State of the Art

Call Yourself a Critic?

The untidy tradition of criticism by Sam Thorne

Pretty, Pretty Good

Tell Tales

How memory has changed by Jennifer Allen

State of the Art

Speaking in TonguesSubscriber only

The best art eludes easy interpretation by Chris Wiley

Other cities, other seas

Acts of TransformationRegistered only

Finding historical perspectives on current upheavals in the Arab world by Kaelen Wilson-Goldie


The Manhattan Effect

London's studio-space crisis by Katharine Stout

Art History

Lives of the ArtistsRegistered only

A new biopic on the late Indian modernist, F.N. Souza by Shanay Jhaveri


Translating the SelfSubscriber only

How artists have explored transgender identity by Juliet Jacques

Life in Performance

Life in PerformanceRegistered only

Dressing up, ballet, music videos and mutant dance by Adam Linder


FilmSubscriber only

Brazilian cinema and the hybrid documentary by Aaron Cutler


MusicSubscriber only

Test Dept: where leftist idealism and popular modernism collide by Mark Fisher


BooksRegistered only

How can photographers respond to landscapes of conflict and change? by Brian Sholis

By Design

By Design

The re-invigorated relationship between design and craft by Alice Rawsthorn

State of the Art

Material World

Visualizing the Snowden archive by Christy Lange


The Model

In his centenary year, two retrospectives celebrate the German architect Paul Schneider-Esleben by Markus Weisbeck

In These Intemperate Times

You Can Do it!

The glorification of the pontiffs of Palo Alto by Lynne Tillman

Weekend Special

Screen Presence

Is technology geographically neutral? by Sean O'Toole


Veil & Vault

Los Angeles's newest museum: The Broad by Travis Diehl



The restoration of Powell & Pressburger’s 1951 film, The Tales of Hoffmann by Tom Newth

City of Culture

Caves & Spaceships

How the ancient Italian city of Matera won the bid to be 2019 European Capital of Culture without focusing on its heritage by Vincenzo Latronico


No Offence?

UK art institutions and self-censorship by Ellen Mara De Wachter



Why do artists write novels? by Nathaniel Budzinski

State of the Art

The Future Is Now

What Makes Us Human by Amy Sherlock

Other cities, other seas

Calling It Quits

What is the future of arts education in Baghdad? by Kaelen Wilson-Goldie


Why So Serious?

In search of a pan-European sense of humour

Art History

More or Less

Radical minimalism from India and Pakistan by Shanay Jhaveri


The Art of Consumption

Renzo Piano’s new Whitney Museum by Carson Chan


A History of Violence

Filmmaker Sergei Loznitsa’s exploration of the post-Soviet condition by Bert Rebhandl



Two recent books explore how online trolling is reshaping publishing and communication by David Crowley



Influential composer Pierre Boulez turns 90 by Leo Chadburn

By Design

By Design

The pros and cons of new digital interface design by Alice Rawsthorn

State of the Art

This Must Be The Place

The complicated idea of ‘home’ by Dan Fox


Public Property

The fate of postwar murals in the UK by Brian Dillon

In These Intemperate Times

Compare and Contrast

Creating and contesting categories by Lynne Tillman


Who Owns Images?

What the case against Luc Tuymans reveals about the difference between US and EU copyright law by Daniel McClean


Postcard from Manchester

Change is in the air at the city’s institutions by Eleanor Clayton



Why are so many writers and artists turning books into albums? by Rob Young

Weekend Special

International Style

Design, architecture and optimism in postcolonial Africa by Sean O’Toole


The Art of Curating

The personal process of exhibition-making by Isobel Harbison


A Chronicle of Failed Therapy

Revisiting Berlin Alexanderplatz on the 70th anniversary of Rainer Werner Fassbinder’s birth by Tal Sterngast



What MoMA’s ‘Björk’ exhibition reveals about the uneasy relationship between museums and music by Dan Fox

State of the Art

Total Recall

On collective memory and personal experience by Paul Teasdale

Art Schools

The Phoenix

The Glasgow School of Art — past and future by Mark Sadler

Art History

Indian Satire

Mining the traditions of the political cartoon by Shanay Jhaveri

Weekend Special

Why are there so few biographies of African artists?

