by Joseph Grima



Whatever happened to New Age travellers? by Dan Fox

Ideal Syllabus

Ideal Syllabus: Linda Fregni Nagler

Italian artist Linda Fregni Nagler discusses the books that have influenced her by Linda Fregni Nagler

By Design

What Is Design?

An agent of change, from prehistory to today by Alice Rawsthorn

Weekend Special

Open Cities

Walking with Teju Cole by Sean O’Toole

Other cities, other seas

Seeing & Believing

The spiritual and the secular in art today by Kaelen Wilson-Goldie


OK Computer?

Man vs. machine by John Menick


Bytes & Bricks

How social networks are changing the city by Robin van den Akker


Curating by Numbers

How budgets shape exhibitions by Eleanor Nairne



Reading as information control: the poet Tan Lin talks to Sam Thorne by Sam Thorne

State of the Art

Count Down

The art world’s ambivalent response to surveillance by Jörg Heiser


The Age of Anxiety

The Age of Anxiety by Jennifer Higgie

In These Intemperate Times

Below the Belt

The politics of pants by Lynne Tillman


MusicRegistered only

On eavesdropping, Muzak and the sound of Bitcoin by Geeta Dayal


Dear Lina

The legacy of one of Brazil's greatest architects by Silas Martí

State of the Art

Show Me What You’ve Got

Do we live in an age of panicky materialism? by Jan Verwoert

Other cities, other seas

Everyday Things

The spectres of the culture wars by Kaelen Wilson-Goldie

In These Intemperate Times

Fighting Talk

Words and nations by Lynne Tillman

Weekend Special

Shelf Lives

A performative tour of libraries in Nairobi by Sean O’Toole

Life in Music

Life in Music: Ida Ekblad

In the first of a new series, Norwegian artist Ida Ekblad discusses the music that she loves


Fractured Times

On Eric Hobsbawm's Fractured Times by Houman Barekat


Enemies of the State

Has Hollywood primed us for total surveillance? by Bert Rebhandl


Chicago footwork

The global spread of Chicago footwork by David Morris


Make Believe

The virtual realities of Spring Breakers and The Bling Ring by Kevin McGarry

State of the Art

Speaking Out

From Russia to the UAE — to boycott or not to boycott? by Jennifer Higgie


Playing Chicken

A response to Richard Prince


On a Shoestring

Institutions in Catalonia by Max Andrews


For the Record

Archiving Asia’s contemporary art by David Spalding


Style & Substance

On teaching criticism and ‘art writing’ by Brian Dillon

Sound Art

Audio Visual

The problems of defining and exhibiting sound art by Paul Schütze


Books: Jennifer Doyle

Jennifer Doyle discusses her new book, Hold it Against Me: Difficulty and Emotion in Contemporary Art by Erik Morse


Music: Van Dyke Parks

50 years of Van Dyke Parks by Franklin Bruno


Reading Room

Gentrification and independent publishing in San Francisco by Jarett Kobek


A Trace of a Trace

The framing of art and life in Rachel Kushner’s The Flamethrowers by Ben Lerner

Life in Film

Life in Film: Adam Chodzko

The British artist discusses the films that have most influenced him by Adam Chodzko

State of the Art

Conservative Party

Can old ways be better ways? Or, Irony, playful ambivalence and fixed meanings


The Social Network

The pioneering gallerist Kekoo Gandhy by Shanay Jhaveri

Life in Film

Life in Film

The Brazilian artist discusses the films that have most influenced her by Tamar Guimarães

Art History

At Home

The restoration of Donald Judd’s SoHo loft by Robert Storr



Jay Z, The Art of Noise and Afrika Bambaataa by Dan Fox



Four decades of Semiotext(e)


Let’s Get Together

‘Painting Forever!’ opens across four Berlin institutions

In These Intemperate Times

Life Less Ordinary

On disasters and motivation by Lynne Tillman


Film Studio

Theatricalizing the design process online by Elizabeth Glickfeld

State of the Art

Based on a True Story

Sifting fact from fiction by Christy Lange

Other cities, other seas

Trials & Tribulations

Prisoners of conscience and creative acts by Kaelen Wilson-Goldie


Buy Degrees

De Appel’s new course in art dealing by Jason Farago


Around the World

National identity and ‘global fiction’ by Rajeev Balasubramanyam


Private Views

Literature versus art history by Quinn Latimer


Truth & Dare

Chilean director Pablo Larraín discusses the merging of fact and fiction in his films by Rob White



