State of the Art

Call Yourself a Critic?

The untidy tradition of criticism by Sam Thorne

Pretty, Pretty Good

Tell Tales

How memory has changed by Jennifer Allen

State of the Art

What’s the Use?Registered only

Museums take on social practice by Sam Thorne


Share & LikeSubscriber only

The confusion around photography bans in museums by Ellen Mara De Wachter


Heritage Inc.Subscriber only

Consumption, conflict and the Beijing cityscape by En Liang Khong

Art Criticism

A Larger WorldRegistered only

New approaches to exhibition-making in India by Shanay Jhaveri


Opening Time?Subscriber only

The visibility and invisibility of art in Cairo by Clare Davies


Form Follows FollyRegistered only

Architecture, whimsy and the Gwangju Biennale by Joseph Grima


MusicSubscriber only

Whatever happened to New Age travellers? by Dan Fox

Ideal Syllabus

Ideal Syllabus: Linda Fregni NaglerSubscriber only

Italian artist Linda Fregni Nagler discusses the books that have influenced her by Linda Fregni Nagler

By Design

What Is Design?

An agent of change, from prehistory to today by Alice Rawsthorn

Weekend Special

Open Cities

Walking with Teju Cole by Sean O’Toole

Other cities, other seas

Seeing & Believing

The spiritual and the secular in art today by Kaelen Wilson-Goldie


OK Computer?

Man vs. machine by John Menick


Bytes & Bricks

How social networks are changing the city by Robin van den Akker


Curating by Numbers

How budgets shape exhibitions by Eleanor Nairne



Reading as information control: the poet Tan Lin talks to Sam Thorne by Sam Thorne

State of the Art

Count Down

The art world’s ambivalent response to surveillance by Jörg Heiser


The Age of Anxiety

The Age of Anxiety by Jennifer Higgie

In These Intemperate Times

Below the Belt

The politics of pants by Lynne Tillman


MusicRegistered only

On eavesdropping, Muzak and the sound of Bitcoin by Geeta Dayal


Dear Lina

The legacy of one of Brazil's greatest architects by Silas Martí

State of the Art

Show Me What You’ve Got

Do we live in an age of panicky materialism? by Jan Verwoert

Other cities, other seas

Everyday Things

The spectres of the culture wars by Kaelen Wilson-Goldie

In These Intemperate Times

Fighting Talk

Words and nations by Lynne Tillman

Weekend Special

Shelf Lives

A performative tour of libraries in Nairobi by Sean O’Toole

Life in Music

Life in Music: Ida Ekblad

In the first of a new series, Norwegian artist Ida Ekblad discusses the music that she loves


Fractured Times

On Eric Hobsbawm's Fractured Times by Houman Barekat


Enemies of the State

Has Hollywood primed us for total surveillance? by Bert Rebhandl


Chicago footwork

The global spread of Chicago footwork by David Morris


Make Believe

The virtual realities of Spring Breakers and The Bling Ring by Kevin McGarry

State of the Art

Speaking Out

From Russia to the UAE — to boycott or not to boycott? by Jennifer Higgie


Playing Chicken

A response to Richard Prince


On a Shoestring

Institutions in Catalonia by Max Andrews


For the Record

Archiving Asia’s contemporary art by David Spalding


Style & Substance

On teaching criticism and ‘art writing’ by Brian Dillon

Sound Art

Audio Visual

The problems of defining and exhibiting sound art by Paul Schütze


Books: Jennifer Doyle

Jennifer Doyle discusses her new book, Hold it Against Me: Difficulty and Emotion in Contemporary Art by Erik Morse


Music: Van Dyke Parks

50 years of Van Dyke Parks by Franklin Bruno


Reading Room

Gentrification and independent publishing in San Francisco by Jarett Kobek


A Trace of a Trace

The framing of art and life in Rachel Kushner’s The Flamethrowers by Ben Lerner

Life in Film

Life in Film: Adam Chodzko

The British artist discusses the films that have most influenced him by Adam Chodzko

