Issue 105 March 2007
Ah, Feminism
A plethora of feminist-related arts activity in 2007 begs the question – why now?
Runa Islam
In an ongoing series, frieze asks an artist to list the movies that have influenced their practice.
Tough Love
Feminism and its thresholds
Social Construction
The opening of the Elizabeth A. Sackler Center for Feminist Art is a landmark event – but without an acquisition programme, does it risk becoming simply another Women’s Studies department?
Generation Gap
How has Feminism in the art world changed?
Body of Thought
Two new books examine women, dissection and secrets
Women on the Move
An interview sociologist Saskia Sassen about the role of women today – from cleaners and mothers, to professionals and politicians – in newly emergent social structures, from the US to Japan and Dubai
Eleanor Antin
Eleanor Antin, who lives and works in San Diego, California, is a conceptual and multidisciplinary artist who has been creating narrative images in photography, video, film, performance and installation for more than 35 years. Her exhibition at Galerie Erna Hécey in Brussels is on view until April 7, 2007.
History Makers
Amelia Jones talks to Connie Butler about the upcoming exhibition ‘WACK!, Art and the Feminist Revolution’
Under My Skin
The Anthology Film Archives in New York will soon release the second volume of a vast bibliographical project about the radical and influential filmmaker, Maya Deren
Distant Relations
Collier Schorr’s photographs and collages question what we look at – and why
Public Works
For over a decade, Annika Eriksson has made videos, staged performances and organized events that explore social relationships
Feminism: Three Views
From Mexico to Egypt, Senegal to Columbia - examining approaches to feminist art-making
Past, Present and Future
In her murals, installations, music, radio plays and projections, German artist Michaela Melián explores the politics of memory, alternative histories and the often unsung role of women in shaping the past – and future
Mathilde ter Heijne
Gun-fights, doppelgängers, feminist tales, songs and films
Claire Fontaine
Pseudonyms, strikes and keys; appropriation and symbols
Josephine Meckseper
Display; the female form and protest culture
Double Life
With found objects, drawings and paintings, Cathy Wilkes creates unexpected narratives suggesting psychological states and social codes
Cooling Out
Lewis Glucksman Gallery, University College, Cork, Ireland
By Caoimhín Mac Giolla Léith
Barbara Visser
Museum de Paviljoens, Almere, Netherlands
By Douglas Heingartner
Elke Krystufek
MAK Museum of Applied Arts, Vienna, Austria
By Nicole Scheyerer, Translated by Nicholas Grindell
How to Build a Universe That Doesn’t Fall Apart Two Days Later
CCA Wattis Institute for Contemporary Arts, San Francisco, USA
By Jeffrey Ryan
In My Own Time
Karen Dalton , Light in the Attic Records, 2006,
By Jennifer Higgie
Alexis Hunter
Norwich Gallery, Norwich, UK
By Kathy Battista
John Currin
Gagosian Gallery, 2006,
By Jennifer Higgie
Conrad Shawcross
Victoria Miro Gallery, London, UK
By Tom Morton
Mel Bochner
The Art Institute of Chicago , Chicago, USA
By Michelle Grabner
Academy
Van Abbemuseum and Museum van Hedendaagse Kunst, Eindhoven, The Netherlands and Antwerp, Belgium,
By Catrin Lorch, Translated by Nicholas Grindell
Act
De Appel, Amsterdam, Netherlands
By Dominic Eichler
Witness to Her Art
ed. Rhea Anastas and Michael Brenson, (Bard College, New York, 2006),
By Belinda Bowring
When the Moon Shines on the Moonshine
The Breeder, Athens, Greece
By Marina Fokidis
Thunder
Hannah Rickards , Media Art Bath, 2007,
By Dan Fox
East Art Map: Contemporary Art and Eastern Europe
ed. IRWIN , Afterall Books, London, 2006,
By Simon Rees
Agniezka Brzezanska
Hotel, London, UK
By Sam Thorne
I Like America – Fictions of the West
Schirn Kunsthalle , Frankfurt, Germany
By Klaus Walter (Translated by Nicholas Grindell)
Dreamgirls
(Music from the Motion Picture), Columbia Records, 2006,
By Jörg Heiser
Jennifer Bornstein
Gavin Brown’s Enterprise, New York, USA
By Joanna Kleinberg
Gardar Eide Einarsson
Nils Staerk Contemporary Art, Copenhagen, Denmark
By Staffan Boije af Gennäs
Semina Culture
Berkeley Art Museum, Berkeley, USA
By Julian Myers
Clip/Stamp/Fold
Storefront for Art and Architecture, New York, USA
By Megan Ratner
Ruby Satellite
University of California Riverside/California Museum of Photography, Riverside, USA
By Jeffrey Ryan
USA Today
Royal Academy of Arts, London, UK
By Dan Fox
Riflemaker becomes Indica
Riflemaker, London, UK
By Sally O’Reilly
Suzanne Treister
Various Venues, London, UK
By Jonathan Griffin
The 5th Asia-Pacific Triennial
Queensland Art Gallery/Gallery of Modern Art, Brisbane, Australia
By Adam Jasper
Image/Text
Tate Modern, London, UK
By Andrew Bonacina
Brice Marden
The Museum of Modern Art, New York, USA
By Mark Godfrey
The Feminist Future: Theory and Practice in the Visual Arts
The Museum of Modern Art, New York, USA
By Kristin M. Jones
The Secret Public
Kunstverein Munich, Munich, Germany
By Dominic Eichler
This Will Not Happen Without You
John Hansard Gallery, Southampton, UK
By Sally O’Reilly
The Perfect Man Show
White Columns, New York, USA
By Megan Ratner
Brian Fahlstrom
Marc Foxx Gallery, Los Angeles, USA
By Chris Balaschak
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