The strange case of rave-culture pulp-fiction by Sukhdev Sandhu

The Art World

Belittled Women

What does the term ‘gallerina’ symbolize? by Isobel Harbison


Best in Show

The changing face of graduate exhibitions by Tom Morton

Ideal Syllabus

Ideal Syllabus: Chloe Aridjis

The Mexican novelist lists the books that have influenced her by Chloe Aridjis

State of the Art

Lip Service

From the Vatican to the Venice Biennale: the limits to symbolic acts of altruism by Jörg Heiser

In These Intemperate Times


How taste and preferences change by Lynne Tillman

Weekend Special

Bodies of Evidence

Artists respond to migration in Africa by Sean O’Toole


The Italian Job

Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’ by Barbara Casavecchia


Loop the Loop

A brief history of the GIF by Morgan Quaintance



Oulipo and the re-release of Raymond Queneau’s 1947 Exercises in Style by Charlie Fox


After Life

A new film reconstructs Félix Guattari’s unproduced sci-fi script by Erik Morse


Dirty Money

An artist-led guided tour of corruption in the Czech Republic by Noemi Smolik



The dub rhythms of artist and composer Marina Rosenfeld by Dan Fox

Ideal Syllabus

Ideal Syllabus: Gary Panter

Artist Gary Panter draws and discusses the books that have influenced him by Gary Panter


City Living

The shifting landscape of contemporary art in Beijing by David Spalding

State of the Art

Net Gains

Claire Bishop versus the Internet by Paul Teasdale

State of the Art

Talking Shop

How do you define jargon? by Sam Thorne


Little Women

At least five current TV shows include the word ‘girl’ in their title. What’s going on? by Timotheus Vermeulen

Art Criticism

Time Regained

The collected writings of Richard Bartholomew, one of India’s pre-eminent art critics by Shanay Jhaveri


Open Up

The mutating activities of DIS by Kevin McGarry


Ai Weiwei

Ai Weiwei


The thrill of it all

'An artist inventor of undimming good humour, whose work provides the soul with strength to face a not too terrible hereafter.' by Michael Bracewell


Erase and Rewind

In memory of the late Sturtevant we present this archive piece by Bruce Hainley on her long and influential career by Bruce Hainley


Seven Subjects You Shouldn’t Photograph

(Or Should You?) by Christy Lange


Changed StatesRegistered only

Collaboration and conflict in the work of Eric Baudelaire by Ellen Mara De Wachter


Today is an ExampleSubscriber only

Praised by T.S. Eliot and best friends with Harry Smith, Lionel Ziprin was a mystic and poet whose archive is a source of fascination for many contemporary artists, especially Carol Bove, who now houses it in her New York studio by Andy Battaglia by Andy Battaglia


My Influences: Liliane LijnRegistered only

From conversations with friends including André Breton, William Burroughs and Caresse Crosby, to studying astronomy, physics and the Greek myths, Liliane Lijn discusses the evolution of her pictorial language by Liliane Lijn


In Focus: Patrizio di MassimoSubscriber only

Guilty pleasures at home and far away by Amy Sherlock


Focus Studio Visit: Caroline AchaintreRegistered only

Theatrical textiles and characters in clay by Isobel Harbison

Picture Piece

Picture Piece: Jean CocteauRegistered only

Jean Cocteau in Soho by Jennifer Higgie


Always in the PresentRegistered only

Dominikus Müller discusses the role of words and objects in the work of Jason Dodge by Dominikus Müller


In Focus: Avery SingerRegistered only

Painting as sculpture as performance by Kasia Redzisz


Focus Interview: Jumana MannaRegistered only

Films and sculptures about ambiguity and materiality by Omar Kholeif

Think Piece

In the Company of Flesh and BloodSubscriber only

Approaching sincerity via poetry and art by Matthew Rana


Questionnaire: Sue TompkinsSubscriber only

Q: What was the first poem you remember reading? A: Beowulf, at school.  by Sue Tompkins


15 PoemsSubscriber only

A selection of new, previously unpublished work by leading poets: John Ashbery, Charles Bernstein, Anselm Berrigan, Paul Chan, Marcella Durand, Alan Gilbert, Ann Lauterbach, Eileen Myles, Jake Pam Dick, Frances Richard, Lytle Shaw, Mónica de la Torre, Anne Waldman, Matvei Yankelevich and John Yau. For this special section, we invited Jeremy Sigler to choose new work by poets from different generations and sensibilities, whose writing is influenced, in one way or another, by the visual arts. All live and work in the US; some write poetry full-time; many are critics, activists and educators; yet others are artists.