State of the Art

Conservative Party

Can old ways be better ways? Or, Irony, playful ambivalence and fixed meanings


The Social Network

The pioneering gallerist Kekoo Gandhy by Shanay Jhaveri

Life in Film

Life in Film

The Brazilian artist discusses the films that have most influenced her by Tamar Guimarães

Art History

At Home

The restoration of Donald Judd’s SoHo loft by Robert Storr



Jay Z, The Art of Noise and Afrika Bambaataa by Dan Fox



Four decades of Semiotext(e)


Let’s Get Together

‘Painting Forever!’ opens across four Berlin institutions

In These Intemperate Times

Life Less Ordinary

On disasters and motivation by Lynne Tillman


Film Studio

Theatricalizing the design process online by Elizabeth Glickfeld

State of the Art

Based on a True Story

Sifting fact from fiction by Christy Lange

Other cities, other seas

Trials & Tribulations

Prisoners of conscience and creative acts by Kaelen Wilson-Goldie


Buy Degrees

De Appel’s new course in art dealing by Jason Farago


Around the World

National identity and ‘global fiction’ by Rajeev Balasubramanyam


Private Views

Literature versus art history by Quinn Latimer


Truth & Dare

Chilean director Pablo Larraín discusses the merging of fact and fiction in his films by Rob White



The strange case of rave-culture pulp-fiction by Sukhdev Sandhu

The Art World

Belittled Women

What does the term ‘gallerina’ symbolize? by Isobel Harbison


Best in Show

The changing face of graduate exhibitions by Tom Morton

Ideal Syllabus

Ideal Syllabus: Chloe Aridjis

The Mexican novelist lists the books that have influenced her by Chloe Aridjis

State of the Art

Lip Service

From the Vatican to the Venice Biennale: the limits to symbolic acts of altruism by Jörg Heiser

In These Intemperate Times


How taste and preferences change by Lynne Tillman

Weekend Special

Bodies of Evidence

Artists respond to migration in Africa by Sean O’Toole


The Italian Job

Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’ by Barbara Casavecchia


Loop the Loop

A brief history of the GIF by Morgan Quaintance



Oulipo and the re-release of Raymond Queneau’s 1947 Exercises in Style by Charlie Fox


After Life

A new film reconstructs Félix Guattari’s unproduced sci-fi script by Erik Morse


Dirty Money

An artist-led guided tour of corruption in the Czech Republic by Noemi Smolik



The dub rhythms of artist and composer Marina Rosenfeld by Dan Fox

Ideal Syllabus

Ideal Syllabus: Gary Panter

Artist Gary Panter draws and discusses the books that have influenced him by Gary Panter


City Living

The shifting landscape of contemporary art in Beijing by David Spalding

State of the Art

Net Gains

Claire Bishop versus the Internet by Paul Teasdale

State of the Art

Talking Shop

How do you define jargon? by Sam Thorne


Little Women

At least five current TV shows include the word ‘girl’ in their title. What’s going on? by Timotheus Vermeulen

Art Criticism

Time Regained

The collected writings of Richard Bartholomew, one of India’s pre-eminent art critics by Shanay Jhaveri


Open Up

The mutating activities of DIS by Kevin McGarry


Life in Design

In a new occasional column, frieze asks a respondent to nominate the objects, people or ideas that have influenced them by Alice Rawsthorn


Here & There

Tate Modern and African art by Lara Pawson


Dream Screens

Remembering Antony Balch, filmmaker and distributor extraordinaire by William Fowler



From The Jazz Singer to Nick Cave, music’s conflicted relationship with the movies by Franklin Bruno



A specially commissioned drawing for frieze by Sanarth Banerjee

The Art World

Can I Go Now?