Why are there so few biographies of African artists? by Sean O’Toole


Creative Accounting

W.A.G.E.’s fight for artist fees by Nicole Cohen and Greig de Peuter



PJ Harvey records a new album in public by Lucy O’Brien

Ideal Syllabus

Ideal Syllabus

Meriç Algün Ringborg discusses the books that have influenced her



Re-reading Shulamith Firestone’s The Dialectic of Sex by Jenni Sorkin

By Design

By Design

The shifting influence of Milan’s Salone del Mobile by Alice Rawsthorn

State of the Art

The Solace of Art

Creativity as resistance by Jennifer Higgie

In These Intemperate Times

A Knowing Look

The importance of being curious by Lynne Tillman

Other cities, other seas

Crackdowns and Chaos

Can Egypt’s NGOs survive repressive new legislation? by Kaelen Wilson-Goldie


Uncertain Times

Arts funding and the recent elections in Brazil by Silas Martí

Life in Design

Life in Design

An alternative history of graphic design by Fraser Muggeridge



A new futurism in dance music? by Philip Sherburne


Data-Doubles of the Self

Twinship in contemporary art by William Viney



Art, auctions and storytelling meet in Valeria Luiselli’s latest novel by Natalie Ferris


Green Shoots

Ecological innovation in Chinese architecture by Beatrice Leanza

State of the Art

The Quiet Life

Artists and the freedom of the desert by Jonathan Griffin


History 2.0

How Wikipedia skews the story of art by Olivian Cha

Weekend Special

Town & Country

The role of the village in perceptions of Africa by Sean O’Toole

Art History

Loaded Vehicle

How the iconic, discontinued Ambassador car has inspired Indian artists by Shanay Jhaveri


Things To Come

Hollywood’s recent taste for revolt by Mark Fisher



The haunting soul music of Lonnie Holley by Andrew Hultkrans

By Design

By Design

Is the design world still a boys’ club? by Alice Rawsthorn


The Sharp, White Background

Thoughts on race and art in the 21st century by Naomi Beckwith



#Accelerate, a new reader for the fast-moving theory of Accelerationism by Orlando Reade

State of the Art

The Art of Distraction

Movie stars, late capitalism and fragmented attention spans by Tom Morton

In These Intemperate Times


Is too much information ever enough? by Lynne Tillman

Weekend Special

Being Observant

The films of Abderrahmane Sissako by Sean O’Toole

Other cities, other seas

Productive Anguish

How to survive exile by Kaelen Wilson-Goldie

Life in Fragments

Life in Fragments

Conversations, buildings, books and films by Céline Condorelli


Rare Minds

The dark, unsettling feminism of Jacqueline Rose by Nina Power



James Hoff’s music goes viral by Andy Battaglia


Museum Guide

Frederick Wiseman’s new documentary about London’s National Gallery by Nick Pinkerton



Gilda Williams’s new book on how to write about contemporary art by Orit Gat

State of the Art

Every Cloud

Can’t relate? Don’t worry: you’re not alone by Dan Fox


Postcard from Paris

What a fashion designer can teach us about the display of contemporary art by Vivian Sky Rehberg

Art History

Paper Chase

Radical collage and cut-outs in India

1914 Centenary

One Hundred Years

Public art and the commemoration of World War I by Lara Pawson

Life in Film

Life in Film

Belgian filmmaker and artist Chantal Akerman has sadly passed away, aged 65. Here Joanna Hogg cites her film Golden Eighties as an influence on her work, in her ‘Life in Film’ from issue 166, October 2014 by Joanna Hogg



Who should the internet serve? by Stephanie DeGooyer



Playing for laughs in pop music


After Images

How artists and photographers in Japan have responded to the disasters of 3 March 2011 by Christy Lange