Notes on Film

On the 20th anniversary of Derek Jarman’s death, Paul Schütze spoke to Simon Fisher Turner about composing music for his friend’s movies by Paul Schütze


Paloma Varga Weisz: My Influences

From her father’s illustrations of Jean Cocteau’s poetry to Lucas Cranach, Giorgio de Chirico and Gerhard Merz, the German artist discusses the evolution of her pictorial language and Jennifer Higgie responds to her ‘heart-breaking hallucinations’ by Jennifer Higgie


Everywhere at Once

Ken Okiishi: painting in the age of Instagram by David Everitt Howe


In Focus: Matt Lipps

Home and where the heart is by Joseph Akel


Focus Interview: Benedict Drew

Puncturing fantasies: exhausted images and the ‘me’ generation by Nathaniel Budzinski


Mergers & Aquisitions

Xu Zhen and his cultural production organization, MadeIn Company by Colin Chinnery


Only The Lonely

Dan Fox talks to Michael Smith about minimalism, comedy and failure by Dan Fox


Said & Done

Cally Spooner’s work explores how technology and new media are making performers of us all by Alice Butler


In Focus: Raafat Ishak

The merging of politics, materials and metaphysics by Wes Hill


In Focus: Loretta Fahrenholz

Films crafted from complexity, complicity and contradiction by Kirsty Bell


Queer Time and Place

‘What does it mean to make queer art now?’ Paul Clinton asks artists and writers Catherine Lord, Carlos Motta, Charlotte Prodger, James Richards, Prem Sahib and A.L. Steiner to respond


What Am I Doing Here?

Luca Vitone and the contemporary Italian landscape by Barbara Casavecchia

Picture Piece

Picture Piece: Beaverworld

Beaverworld by Aaron Angell


Histories of Violence

Has 12 Years a Slave finally exorcised Hollywood’s racist legacy? A consideration of representations of slavery on screen from The Birth of a Nation to Django Unchained and Belle by Morgan Quaintance

Something in the Water

Magali Reus is part of a group of young, London-based artists exploring sleek surfaces and abject bodies by Amy Sherlock


The New, The New

Henry Flynt talks about half a century’s worth of wildly divergent activities, from his early formulation of ‘concept art’ to musical experiments and philosophical writings by Ross Simonini


In Focus: Samara Golden

Disorientating interiors and invented spaces by Jonathan Griffin


Focus Interview: Cara Tolmie

Tension, translation and improvisation by Chris Fite-Wassilak


Adapt to Change

The films of Albert Serra by Bert Rebhandl


Exit Ghosts

Phantoms and immaterial labour in the films of Agnieszka Kurant by Agnieszka Gratza

Picture Piece

Picture Piece: Janine Janet

Janine Janet’s sculptural creations for Balenciaga’s windows by Erik Morse


Focus Studio Visit: Claudia Wieser

A post-Bauhaus approach to transforming public and private spaces by Kito Nedo


In Focus: Meriç Algün Ringborg

The act of writing and the ‘shadowy constitution of authorship’ by Kaelen Wilson-Goldie


Island Life

Holly Bynoe, Charles Campbell, Amanda Coulson, John Cox, Annalee Davis and Caryl Ivrisse-Crochemar reflect on the role of contemporary art in the Caribbean by Dan Fox


All Watched Over

Did Philip K. Dick predict the future of surveillance? by Andrew Hultkrans


In Focus: Kate Newby

The art of tiny revelations by Jennifer Kabat


In search of Stanley Brouwn

by Oscar van den Boogaard by Oscar van den Boogaard


Focus Interview: Lucy Clout

Soap-opera small talk and speech as a gesture by Amy Sherlock


Known Unknowns

Useful mistakes, ikebana and messy cultural assumptions in the work of Camille Henrot by Dan Fox