Trying to leave the art world by Dieter Roelstraete

In These Intemperate Times

Marking Time

Boredom and death: two sides of the same coin? by Lynne Tillman

Weekend Special

Style & Content

The post-colonial essay by Sean O’Toole


Beyond the Frame

Painting as performance in recent exhibitions by Theo Altenberg


Games & Systems

Digital art in Cuba by Rachel Price



'Presentism’ versus ‘future shock’ by Orit Gat



21 years of wildly inventive recordings – and a new album – by the Baltimore-based duo Matmos by Charlie Fox

State of the Art

Roman Ruins

Reflections on Italy's continuing decline by Barbara Casavecchia


See Change

The increased visibility of art from Africa in the UK by Basia Lewandowska Cummings

The Art World

Art and its ObjectsSubscriber only

Meaning beyond the market by Jonathan Watkins



The monumental frequencies of Eleh by Andy Battaglia


New Identity

How do you rebrand a museum? by Emily King


Kind of Blue

How writers and filmmakers have responded to that most melancholy of colours by Charlie Fox


Look Inside

The unexpected uses of Google Street View by Joanne McNeil



Dramatizing the effects of the virtual life by Ian Chang

Looking Back



From retro to repro, and beyond by Dominikus Müller and Geeta Dayal

State of the Art

Learning by Heart

What can art teach us about happiness? by Jonathan Griffin


New Year Quiz

New Year Quiz by Tom Morton


Ai Weiwei

Ai Weiwei


The thrill of it all

'An artist inventor of undimming good humour, whose work provides the soul with strength to face a not too terrible hereafter.' by Michael Bracewell


Histories of ViolenceRegistered only

Has 12 Years a Slave finally exorcised Hollywood’s racist legacy? A consideration of representations of slavery on screen from The Birth of a Nation to Django Unchained and Belle by Morgan Quaintance

Something in the WaterRegistered only

Magali Reus is part of a group of young, London-based artists exploring sleek surfaces and abject bodies by Amy Sherlock


The New, The NewSubscriber only

Henry Flynt talks about half a century’s worth of wildly divergent activities, from his early formulation of ‘concept art’ to musical experiments and philosophical writings by Ross Simonini


In Focus: Samara GoldenRegistered only

Disorientating interiors and invented spaces by Jonathan Griffin


Focus Interview: Cara TolmieSubscriber only

Tension, translation and improvisation by Chris Fite-Wassilak


Adapt to ChangeRegistered only

The films of Albert Serra by Bert Rebhandl


Exit GhostsRegistered only

Phantoms and immaterial labour in the films of Agnieszka Kurant by Agnieszka Gratza

Picture Piece

Picture Piece: Janine JanetSubscriber only

Janine Janet’s sculptural creations for Balenciaga’s windows by Erik Morse


Focus Studio Visit: Claudia WieserSubscriber only

A post-Bauhaus approach to transforming public and private spaces by Kito Nedo


In Focus: Meriç Algün RingborgSubscriber only

The act of writing and the ‘shadowy constitution of authorship’ by Kaelen Wilson-Goldie


Island LifeRegistered only

Holly Bynoe, Charles Campbell, Amanda Coulson, John Cox, Annalee Davis and Caryl Ivrisse-Crochemar reflect on the role of contemporary art in the Caribbean by Dan Fox


All Watched Over

Did Philip K. Dick predict the future of surveillance? by Andrew Hultkrans


In Focus: Kate Newby

The art of tiny revelations by Jennifer Kabat


In search of Stanley Brouwn

by Oscar van den Boogaard by Oscar van den Boogaard


Focus Interview: Lucy Clout

Soap-opera small talk and speech as a gesture by Amy Sherlock


Known Unknowns

Useful mistakes, ikebana and messy cultural assumptions in the work of Camille Henrot by Dan Fox


In Focus: Tyler Coburn

Human bodies versus computer-based interfaces by Karen Archey


In Focus: Assaf Gruber

GIFS as readymades; finding inspiration in Hollywood film by Paul Teasdale


This New World

Muriel Cooper: a graphic design pioneer who anticipated the digital revolution by Markus Weisbeck

Picture Piece

Picture Piece: Cybersyn, Chile 1971-73

Photograph of Cybersyn, Salvador Allende's attempt to create a 'socialist internet, decades ahead of its time'



Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly ‘his' by Pablo Larios


Safety in Numbers?