Radical Villains

20th-century illustrations of Fantômas by Erik Morse

By Design

By Design

New technology and endangered objects by Alice Rawsthorn

State of the Art

Learning Curve

An art education — at what cost? by Vivian Sky Rehberg

Other cities, other seas

Traveller’s Tales

Lady adventurers and the legacies of colonial history by Kaelen Wilson-Goldie

Weekend Special

Own Story

How to Write about Africa by Sean O’Toole

In These Intemperate Times


In defence of irony by Lynne Tillman



Cinema, growing up & Richard Linklater’s Boyhood by Nick Pinkerton



A new work by jazz pioneer Anthony Braxton by Franklin Bruno

Value for Money

Galleries throughout the UK turn to crowdfunding by Ellen Mara De Wachter

Life in Death

Life in Death

Trying to make sense of the loss of a friend by Travis Jeppesen


Fresh Ink

Why start a print magazine? by Elizabeth Glickfeld

State of the Art

Art Hearts Poetry

The role of poetry in the world of appearances by Quinn Latimer


What’s Hot What’s Not

Despair, ceramics, manners …


Drawing a Blank

Ukraine’s Maidan Protests and Manifesta by Sean Snyder and Olga Bryukhovetska


European Dropouts

The consequences of Russia’s cultural policies by Valentin Diaconov

Art History

Reel World

‘Sarkari Shorts’ and the Films Division of India by Shanay Jhaveri


Questionnaire: Ai Weiwei

With his current show at the Royal Academy (until 13 December), Ai Weiwei’s answers to the frieze ‘Questionnaire’, from Issue 134, October 2010


The Thrill Of It All

'An artist inventor of undimming good humour, whose work provides the soul with strength to face a not too terrible hereafter.' by Michael Bracewell


Erase and Rewind

In memory of the late Sturtevant we present this archive piece by Bruce Hainley on her long and influential career by Bruce Hainley


Lopped and HewedRegistered only

Ahead of the artist’s forthcoming exhibition of new work at The Hepworth Wakefield, Brian Dillon considers the ‘monstrous homunculi’ of Enrico David by Brian Dillon

Think Piece

The Fan ClubSubscriber only

Why enthusiasm, not scholarship, motivates artists by Julian Hoeber

Studio Visit

Studio Visit: David DouardRegistered only

Language as virus and failing machines by Robert Barry


Trying to Escape a PatternSubscriber only

Elizabeth Price’s new two-screen, HD video installation, K by Lavinia Greenlaw


Nathalie du Pasquier: My InfluencesSubscriber only

The French artist Nathalie du Pasquier recollects the people, images and places that have shaped her career by Nathalie du Pasquier


In Focus: Nick GossRegistered only

Drifting, dreaming and drowned worlds by Amy Sherlock

Think Piece

Falling IdolsSubscriber only

Public monuments, Islamic State and contesting the story of the past by Marina Warner by Marina Warner


Room With A ViewRegistered only

Art history meets domestic life in the paintings of Jonas Wood by Ian Chang

City Report

Athens City ReportSubscriber only

Since the start of the Greek debt crisis in 2010, austerity measures have had a profound impact on life in the country. From biennials to occupations, Ben Davis and Ara H. Merjian reflect on how the art scene in Athens has responded


In Focus: Ellie GaSubscriber only

Alchemy, travel and the essay by Jennifer Kabat


Locally SourcedRegistered only

With a major commission for the Turbine Hall at Tate Modern opening this month, Abraham Cruzvillegas talks to Jace Clayton about his approach to art-making and his philosophy of autoconstrucción by Jace Clayton


Questionnaire: Jim ShawRegistered only

Q: What should stay the same? A: Nature. by Jim Shaw


The Long and Short

Feature-length films made by artists have broken box-office records, whilst celebrated filmmakers have developed parallel careers as visual artists. Dan Kidner considers the evolution of the ‘artist’s feature film’. by Dan Kidner


In Focus: Celia Hempton

Painting, nudes and chatrooms by Matthew McLean

Communal Efforts

Cooperation and dissent in Koki Tanaka’s precarious tasks by Andrew Maerkle

Think Piece


On mimesis, art and alchemy by Jan Verwoert


In Focus: Nevin Aladağ

The city plays itself by Andreas Schlaegel


City Limits

25 years of Jem Cohen’s free-wheeling cinema by Isabel Stevens


All Together

Sam Thorne discusses activism, collaboration and the uses of absurdity with Ahmet Öğüt by Sam Thorne