In Focus: Tyler Coburn

Human bodies versus computer-based interfaces by Karen Archey


In Focus: Assaf Gruber

GIFS as readymades; finding inspiration in Hollywood film by Paul Teasdale


This New World

Muriel Cooper: a graphic design pioneer who anticipated the digital revolution by Markus Weisbeck

Picture Piece

Picture Piece: Cybersyn, Chile 1971-73

Photograph of Cybersyn, Salvador Allende's attempt to create a 'socialist internet, decades ahead of its time'



Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly ‘his' by Pablo Larios


Safety in Numbers?

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect. by Jörg Heiser

Questionnaire: Mario Garcia Torres

Q: What is art for? A: To keep our scepticism alive.

Think Piece

Then & Now

British art and the 1990s by Dan Fox


Poet in Action

An interview with Alejandro Jodorowsky by Erik Morse


Rules of Attraction

The uncomfortable world of Marlene McCarty by Jennifer Kabat


In Focus: Colter Jacobsen

Drawing from memory


Focus Studio Visit: Ann Cathrin November Høibo

Tactile textiles by Amy Sherlock


Beginnings + Ends

What are the histories of artists engaging with emergent technologies? How has Post-Internet art come to be defined? And what happens next? frieze asks eight artists, writers and curators to reflect


In Focus: Aleana Egan

Tracing elliptical spaces between architecture, literature and sculpture by Declan Long


Focus Interview: Shambhavi Kaul

Films about place and ‘denatured nature’ by Shanay Jhaveri


Another Chapter

Biography and timeliness in the work of Moshekwa Langa by Sean O’Toole and is a writer and co-editor of Cityscapes, a magazine devoted to urban enquiry. He lives in Cape Town, South Africa.


Ways of Knowing

The sculptures, installations and drawings of Diango Hernández by Timotheus Vermeulen

Picture Piece

Picture Piece: Edward Snowden’s destroyed hard drive

Photograph of destroyed computer parts said to have contained files leaked by Edward Snowden, published by the Guardian by Henrik Olesen


Questionnaire: Hito Steyerl

Q: If you could live with only one piece of art, what would it be? A: Why should I live with an art work?


Peculiar Galaxies

Looking at recent work of the legendary and elusive California-based artist Lutz Bacher by Caoimhín Mac Giolla Léith


My Influences: Philippe Parreno

Jennifer Higgie interviews the artist at his Paris studio

Think Piece

The Further Adventures of Parlando, Melisma and the Cookie Monster

A brief history of unique singing techniques by Mark Beasley


Focus Interview: Caragh Thuring

Experimental fiction, speculative portraits and shifting contexts by Alice Butler


In Focus: Alan Reid

Unbearable lightness, the fashion industry and ‘portraits of nouns’ by David Everitt Howe

Think Piece

Rumours & Recognition

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries? by Kaelen Wilson-Goldie

Picture Piece

Picture Piece: ‘The Three Keatons’

Buster Keaton’s family vaudeville act by Charlie Fox

City Report

City Report: Johannesburg

The philosopher Achille Mbembe once called Johannesburg the ‘elusive metropolis’. From emerging project spaces to women’s labour issues, Sean O’Toole and Gabi Ngcobo report on this constantly changing city of 4.5 million inhabitants, in which a strong photographic tradition — that includes David Goldblatt, Zanele Muholi and Santu Mofokeng — provides something of an anchor by Sean O'Toole and Gabi Ngcobo


Work & Play

Bik Van der Pol: artists as undercover agents by by Nick Aikens


In Focus: Alexander Tovborg

From clairvoyance to religiosity and the secret of the ‘100 Black Planets’ by Tom Morton


Who Would Believe It?

Film director Nicolas Roeg talks to his friend, the artist John Stezaker, about collage, editing and memory, and film’s ability to ‘trap shadows’


Questionnaire: Raimundas Malašauskas

What image keeps you company in the space where you work? The window


The Encyclopedic Palace

The 55th Venice Biennale by Sam Thorne


Welcome to Iraq

The 55th Venice Biennale by Jennifer Higgie


The Film Essay

The 55th Venice Biennale by Jörg Heiser


The U.S Pavilion

The 55th Venice Biennale by Dan Fox


The British Pavilion

The 55th Venice Biennale by Tom Morton and is a curator and contributing editor of frieze, based in London, UK.


