Issue 102 October 2006
David Noonan
In an ongoing series, frieze asks an artist to list the movies that have influenced their practice.
Community Service
Since the early 1990s, artist groups have been attempting to empower the socially disadvantaged
Emotion Pictures
Hollywood, disaster movies and the events of 11 September 2001
Ahead in the Clouds
First built in 1964 the Boeing 737 is still one of the most popular aircrafts in the world. Celebrations for the 5,000th plane to be constructed prompt a reconsideration of what we think of as good design
Masters of War
Parallels can be drawn between Pablo Picasso’s anti-fascist masterpiece and current events in the Middle East
Taste
An email debate
The Cost of Knowledge
The relationship between art, taste, laughter and commerce
Le Goût des Autres
Since the 17th century, taste has been integral to the discourse surrounding aesthetics, class, culture, gender and sexuality. Has it become an anachronism?
Jan Mancuska
Words, cinema, stories; loneliness and heartache
Karen Kilimnik
Karen Kilimnik’s solo exhibition at the Musee d’Art Moderne de la Ville de Paris runs from 27 October 2006 to 14 January 2007. A mid-career retrospective will open at the Institute of Contemporary Art, Philadelphia in 2007 and will travel to the Museum of Contemporary Art, Chicago, and Aspen Museum of Art, Colorado.
The Odd Couple
An interview with Peter Fischli and David Weiss about three decades of making art; slapstick and semiotics, sausages and bears, sunsets, polyurethane, culture and cats …
On ‘E’
Whether making drawings, paintings or conceptual projects 'boycotting' women and dropping out from the art world, Lee Lozano wanted to 'participate only in a total revolution simultaneously personal and public'
Found and Lost
For over a decade Mexican artist Abraham Cruzvillegas has made sculptures from objects as disparate as cake, scythes, boxes, plants and magazines
Body Language
Hilary Lloyd studies, stages and celebrates movement and gesture in her video and slide installations
Sarah Anne Johnson
Tree planting, photographs, friends, workers, houses and dolls
Karin Ruggaber
The decorative and the functional, the hard and the soft
Milan and Turin
As artistic capitals of postwar Italy, Milan and Turin are expressions of a modern and progressive culture – despite having developed almost contradictory attitudes towards it
Armando Andrade Tudela
Peru, vernacular Modernism, hippie exoticism and the history of cocaine
Harmonious Life
In conversation with Steve Reich
The Complete Topic Recordings
Anne Briggs , (Bo’Weavil Records, 2006),
By Jonathan Griffin
Did Someone Say Participate? An Atlas of Spatial Practice
ed. Markus Miessen and Shumon Basar , (Revolver, Frankfurt am Main, 2006),
By Dominic Eichler
Jean-Luc Godard
Centre Pompidou, Paris, France
By Matthieu Laurette
Dereconstruction
Gladstone Gallery, New York, USA
By Kristin M. Jones
Lecia Dole-Recio
Museum of Contemporary Art, Los Angeles, USA
By Chris Balaschak
Eva Hesse
The Drawing Center and the Jewish Museum, New York, USA
By Megan Ratner
Luc Tuymans
Museu Serralves, Porto, Portugal
By Elena Filipovic
Maureen Gallace
The Art Institute of Chicago, USA, Chicago, USA
By Michelle Grabner
Don Quixote
Witte de With, Rotterdam, The Netherlands,
By Catrin Lorch Translated by Nicholas Grindell
Matthew Barney
San Francisco Museum of Modern Art, San Francisco, USA
By Jeffrey Ryan
Trial Balloons
Museo de Arte Contemporáneo de Castilla y León, León, Spain, León, Spain
By Max Andrews
Tony Swain
The Modern Institute, Glasgow, UK
By Mick Peter
Ragnar Kjartansson
Galerie Adler, Frankfurt, Germany
By Amanda Coulson
Filmosophy
Daniel Frampton , (Wallflower Press, London, 2006),
By Roland Kapferer
Zaha Hadid
Solomon R. Guggenheim Museum, New York, USA
By Irene Cheng
Mariele Neudecker
Colston Hall, Bristol, UK
By Jonathan Griffin
Ideal City
Various venues, Zamosc, Poland,
By Goska Charylo Translated by Krzysztof Kosciuczuk
Grey Flags
Sculpture Center, New York, USA
By Elwyn Palmerton
Experimental Jetset
Kemistry Gallery, London, UK
By Emily King
Pash Buzari
COMA – Centre for Opinions in Music and Art, Berlin, Germany
By Dominic Eichler
Thank You For The Music (London Beat)
Spruth Magers Lee, London, UK
By Dan Fox
Mars: 2068
Soelden, Austria, ,
By Jonathan Griffin
Araya Rasdjarmrearnsook
100 Tonson Gallery,
By Brian Curtin
Christian Cummings
‘Automatic Drawing Brought Forth through the Ouija Board’, 64 East 4th Street, New York, USA
By James Trainor
Karl Holmqvist
Marabouparken Annexe, Sundbyberg, Sweden,
By Ronald Jones
Freeing the Line
Marian Goodman Gallery, New York, USA
By Megan Ratner
Flutter
The Approach, London, UK
By Tom Morton
Angus McBean
National Portrait Gallery, London, UK
By Brian Dillon
Linder
Works 1976 – 2006 , ed. Lionel Bovier (JRP Ringier, Zurich 2006),
By Kathy Battista
Monologue Night
The Serpentine Gallery, London, UK
By Melissa Gronlund
Radio Algeria
(Sublime Frequencies, 2006),
By Roland Kapferer
Mark Neville
Dick Institute,
By Martin Vincent
Kara Walker
The Metropolitan Museum of Art, New York, USA
By George Pendle
Lustfaust
Jamie Shovlin (http://www.myspace.com/lustfaust),
By Stephen Beasley
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