Algorithms, Big Data and surveillance: what’s the response, and responsibility, of art? Jörg Heiser asked seven artists, writers and academics to reflect. by Jörg Heiser

Questionnaire: Mario Garcia Torres

Q: What is art for? A: To keep our scepticism alive.

Think Piece

Then & Now

British art and the 1990s by Dan Fox


Poet in Action

An interview with Alejandro Jodorowsky by Erik Morse


Rules of Attraction

The uncomfortable world of Marlene McCarty by Jennifer Kabat


In Focus: Colter Jacobsen

Drawing from memory


Focus Studio Visit: Ann Cathrin November Høibo

Tactile textiles by Amy Sherlock


Beginnings + Ends

What are the histories of artists engaging with emergent technologies? How has Post-Internet art come to be defined? And what happens next? frieze asks eight artists, writers and curators to reflect


In Focus: Aleana Egan

Tracing elliptical spaces between architecture, literature and sculpture by Declan Long


Focus Interview: Shambhavi Kaul

Films about place and ‘denatured nature’ by Shanay Jhaveri


Another Chapter

Biography and timeliness in the work of Moshekwa Langa by Sean O’Toole and is a writer and co-editor of Cityscapes, a magazine devoted to urban enquiry. He lives in Cape Town, South Africa.


Ways of Knowing

The sculptures, installations and drawings of Diango Hernández by Timotheus Vermeulen

Picture Piece

Picture Piece: Edward Snowden’s destroyed hard drive

Photograph of destroyed computer parts said to have contained files leaked by Edward Snowden, published by the Guardian by Henrik Olesen


Questionnaire: Hito Steyerl

Q: If you could live with only one piece of art, what would it be? A: Why should I live with an art work?


Peculiar Galaxies

Looking at recent work of the legendary and elusive California-based artist Lutz Bacher by Caoimhín Mac Giolla Léith


My Influences: Philippe Parreno

Jennifer Higgie interviews the artist at his Paris studio

Think Piece

The Further Adventures of Parlando, Melisma and the Cookie Monster

A brief history of unique singing techniques by Mark Beasley


Focus Interview: Caragh Thuring

Experimental fiction, speculative portraits and shifting contexts by Alice Butler


In Focus: Alan Reid

Unbearable lightness, the fashion industry and ‘portraits of nouns’ by David Everitt Howe

Think Piece

Rumours & Recognition

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries? by Kaelen Wilson-Goldie

Picture Piece

Picture Piece: ‘The Three Keatons’

Buster Keaton’s family vaudeville act by Charlie Fox

City Report

City Report: Johannesburg

The philosopher Achille Mbembe once called Johannesburg the ‘elusive metropolis’. From emerging project spaces to women’s labour issues, Sean O’Toole and Gabi Ngcobo report on this constantly changing city of 4.5 million inhabitants, in which a strong photographic tradition — that includes David Goldblatt, Zanele Muholi and Santu Mofokeng — provides something of an anchor by Sean O'Toole and Gabi Ngcobo


Work & Play

Bik Van der Pol: artists as undercover agents by by Nick Aikens


In Focus: Alexander Tovborg

From clairvoyance to religiosity and the secret of the ‘100 Black Planets’ by Tom Morton


Focus Case Study: Shadi Habib Allah

A work-in-progress about the complex world of the Bedouins by Daniel Horn


Who Would Believe It?

Film director Nicolas Roeg talks to his friend, the artist John Stezaker, about collage, editing and memory, and film’s ability to ‘trap shadows’


Questionnaire: Raimundas Malašauskas

What image keeps you company in the space where you work? The window


The Encyclopedic Palace

The 55th Venice Biennale by Sam Thorne


Welcome to Iraq

The 55th Venice Biennale by Jennifer Higgie


The Film Essay

The 55th Venice Biennale by Jörg Heiser


The U.S Pavilion

The 55th Venice Biennale by Dan Fox


The British Pavilion

The 55th Venice Biennale by Tom Morton and is a curator and contributing editor of frieze, based in London, UK.