Picture Piece

Picture Piece: Video Game Photography

Video Game Photography by James Bridle


This Corrosion

Lara Favaretto: exploring the nuances of death and disappearance by Barbara Casavecchia


The Eyes Have It

Puns, pictograms and props in the work of Math Bass by Dan Fox


Questionnaire: Elena Ferrante

Q: What should stay the same? A: The desire to tell stories. by Elena Ferrante


Above & Below

Decoding Maria Loboda’s enigmatic archaeology

Think Piece

A Very Peculiar Place

The intermingling of art and illustration in the work of Catrin Morgan, Jockum Nordström, Tomi Ungerer and others. by Charlie Fox


In Focus: Alice Theobald

Acting, therapy, song and humour by Jonathan P. Watts


What is Metahaven?

Sarah Hromack unpacks the work of the Dutch design studio by Sarah Hromack


This Land Is Your Land

David Campany interviews LaToya Ruby Frazier, winner of the International Center of Photography’s 2015 Infinity Award for her first book, The Notion of Family by David Campany


In Focus: Yngve Holen

Reformulating the human body in the age of mass digitization by Pablo Larios


Pay Attention

In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art? by Anthony Huberman


Landscape Artist

Nicholas Mangan’s exploration of raw materials and social change


In Focus: Kevin Beasley

Sculpture, field recordings and the ghosts of dead rappers by Andy Battaglia

One Take

One Take: Whole Earth

Herman de Vries’s Dutch pavilion in Venice by Jörg Heiser

Picture Piece

Picture Piece: Max Headroom

Max Headroom by Matthew Noel-Tod


Questionnaire: Casey Jane Ellison

Q: What image keeps you company in the space where you work? A: An enormous, airbrushed, lenticular hologram of myself. by Casey Jane Ellison


Questionnaire: Joan Jonas

Q: What do you like the look of? A: The everyday world: grand and microscopic. by Joan Jonas


A Natural Elegance

Novelist Sarah Hall talks to Sarah Lucas about sculpture, sexual politics and representing Britain at this year’s Venice Biennale

Think Piece

Ebb & Flow

On the ruptures and restlessness of much contemporary art, and how this is reflected in the 56th Venice Biennale by Kaelen Wilson-Goldie


Data Mine

Travis Jeppesen considers disruption and ambivalence in the work of Simon Denny, in the run-up to the artist’s major project for the Venice Biennale by Travis Jeppesen


In Focus: Jesse Darling

Undivided selves by Ellen Mara De Wachter

Think Piece

Near & Far

How a sense of the local shapes art in the US by Jennifer Kabat


Exorcisms of the Self

Connections across time and place in the work of Danh Vo by Jörg Heiser


In Focus: Max Hooper Schneider

Imagining a world without humans by Ed Schad


Space is the Place

Rediscovering the late, great philosopher Henri Lefebvre, whose ideas are increasingly relevant to contemporary life by Timotheus Vermeulen


In Focus: Daniel Steegmann Mangrané

From stick insects to rhombuses: working between the organic and the geometric by Sergio Delgado Moya


The Gap Between Me and Me

Dominikus Müller talks to Olaf Nicolai about place, subjectivity and the artist’s project for the German pavilion in Venice by Dominikus Müller

Picture Piece

Picture Piece: When the Rolling Stones met James Brown

When the Rolling Stones met James Brown by Jonathan Lethem


The Retouch

Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock by Brian Sholis


Carnival Theory

Jennifer Higgie on the bewildered mystics, mournful minstrels and mysterious rituals of Ryan Mosley’s paintings by Jennifer Higgie


In Focus: Julien Prévieux

Working for the man, or machine by Vivian Sky Rehberg


The Walker

Gideon Lewis-Kraus traces the transcontinental journeys of Brazilian artist Paolo Nazareth by Gideon Lewis-Kraus


Free Forms

Ida Ekblad talks to Zoe Pilger about painting, drifting, emptiness and energy by Ida Ekblad