The Italian Pavilion

The 55th Venice Biennale by Barbara Casavecchia


Africa in Venice

The 55th Venice Biennale by Sean O’Toole


Sunrise to Sunset

T.J. Wilcox talks to Kirsty Bell about his latest video project, In the Air, which opens at the Whitney Museum in September by Kirsty Bell

Picture Piece

Picture Piece

The Washington, D.C. Metro by George Pendle


Focus Interview: Iratxe Jaio & Klaas van Gorkum

The image of ‘work’ and the relation between art and labour by Max Andrews


Focus Interview: Josh Kline

Posthumanism, sci-fi novels and technology by Domenick Ammirati


Peripheral Visions

For more than 50 years, the Argentinian artist Julio Le Parc has been exploring spectatorship, movement and participation. Following a major survey show at the Palais de Tokyo, Robert Barry considers the artist’s life and work by Robert Barry


In Focus: Mosireen

The recent activities of the Cairo-based film collective by Basia Lewandowska Cummings


In Focus: Dewar & Gicquel

The intermingling of conceptual and material worlds by Vivian Sky Rehberg


The Game

An interview with Michèle Bernstein, novelist and founding member of the Situationist International by Gavin Everall


Open House

The evolution of ‘performance architecture’ by Agnieszka Gratza


Questionnaire: Camille Henrot

What do you like the look of? People’s faces when they are very surprised.


Questionnaire: Dayanita Singh

Q: What is art for? A: To escape.


The Actual World

Are objects more real than words? Or, how poet and novelist Ben Lerner stopped being jealous and learned to love the virtual by Ben Lerner


In Focus: Aaron Flint Jamison

The spaces between rumour, information and circulation by Jonathan P. Watts


Focus Studio Visit: Basel Abbas and Ruanne Abou-Rahme

A portrait of the West Bank that fuses fact and fiction by Katya García-Antón


The Hunger

How artists visualize political reality through the artifice of fiction by Katie Kitamura


Focus Interview: Aaron Angell

Studio pottery, anti-art, John Fahey and compost by Tom Morton


In Focus: Anna K.E.