The Italian Pavilion

The 55th Venice Biennale by Barbara Casavecchia


Africa in Venice

The 55th Venice Biennale by Sean O’Toole


Sunrise to Sunset

T.J. Wilcox talks to Kirsty Bell about his latest video project, In the Air, which opens at the Whitney Museum in September by Kirsty Bell

Picture Piece

Picture Piece

The Washington, D.C. Metro by George Pendle


Focus Interview: Iratxe Jaio & Klaas van Gorkum

The image of ‘work’ and the relation between art and labour by Max Andrews


Focus Interview: Josh Kline

Posthumanism, sci-fi novels and technology by Domenick Ammirati


Peripheral Visions

For more than 50 years, the Argentinian artist Julio Le Parc has been exploring spectatorship, movement and participation. Following a major survey show at the Palais de Tokyo, Robert Barry considers the artist’s life and work by Robert Barry


In Focus: Mosireen

The recent activities of the Cairo-based film collective by Basia Lewandowska Cummings


In Focus: Dewar & Gicquel

The intermingling of conceptual and material worlds by Vivian Sky Rehberg


The Game

An interview with Michèle Bernstein, novelist and founding member of the Situationist International by Gavin Everall


Open House

The evolution of ‘performance architecture’ by Agnieszka Gratza


Questionnaire: Camille Henrot

What do you like the look of? People’s faces when they are very surprised.


Questionnaire: Dayanita Singh

Q: What is art for? A: To escape.


The Actual World

Are objects more real than words? Or, how poet and novelist Ben Lerner stopped being jealous and learned to love the virtual by Ben Lerner


In Focus: Aaron Flint Jamison

The spaces between rumour, information and circulation by Jonathan P. Watts


Focus Studio Visit: Basel Abbas and Ruanne Abou-Rahme

A portrait of the West Bank that fuses fact and fiction by Katya García-Antón


The Hunger

How artists visualize political reality through the artifice of fiction by Katie Kitamura


Focus Interview: Aaron Angell

Studio pottery, anti-art, John Fahey and compost by Tom Morton


In Focus: Anna K.E.

Sisyphean tasks and the failed Utopias of Modernist architecture by Noemi Smolik


Act Natural

David Levine, whose work embraces theatre, performance and video, discusses acting and identity by Dan Fox


The Picture People

An excerpt from Men and Apparitions, a novel in progress by Lynne Tillman

Picture Piece

Picture Piece: The Cubies’ ABC

The Cubies' ABC - a 1913 children's book by Jennifer Higgie


Future Fictions

How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances


Double City Manifesto

A graphic novel specially commissioned by frieze by Christopher Darling and Gregory Sholette


Questionnaire: Lara Almarcegui

Q: What is your favourite title of an art work? A: An Oak Tree (1973) by Michael Craig-Martin, where a glass of water becomes an oak tree just by mentioning it. Completely magical, poetic and funny. An artist with power.

Think Piece

Blurred Visions

What do drones see? And how can we see them? by Christy Lange


In Your Head

The surreal, oddly familiar world of Nicole Eisenman by Jennifer Higgie

Picture Piece

Picture Piece: Joe Orton’s bedroom

The Islington bedroom where the playright was bludgeoned to death by Ilsa Colsell

Think Piece

Mascots & Muses

From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair


In Focus: Petrit Halilaj

The Kosovar artist’s biographical narratives and loaded artefacts


Focus Interview: Ian Cheng

Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’ by Kari Rittenbach


Thought Maps

Gianfranco Baruchello’s long career encompasses painting, sculpture and film as well as farming and psychoanalysis by Luca Cerizza