In Focus: Laura Aldridge

Containers, collaboration and perception by Matthew McLean


Construction Sight

How a generation of artists is re-ordering the building blocks of photography by Aaron Schuman


In Focus: Tania Pérez Córdova

The memory and lifespan of objects. by Colin Perry


Local Colour

Simon Ling and plein-air painting in east London by Josephine New

Picture Piece

Picture Piece: Australia’s Big Things

The Big Pineapple by Chloe Hooper


Questionnaire: Daniel Buren

Q: What images keep you company in the space where you work? A: None. I just try to concentrate on what I am doing. by Daniel Buren


Questionnaire: Sophia Al-Maria

Q: What music are you listening to? A: Things that would disgust my teenage self; I have betrayed her. by Sophia Al-Maria

Think Piece

Formal Affairs

In recent years, abstract painting has experienced both a new popularity and a critical backlash. Can it be written off as ‘zombie formalism’ or are innovative approaches to abstraction really being developed?

Click here for the Chinese translation. by David Geers


Photo Finish

Social division and artistic engagement in the work of Mohamed Bourouissa by Vivian Sky Rehberg


In Focus: Emma Hart

Being betrayed by the body by Colin Perry


Ill-Begotten Treasures

Wolf-whistling at fallen angels in Lukas Duwenhögger’s imagined worlds by Charlie Fox


Fibre Is My Alphabet

Jennifer Higgie talks to Sheila Hicks about the 60-year evolution of her artistic language by Jennifer Higgie


In Focus: Sam Lewitt

Material production and the march of history by Joseph Akel


Skin & Surface

Dansaekhwa, or ‘Korean Monochrome Painting’, is the name ascribed to a style of painting practiced by a loosely affiliated set of Korean artists who came to prominence in the 1970s. Three recent exhibitions — at Blum & Poe, Los Angeles, Alexander Gray Associates, New York, and Kukje Gallery, Seoul — have, for the first time in a generation, brought this work to an audience outside of Korea, while a presentation of Dansaekhwa will be shown as part of the 56th Venice Biennale in May this year. We asked the curators of these exhibitions — Sam Bardaouil, Till Fellrath, Joan Kee and Yoon Jin Sup — to reflect on the key factors that led to the development of Dansaekhwa’s unique aesthetic and what its legacy is today. by Yoon Jin Sup, Joan Kee, Sam Bardaouil and Till Fellrath


In Focus: Liu Chuang

Cold portraits and warm-hearted annotations by Paul Teasdale

One Take

The Last Resort

Dan Fox explores handcrafted futures and the automated present in Scott Reeder’s new sci-fi film Moon Dust by Dan Fox

One Take

One Take: Human Mask

In the first of a new series focusing on a single work, Jennifer Higgie considers Pierre Huyghe’s latest film, Human Mask by Jennifer Higgie


Both Ways

Viviane Sassen talks to Aaron Schuman by Aaron Schuman


Open City

Vincenzo Latronico visits a utopian community in rural Chile, which is still thriving after over 40 years by Vincenzo Latronico


In Focus: Lucy Stein

Painting on the brink of hysteria by Charlie Fox


Join the Movement

Astrid Kaminski talks to Simone Forti, the legendary artist and choreographer who changed the course of both Postmodern dance and Minimal art. Artists Gerard & Kelly and Maria Hassabi, along with curator Ana Janevski, discuss Forti’s influence on their own work

Click here for the Chinese translation. by Astrid Kaminski


In Focus: Alisa Baremboym

Leaky flesh, soft machines and broken systems by Laura McLean-Ferris

Think Piece

World of Interiors

Imagine a door with no room: Are you inside or outside? by Amy Sherlock


In Focus: Anna Ostoya

Mining historical works for new conceptual paths by Ara H. Merjian

Picture Piece

Picture Piece: Bank of Georgia Headquarters

Bank of Georgia Headquarters by Sam Thorne


Eyes and Ears

Diego Perrone’s audio, visual world by Barbara Casavecchia


A Tension of Moods

Kai Althoff’s recent work by Michael Bracewell


Questionnaire: Karl Ove Knausgård

Q: What do you wish you knew? A: I wish I knew less. by Karl Ove Knausgård


Questionnaire: Julie Ault

Q: What should stay the same? A: A moratorium on gentrification would be good. by Julie Ault


What’s so funny?