Sisyphean tasks and the failed Utopias of Modernist architecture by Noemi Smolik

Whitney Biennial 2014Subscriber only

Whitney Museum of American Art, New York, USA

By Jason Farago

Glasgow International 2014Registered only

Various venues, Glasgow, UK

By Maria Fusco and Tom Morton

19th Biennale of SydneySubscriber only

Various venues, Sydney, Australia

By Wes Hill

Hito SteyerlRegistered only

Van Abbemuseum, Eindhoven, Netherlands

By Amelia Groom

Rise and Fall of ApartheidSubscriber only

Museum Africa, Johannesburg, South Africa

By Sean O'Toole

Liu DingSubscriber only

Galerie Urs Meile, Beijing, China

By Karen Archey

Downtown Contemporary Arts FestivalRegistered only

Various venues, Cairo, Egypt

By Mia Jankowicz

Fran MeanaSubscriber only

NoguerasBlanchard, Madrid, Spain

By Lorena Muñoz-Alonso

Material UncertaintySubscriber only

Fluxia, Milan, Italy

By Barbara Casavecchia

Around townRegistered only

Various venues, Lisbon, Portugal

By Joana Neves

Stephen WillatsSubscriber only

Raven Row, London, UK

By Paul Pieroni

Jessie Flood-PaddockRegistered only

Carl Freedman, London, UK

By Eleanor Nairne

Apichatpong WeerasethakulRegistered only

Anthony Reynolds Gallery, London, UK

By Patrick Langley

Chris WatsonSubscriber only

Paul Stolper Gallery, London, UK

By Robert Barry

Valerie SnobeckRegistered only

Simon Lee Gallery, London, UK

By Martin Holman

Burak DelierRegistered only

Iniva, London, UK

By Tom Snow

Lorna SimpsonSubscriber only

Baltic Centre for Contemporary Art, Gateshead, UK

By Sara Knelman

Cevdet ErekSubscriber only

Spike Island, Bristol, UK

By Basia Lewandowska Cummings

Falke PisanoRegistered only

PRAXES Center for Contemporary Art, Berlin, Germany

By Matthew Rana

Flora WhiteleyRegistered only

September, Berlin, Germany

By Sarah James

Matt SaundersRegistered only

Marian Goodman Gallery, Paris, France

By Vivian Sky Rehberg

Margherita SpiluttiniSubscriber only

Christine König Galerie, Vienna, Austria

By Helen Chang

Gerry Bibby / Juliette BlightmanSubscriber only

Kunsthaus Bregenz, Bregenz, Austria

By Kirsty Bell

Brancusi, Rosso, Man Ray – Framing sculptureSubscriber only

Museum Boijmans Van Beuningen, Rotterdam, Netherlands

By Barbara Casavecchia

In These Great TimesRegistered only

Kunstnernes Hus, Oslo, Norway

By Vivian Sky Rehberg

Paulina OłowskaRegistered only

Zachęta National Gallery of Art, Warsaw, Poland

By Krzysztof Kosciuczuk

James Lee ByarsSubscriber only

Museo Jumex, Mexico City, Mexico

By Gabriela Jauregui

DepressionSubscriber only

François Ghebaly Gallery, Los Angeles, USA

By Jonathan Griffin

Ruffneck ConstructivistsRegistered only

Institute of Contemporary Art, Philadelphia, USA

By A. M. Weaver

Sara CwynarSubscriber only

Foxy Production, New York, USA

By Kate Sutton

Wade GuytonRegistered only

Petzel Gallery, New York, USA

By Dan Fox

The Real Estate Show Was Then: 1980Subscriber only

James Fuentes Gallery, New York, USA

By Andrew Hultkrans

Glenn BrownRegistered only

Gagosian, New York, USA

By Dan Fox

Portland 2014Subscriber only

Various venues, Portland, USA

By Jonathan Griffin


National Museum of Contemporary Art, Athens, Greece

By Despina Zefkili

Marrakech Biennale 5

Various venues, Marrakech, Morocco

By Jennifer Higgie

Julian Schnabel

Brant Foundation Art Study Center, Greenwich, USA

By Jason Farago

Math Bass

Overduin & Co., Los Angeles, USA

By Jonathan Griffin

The Way of The Shovel

Museum of Contemporary Art, Chicago, USA

By Zachary Cahill

Jeff Baij

Interstate Projects, New York, USA

By Michael Pepi

Collier Schor

303 Gallery, New York, USA

By Brienne Walsh

Josephine Halvorson

Sikkema Jenkins & Co., New York, USA

By Ara H. Merjian

Park McArthur

Essex Street, New York, USA

By Kari Rittenbach

Peter Doig

Montreal Museum of Fine Arts, Montreal, CanadaMontreal, Canada

By James D. Campbell

Philip Lorca diCorcia

The Hepworth, Wakefield, UK

By Sara Knelman

Carolee Schneemann

Hales Gallery, London, UK

By Ellen Mara De Watcher

Becky Beasley

Laura Bartlett Gallery, London, UK

By Laura McLean-Ferris

Glenn Ligon

Thomas Dane, London, UK

By Eleanor Nairne

Martin Creed

Hayward Gallery, London, UK