Organic Systems

Argentinian artist Adrián Villar Rojas talks to Kathy Noble about creating with clay, sculpture-as-film and team-work by Kathy Noble


My Influences: Helen Marten

The artist discusses skeuomorphism, skins and soup by Helen Marten


Focus Case Study: Peles Empire

A collaboration that began with a castle in the Carpathians by Amy Sherlock


In Focus: Emily Floyd

Utopian Modernism, children’s toys and art in the public realm by Wes Hill


Other Criteria

From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany by David Campany

Think Piece

Studio Spaces

A number of recent exhibitions and artist projects have utilized the architecture of the television studio. How does this tendency relate to TV’s shifting significance as a cultural form? by Maeve Connolly


Eye Witness

Is it an artist’s duty to bear witness to suffering? Journalism, documentary and the ethics of reporting by Lara Pawson


The Real World

Pioneering curator, collector and dealer Seth Siegelaub, who died earlier this year aged 71, in conversation with artist Matthieu Laurette and critic Vivian Sky Rehberg by Vivian Sky Rehberg

City Report

Oslo City Report

Europe’s fastest-growing city is home to a supportive community of artists, curators and writers. From independent spaces in the Grønland neighbourhood and the influential Academy of Fine Art to OCA’s uncertain future and Renzo Piano’s divisive Astrup Fearnley Museet, Jason Farago and Milena Hoegsberg report from the Norwegian capital by Jason Farago and Milena Hoegsberg


Code Maker

The hermetic, inventive world of Thomas Scheibitz


Focus Interview: Hannah Perry

Filmmaking as a ‘series of introductions’ by Sam Thorne


Focus Interview: Yuki Kimura

The Japanese artist discusses photography and the viewer as an intermediary by Andrew Maerkle

Think Piece

On Rupture

How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day by Kaelen Wilson-Goldie