How humour feeds painting by Paul Teasdale


After the End

With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America by Jonathan Griffin


In Focus: Oscar Santillan

‘Civilizations of the jaguar’, vacuum cleaners and the human body by Timotheus Vermeulen


In Focus: Rachel Reupke

Taking stock of stock images by Dan Kidner


A Wall to Object to

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas by Caoimhín Mac Giolla Léith


The Cartoon Network

Illustration and art history collide in Sanya Kantarovsky’s paintings by Scott Roben


In its Place

Decoding Uri Aran’s mysterious work-tables by Declan Long


Heads Above Water

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde by Andrew Maerkle

Picture Piece

Picture Piece: Egyptian Desert Cinema

Egyptian Desert Cinema by Sukhdev Sandhu


Questionnaire: Anna Maria Maiolino

Q What could you imagine doing if you didn’t do what you do? A Drifting on a boat. by Anna Maria Maiolino

Think Piece

The Stories They Need

A slew of recent exhibitions and projects — from Berlin and Cairo to Marrakech, New York and Paris — reveals an interest in the artist as anthropologist by Kaelen Wilson-Goldie


Perfect Pretence

In Shahryar Nashat’s films and sculptures, dodecahedrons, dance and desire come together in delirious studies of impossible ideals by Jörg Heiser


Iain Forsyth & Jane Pollard: My Influences

From the cover of an Adam Ant album to Lindsay Anderson’s films, Samuel Beckett’s plays, Nick Cave’s music and Bruce Nauman’s videos, the artists and filmmakers discuss the evolution of their artistic imaginations by Iain Forsyth and Jane Pollard


Cultural Currency

How Andra Ursuta’s sculptures play with national stereotypes by Summer Guthery


What’s Not to Like?

How Darren Bader has pushed the readymade to its extreme by Domenick Ammirati


In Focus: Katja Novitskova

Silicon wafer weapons and Mars missions by Kirsty Bell

Jenny HolzerSubscriber only

Hauser & Wirth, Bruton, UK

By Matthew McLean

Josephe CornellRegistered only

Royal Academy of Arts, London, UK

By Ina Cole

The boys the girls and the politicalSubscriber only

Lisson Gallery, London, UK

By Alice Butler

Eloise HawserRegistered only

Institute of Contemporary Art, London, UK

By Patrick Langley

m-HealthSubscriber only

Cell Project Space, London, UK

By Harry Thorne

Reto PulferRegistered only

Spike Island, Bristol, UK

By Linda Taylor

Display ShowSubscriber only

Temple Bar Gallery, Dublin, Ireland

By Rebecca O’Dwyer

Ad ReinhardtRegistered only

Malmö Konsthall, Malmö, Sweden

By Matthew Rana

AtopolisSubscriber only

Manège de Sury, Mons, Belgium

By Laura Herman

Jonas LippsSubscriber only

LISZT, Berlin, Germany

By Pablo Larios

Camera OttomanaRegistered only

Koç University Research Centre for Anatolian Civilisations, Istanbul, Turkey

By Yasmine Seale

Les Rencontres d’ArlesRegistered only

Various venues, Arles, France

By Christy Lange

Noah PurifoySubscriber only

Los Angeles County Museum of Art, Los Angeles, USA

By Jonathan Griffin

Rachel HarrisonRegistered only

Regen Projects, Los Angeles, USA

By Chris Wiley

SexxxitectureSubscriber only

CULT, San Francisco, USA

By Larissa Archer

Objects Food RoomsRegistered only

Tanya Bonakdar, New York, USA

By Becca Rothfeld

Philippe ParrenoSubscriber only

Park Avenue Armory, New York, USA

By Laura McLean-Ferris

Jon RafmanRegistered only

Musée d'art contemporain de Montréal, Montreal, Canada

By James D. Campbell

Gianni PolitiSubscriber only

Nomas Foundation, Rome, Italy

By Mike Watson

Alessandro PessoliRegistered only

Zero..., Milan, Italy

By Nicola Ricciardi

Ding YiSubscriber only

Long Museum West Bund, Shanghai, China

By Colin Siyuan Chinnery

Ai WeiweiRegistered only

Galleria Continua & Tang Contemporary Art, Beijing, China

By Carol Yinghua Lu

Len Lye & Our Hearts of DarknessSubscriber only

Govett-Brewster Art Gallery / Len Lye Centre, New Plymouth, New Plymouth, New Zealand