By Martin Herbert

Julia Crabtree and William Evans

Legion TV, London, UK

By Nick Warner

Annals of the Twenty-Ninth Century

Wysing Arts Centre, Cambridge, UK

By Tom Morton

Qi Bashi

Art Museum of Beijing Fine Art Academy, Beijing, China

By Carol Yinghua Lu

Dhaka Art Summit

Bangladesh Shilpakala Academy, Dhaka, Bangladesh

By Agnieszka Gratza

Richard Hamilton

Alan Cristea Gallery, Institute of Contemporary arts & Tate Modern, London, UK

By Michael Bracewell

Dance Machines: From Léger to Kraftwerk

Moderna Museet, Stockholm, Sweden

By Josefine Wikström

Gianni Piacentino

Fondazione Giuliani, Rome, Italy

By Stefano Chiodi

Nicola Gobbetto

Galleria Fonti, Naples, Italy

By Luisa Grigoletto


Musée d’Art moderne de la ville de Paris, Paris, France

By Andrew Hunt

Harun Farocki

Galerie Thaddaeus Ropac, Paris, France

By Rahma Khazam

La Voix Humaine

Kunstverein Munich, München, Germany

By Amy Sherlock

Ryszard Wasko

ŻAK | BRANICKA, Berlin, Germany

By Louisa Elderton

Lee Bul

Mudam, Luxembourg

By Rahma Khazam

Patrick Hari

BolteLang, Zurich, Switzerland

By Aoife Rosenmeyer

Elevation 1049

Various venues, Gstaad, SwitzerlandZurich, Switzerland

By Jarrett Gregory

Robert Overby

Centre d’Art Contemporain, Geneva, Switzerland

By Martin Herbert

For Each Gesture Another Character

Art Stations Foundation,

By Krzysztof Kosciuczuk

Kathi Hofer

Gabriele Senn Galerie, Vienna, Austria

By Bettina Brunner

Dan Attoe

Peres Projects,

By Ana Finel Honigman

2013 Carnegie International

Carnegie Museum of Art, Pittsburgh, USA

By Dan Fox

Balthus / René Magritte

Metropolitan Museum of Art / Museum of Modern Art, New York, USA

By Ara H. Merjian

Hannah Höch

Whitechapel Gallery, London, UK

By Charlie Fox

Jöelle Tuerlinckx

Arnolfini, Bristol, UK

By Anna Searle Jones

Jamie Shovlin

Cornerhouse, Manchester, UK

By Nick Warner

Isaac Julien

Victoria Miro, London, UK

By Morgan Quaintance


Richard Saltoun Gallery, London, UK

By Matthew McLean

Juliette Bonneviot

Wilkinson Gallery, London, UK

By Eleanor Nairne

Leah Capaldi & Stéphanie Saadé


By Paul Carey-Kent

You don’t need a weatherman to know which way the wind blows

Hollybush Gardens, London, UK

By Basia Lewandowska Cummings

Adham Faramawy

Cell Project Space, London, UK

By Louisa Elderton

Riccardo Benassi

Marsèlleria, Milan, Italy

By Barbara Casavecchia

Peter Friedl

Guido Costa Projects, Turin, Italy

By Raimar Stange and Translated by Nicholas Grindell

Declinación Magnética

Tasneem Gallery, Barcelona, Spain

By Rebecca Close

Systemics #3

Kunsthal Aarhus, Aarhus, Denmark

By Christy Lange


Kunsthal Charlottenborg, Copenhagen, Denmark

By Niels Henriksen

Zanele Muholi

Wentrup Gallery, Berlin, Germany

By Christy Lange

Tatiana Trouve

Schinkel Pavillon,

By Mark Prince

William Hunt

Rotwand Gallery, Zurich, Switzerland

By Aoife Rosenmeyer

Sarah van Sonsbeeck

Annet Gelink Gallery, Amsterdam, Netherlands

By Renske Janssen

Kaido Ole

Temnikova & Kasela Gallery, Tallinn, Estonia

By Daniel C. Blight

Manfred PerniceSubscriber only

Institut d'art contemporain,

By Rahma Khazam

Manfred Pernice

Institut d'art contemporain, Villeurbanne/Rhône-Alpes, France

By Rahma Khazam

We Are Living on a Star

Henie-Onstad Kunstsenter, Oslo, Norway

By Jason Farago

Subodh Gupta

National Gallery of Modern Art, Delhi, India

By Agnieszka Gratza

Yebisu International Festival for Art and Alternative Visions

Tokyo Metropolitan Museum of Photography & Yebisu Garden Place, Tokyo, Tokyo, Japan

By Becca Voelcker

Future Primitive

Heide Museum of Modern Art, Melbourne, Australia

By Kit Wise

Come Together: Surviving Sandy, Year One

The Daedalus Foundation, New York, USA

By William Corwin

Simplest Means

Jeff Bailey Gallery, New York, USA

By Jennifer Kabat

Lewis Hine

International Center of Photography, New York, USA

By Hannah Stamler

Jumana Manna

CRG Gallery, New York, USA

By Kate Sutton

Nick HornbyRegistered only

Churner and Churner, New York, USA

By Ara H. Merjian

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Do you speak English? Added on 15/10/11 Frieze Projects 2011

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