Dan Attoe

Peres Projects,

By Ana Finel Honigman

2013 Carnegie InternationalRegistered only

Carnegie Museum of Art, Pittsburgh, USA

By Dan Fox

Balthus / René MagritteSubscriber only

Metropolitan Museum of Art / Museum of Modern Art, New York, USA

By Ara H. Merjian

Hannah HöchSubscriber only

Whitechapel Gallery, London, UK

By Charlie Fox

Jöelle TuerlinckxRegistered only

Arnolfini, Bristol, UK

By Anna Searle Jones

Jamie ShovlinRegistered only

Cornerhouse, Manchester, UK

By Nick Warner

Isaac JulienRegistered only

Victoria Miro, London, UK

By Morgan Quaintance

TransformerSubscriber only

Richard Saltoun Gallery, London, UK

By Matthew McLean

Juliette BonneviotRegistered only

Wilkinson Gallery, London, UK

By Eleanor Nairne

Leah Capaldi & Stéphanie SaadéSubscriber only


By Paul Carey-Kent

You don’t need a weatherman to know which way the wind blowsSubscriber only

Hollybush Gardens, London, UK

By Basia Lewandowska Cummings

Adham FaramawyRegistered only

Cell Project Space, London, UK

By Louisa Elderton

Riccardo BenassiRegistered only

Marsèlleria, Milan, Italy

By Barbara Casavecchia

Peter FriedlSubscriber only

Guido Costa Projects, Turin, Italy

By Raimar Stange and Translated by Nicholas Grindell

Declinación MagnéticaSubscriber only

Tasneem Gallery, Barcelona, Spain

By Rebecca Close

Systemics #3Subscriber only

Kunsthal Aarhus, Aarhus, Denmark

By Christy Lange

SuperflexSubscriber only

Kunsthal Charlottenborg, Copenhagen, Denmark

By Niels Henriksen

Zanele MuholiRegistered only

Wentrup Gallery, Berlin, Germany

By Christy Lange

Tatiana TrouveRegistered only

Schinkel Pavillon,

By Mark Prince

William HuntRegistered only

Rotwand Gallery, Zurich, Switzerland

By Aoife Rosenmeyer

Sarah van SonsbeeckRegistered only

Annet Gelink Gallery, Amsterdam, Netherlands

By Renske Janssen

Kaido OleSubscriber only

Temnikova & Kasela Gallery, Tallinn, Estonia

By Daniel C. Blight

Manfred PerniceSubscriber only

Institut d'art contemporain, Villeurbanne/Rhône-Alpes, France

By Rahma Khazam

Manfred PerniceSubscriber only

Institut d'art contemporain,

By Rahma Khazam

We Are Living on a StarRegistered only

Henie-Onstad Kunstsenter, Oslo, Norway

By Jason Farago

Subodh GuptaRegistered only

National Gallery of Modern Art, Delhi, India

By Agnieszka Gratza

Yebisu International Festival for Art and Alternative VisionsRegistered only

Tokyo Metropolitan Museum of Photography & Yebisu Garden Place, Tokyo, Tokyo, Japan