By Anthony Byrt

Four Painting ShowsRegistered only

Sadie Coles HQ, Josh Lilley, Kate MacGarry & Wilkinson, London, UK

By Martin Herbert


Various venues, Madrid, Spain

By Laurie Taylor

12th Havana Biennial

Various venues, Havana, Cuba

By Hannah Conroy

Guerrilla Girls & Guerrilla Girls Broadband

Abrons Art Center & Bruce High Quality Foundation University Gallery, New York, USA

By Jennifer Kabat

Yuji Agematsu

Real Fine Arts, New York, USA

By Matthew Shen Goodman

Leidy Churchman

Murray Guy, New York, USA

By Matthew McLean

Anthony Lepore

François Ghebaly Gallery / The Bikini Factory, Los Angeles, USA

By Evan Moffitt

Julia Heyward

CCA Wattis, San Francisco, USA

By Isobel Harbison

Barbara Kasten

ICA, Philadelphia, USA

By Devika Singh

Marilyn Minter

Contemporary Arts Museum, Houston, USA

By William J. Simmons

Mia Feuer

Esker Foundation, Calgary, Canada

By Maeve Hanna

The Lulennial

Lulu, Mexico City, Mexico

By Daniel Garza-Usabiaga

Melinda Harper

Heide Museum of Modern Art, Melbourne, Australia

By Sophie Knezic

Zhu Yu

Long March Space, Beijing, China

By Kate Sutton

Wu Dayu

Chinese Academy of Oil Painting, Beijing, China

By Carol Yinghua Lu

Janek Simon

Raster, Warsaw, Poland

By Krzysztof Kosciuczuk

What We Know

Roberta, Frankfurt, Germany

By Viktoria Draganova


Fridericianum, Kassell, Germany

By Noemi Smolik

Torbjørn Rødland

Henie Onstad Kunstsenter, Oslo, Norway

By Brian Sholis

Ugo Rondinone

Galerie Eva Presenhuber, Zurich, Switzerland

By Aoife Rosenmeyer

Anicka Yi

Kunsthalle Basel, Basel, Switzerland

By Kirsty Bell

Zak Kitnick

Clearing, Brussels, Belgium

By Mitch Speed

The Welfare State

M HKA, Antwerp, Belgium

By Ellen Mara de Wachter

Slip of the Tongue

Punta della Doganna, Venice, Italy

By Caoimhín Mac Giolla Léith

Accrochage 3: Pop & Music/Sound

Fondation Louis Vuitton, Paris, France

By Robert Barry

Xavier Ribas

ProjecteSD, Barcelona, Spain

By Max Andrews

Hybridize or DisappearSubscriber only

Museu do Chiado, Lisbon, Portugal

By Elvia Wilk

Lea PorsagerRegistered only

Nils Stærk / Mellemrummet & Overgaden Institute of Contemporary Art, Copenhagen, Denmark

By Lizzie Lloyd

Off-BiennáleSubscriber only

Various Venues, Budapest, Hungary

By Chris Fite-Wassilak

Ellen AltfestRegistered only

MK Gallery, Milton Keynes, UK

By Amy Sherlock

Malcolm Le GriceSubscriber only

Richard Saltoun, London, UK

By Jonathan P. Watts

The Spirit of the StaircaseRegistered only

The Sunday Painter, London, UK

By Orit Gat

Ellen GronemeyerSubscriber only

Greengrassi, London, UK

By Charlie Fox

Lucy BeechRegistered only

Harris Gallery, Preston, UK

By Richard Parry

Pavel BüchlerRegistered only

Ikon, Birmingham, UK

By Paul Carey-Kent

Samara Scott

Eastside Projects, Birmingham, UK

By Louisa Elderton

Katrina PalmerRegistered only

Isle of Portland, Dorset, UK

By Patrick Langley

Live: Tree of CodesSubscriber only

Manchester International Festival, Manchester, UK

By Amy Sherlock

Live: Charlemagne Palestine

Yale Union, Portland, USA

By Nick Irvin

Michael Parekowhai

Gallery of Modern Art, Brisbane, Australia

By Andrea Bell

Gary Hill

Galleria Lia Rumma, Milan, Italy

By Barbara Casavecchia

Niki de Saint Phalle

Guggenheim, Bilbao, Spain

By Amy Sherlock

David Lieske

mumok, Vienna, Austria

By Radhika Kapila

Erkka Nissinen

De Hallen, Haarlem, Netherlands

By Tom Morton

Damir Očko

Kasia Michalski Gallery, Warsaw, Poland

By Krzysztof Kosciuczuk

Bojan Šarčević

BQ, Berlin, Germany

By Kirsty Bell

Open Source: Art at the Eclipse of Capitalism

Galerie Max Hetzler, Berlin, Germany

By Mark Prince

Two By Two: Mary Heilmann & David Reed

Hamburger Bahnhof, Berlin, Germany

By Kirsty Bell

William Pope.L

The Geffen Contemporary at MOCA, Los Angeles, USA

By Jonathan Griffin

Sergei Tcherepnin

Overduin & Co., Los Angeles, USA

By Summer Guthery

Matt Hoyt

Art in General, New York, USA

By Iona Whittaker

Alex Da Corte

Luxembourg & Dayan, New York, USA

By Joseph Akel

Destroy, She Said

The Boiler , New York, USA

By Hannah Stamler

James Cordas

Et al., San Francisco, USA

By Monica Westin

Melanie Smith

Proyecto Paralelo, Mexico City, Mexico

By Lauren A. Wright

Isabel Nolan

Kerlin Gallery , Dublin, Ireland

By Gemma Tipton

Frank Walter

Ingleby Gallery , Edinburgh, UK

By Mark Sadler

Johanna Billing

Hollybush Gardens , London, UK

By Robert Barry

Tal R

Victoria Miro , London, UK

By Martin Herbert

Leon Golub

Serpentine Gallery , London, UK

By Tom Morton

Giles Round

Young Team, London, UK

By Charlie Fox

Roger Ackling

Kestle Barton , Cornwall, UK

By Jonathan P. Watts

Carol Bove / Carlo Scarpa

Henry Moore Institute , Leeds, UK

By Eleanor Clayton

Kishio Suga

Museum of Contemporary Art , Tokyo, Japan

By Andrew Maerkle

Around Town

Various Venues, Paris, France

By William Corwin

56th Venice Biennale

Fondazione Prada, Milan & Venice , Venice, Italy

By Barbara Casavecchia

56th Venice Biennale

Asia in Venice , Venice, Italy

By Matthew McLean

56th Venice Biennale

Pavilions of Turkey & The Republic of Armenia , Venice, Italy

By Sam Thorne

56th Venice Biennale

Spanish & Latin American Pavilions , Venice, Italy

By Max Andrews

56th Venice Biennale

Giardini Pavilions , Venice, Italy

By Jennifer Higgie

56th Venice Biennale

All The World's Futures , Venice, Italy

By Sean O'Toole

3rd New Museum Triennial

New Museum, New York, USA

By Laura McLean-Ferris

Body Talk

WIELS, Brussels, Belgium

By Ellen Mara De Wachter

Around Town

Various venues, Budapest, Hungary

By William Corwin

The Radiants

Bortolami Gallery, New York, USA

By Scott Roben

Alfredo Jaar

Galerie Lelong, New York, USA

By Ara H. Merjian

Vivienne Griffin

Bureau, New York, USA

By Orit Gat

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Gagosian Gallery
Victoria Miro
Marian Goodman
Spruth Magers
Lisson Gallery
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Do you speak English? Added on 15/10/11 Frieze Projects 2011

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