By Becca Voelcker

Future PrimitiveSubscriber only

Heide Museum of Modern Art, Melbourne, Australia

By Kit Wise

Come Together: Surviving Sandy, Year OneSubscriber only

The Daedalus Foundation, New York, USA

By William Corwin

Simplest MeansRegistered only

Jeff Bailey Gallery, New York, USA

By Jennifer Kabat

Lewis HineSubscriber only

International Center of Photography, New York, USA

By Hannah Stamler

Jumana MannaSubscriber only

CRG Gallery, New York, USA

By Kate Sutton

Nick HornbyRegistered only

Churner and Churner, New York, USA

By Ara H. Merjian

Nick HornbyRegistered only

Churner and Churner, New York, USA

By Ara H. Merjian

Liz LarnerSubscriber only

Regen Projects, Los Angeles, USA

By Jonathan Griffin

Jason LazarusRegistered only

Contemporary Jewish Museum, San Francisco, USA

By Carmen Winant

Jesse Sugarmann

Fourteen30 Contemporary, Portland, USA

By John Motley

Beatriz Milhazes

Paço Imperial, Sao Paulo, Brazil

By Silas Martí

Melbourne Now

National Gallery of Victoria, Melbourne, Australia

By Kit Wise

Singapore Biennale 2013

Various venues, Singapore, Singapore

By Melanie Pocock

Erkki Kurenniemi

Kiasma Museum of Contemporary Art, Helsinki, Finland

By Jenna Sutela

Chris Burden

New Museum, New York, USA

By David Reisman

High Desert Test Sites

Various venues, Arizona, California and New Mexico

By Matthew Irwin

Rituals of Rented Island

Whitney Museum, New York, USA

By Agnieszka Gratza

Descartes’ Daughter

Swiss Institute, New York, USA

By Laura McLean-Ferris

Susan Howe

Yale Union, Portland, USA

By Lisa Radon


Centre d’Art Contemporain La Synagogue de Delme , Delme, France

By Robert Barry

Gego & Eva Hesse

Hamburger Kunsthalle, Hamburg, Germany

By Kito Nedo and Translated by Nicholas Grindell

Michaela Eichwald

Silberkuppe, Berlin, Germany

By Mark Prince

Nadira Husain, Ella Kruglyanskaya, Birgit Megerle, Amelie von Wulffen

Galerie Tobias Naehring, Leipzig, Germany

By Pablo Larios

Ane Mette Hol

Galerie Kadel Willborn, Dusseldorf, Germany

By Timotheus Vermeulen

Lofoten International Art Festival 2013

Various venues, Lofoten, Norway

By Sam Thorne

The System of Objects

DESTE Foundation, Athens, Greece

By Tom Morton

Haris Epaminonda

Point Centre for Contemporary Art, Nicosia, Cyprus

By Wes Hill

Amalia Pica

Kunsthalle Lissabon, Lisbon, Portugal

By Filipa Ramos

Paul Guiragossian

Beirut Exhibition Center, Beirut, Lebanon

By Sam Thorne

Athi-Patra Ruga

Whatiftheworld / Gallery, Cape Town, South Africa

By Sean O’Toole

Amol Patil

Clark House Initiative, Mumbai, India

By Prajna Desai

Eva Kotátková

Modern Art Oxford , Oxford, UK

By Sophie J. Williamson

Willie Doherty

City Factory Gallery, Derry/Londonderry, Ireland

By Colin Perry

Santiago Sierra

Void, Derry/Londonderry, Ireland

By Morgan Quaintance

Lucy Skaer

Tramway, Glasgow, UK

By Max Andrews

Heidi Bucher

The Approach , London, UK

By Amy Sherlock

Mingei: Are You Here?

Pace Gallery, London, UK

By Sam Thorne

Sophie Jung

Ceri Hand Gallery,

By Tom Morton

Anna Barriball

Frith Street Gallery, London, UK

By Mark Prince

James CarlSubscriber only

Diaz Contemporary, Toronto, Canada

By Charles Reeve

Setareh ShahbaziRegistered only

Gypsum Gallery, Cairo, Egypt

By Negar Azimi

Sophie JungSubscriber only

Ceri Hand Gallery ,

By Tom Morton

Pablo Helguera

Kent Fine Art, New York, USA

By Max Andrews

David Adamo


By David Gibson

Counter Forms

Andrea Rosen Gallery, New York, USA

By Michael Pepi

Le Mois de la Photo à Montréal

Various venues, Montreal, Canada

By Christy Lange

Jimmy Merris

Bloomberg SPACE / Seventeen, London, UK

By Martin Herbert

Philomene Pirecki

Supplement, London, UK

By Tom Morton

Prem Sahib

Southard Reid, London, UK

By Matthew McLean

Nick Relph

Chisenhale Gallery, London, UK

By Agnieszka Gratza

Unified Fabric

Arcadia Missa, London, UK

By Giulia Smith

Clunie Reid

MOT International, London, UK

By Alice Butler

Richard Sides

Carlos/Ishikawa, London, UK

By Lorena Muñoz-Alonso


Jessica Bradley Gallery, Toronto, Canada

By Dan Adler

Performance as Publishing

Rowing, London, UK

By Lizzie Homersham

Elizabeth Price

Focal Point Gallery, Southend-on-Sea, UK

By Nick Warner

Hurvin Anderson

Ikon, Birmingham, UK

By Louisa Elderton


firstsite, Colchester, UK

By Eleanor Nairne

Sam Keogh

Kerlin Gallery, Dublin, Ireland

By Matt Packer

Rosslynd Piggott

William Johnston Collection, Melbourne, Australia

By Kit Wise

Christopher Hanrahan

Sarah Cottier Gallery, Sydney, Australia

By Wes Hill

Amy Sillman

Institute of Contemporary Art, Boston, USA

By Scott Roben

Experiments in the Fault Zone

Mills College Art Museum, San Francisco, USA

By Joseph Akel

13th Istanbul Biennial

Various venues, Istanbul, Turkey

By Sam Thorne

Thomas Hirschhorn

Forrest Houses, New York, USA

By Ara H. Merjian

12th Lyon Biennial

Various venues, Lyon, France

By Kevin McGarry

Bergen Assembly

Various venues, Bergen, Norway

By Pablo Larios

Göteborg International Biennial for Contemporary Art

Various venues, Gothenberg, Sweden

By Christy Lange

In the Heart of the Country

Museum of Modern Art, Warsaw, Poland

By Kasia Redzisz

Contour: 6th Biennial of Moving Image

Various venues, Mechelen, Belgium

By Nathaniel Budzinski

Constant Dullaart

Future Gallery & IMPORT Projects, Berlin, Germany

By Louisa Elderton

Daiga Grantina

Galerie Max Mayer, Düsseldorf, Germany

By Timotheus Vermeulen

Sam Falls

Galerie Eva Presenhuber, Zurich, Switzerland

By Aoife Rosenmeyer

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