State of the Art

Critical Timing

Writing reviews is a complex business by Tom Morton

View from the Bridge

The Time is Now

On being an American in Europe by Robert Storr

Informant

The Whole World

From photographing every house in America, to putting every book online, complete databases are all the rage by George Pendle

5:00 AM

Plus ça Change!

What’s with the art world’s fascination with ‘bad boys’? by Nancy Spector

Film

Law of the Land

Bamako, a new film from Mali, stages a fictitious trial of the World Bank and the International Monetary Fund by Dan Fox

Interview

Broadcast News

An interview with Raimundas Malašauskas about the TV show programmed by the Contemporary Art Centre, Vilnius by Aaron Schuster

Life in Film

Jia Zhangke

In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice. For this issue Jia Zhangke talked to Bert Rebhandl.

Monograph

Tales of the Unexpected

From logs to light-fittings, leopards, cream and alligators, Milan-born artist Paola Pivi uses art as an experiential playground by Martin Herbert

Art History

The Other Side

Occult art has come a long way since the manipulation of photographic plates and painters responding to supposed dictates from the spirit world. Many contemporary artists are turning to the unseen to evoke a sense of historical space by Lars Bang Larsen

Monograph

Story Telling

Matthew Buckingham’s films, photographs and installations explore the present by examining representations of – and subjects from – the past by Melissa Gronlund

Monograph

Networking

Since the early 1960s, Stephen Willats has investigated the idea of art as something that might motivate people to renegotiate their perceptions of reality by Tom Morton

Monograph

Image Search

Referencing such wildly disparate subjects as Google, ‘self-eating’, headless dogs and imaginary births, Dana Schutz examines what it means to be a painter by Dana Schutz

This Day Remains

From 1982 until 1998 the Black Audio Film Collective’s essays, films and ‘slide-tape texts’ opened up a new aesthetic and discursive space within the worlds of British art, experimental film, television and critical theory. A new exhibition celebrates their achievements by The Otolith Group

Questionnaire

Mark Wallinger

Mark Wallinger lives and works in London. His solo show ‘State Britain’ at Tate Britain runs until August 2007. This year he will also have solo shows at Kunstverein Braunschweig and Donald Young Gallery, Chicago. His work is also included in Muenster Sculpture Projects.

Focus

San Keller

Careers, critics, money and music by Tirdad Zolghadr

Focus

Peter Coffin

Disparate models; abstraction and mysticism, curiosity and scepticism by Peter Eleey

Focus

Chris Evans

Big business, sculpture and the machinations of cultural production by Andrew Bonacina

May the Twelfth

Store Gallery, London, UK

By Courtney J. Martin

Andreas Fogarasi

Georg Kargl BOX, Vienna, Austria

By Nicole Scheyerer Translated by Nicholas Grindell

Thomas Kvam

UKS, Oslo, Norway

By Kjetil Røed

Philip

Various authors (Project Press, Dublin, 2007),

By Aaron Schuster

Super Roots

Boredoms (Very Friendly 2007),

By Mark Fisher

Superflex

Jack Hanley Gallery, Los Angeles, USA

By Julian Myers

Forty Posters for the Yale School of Architecture

Michael Bierut, Winterhouse Editions, CT and Mohawk Fine Papers, New York, 2007,

By Eugenia Bell

Forum Expanded

57th International Film Festival, Berlin, Germany

By Christy Lange

Christopher Williams

GAM, Bologna, Italy

By Luca Cerizza

Lucy McKenzie

Norwich Gallery, Norwich, UK

By Dan Fox

If I Can’t Dance…Part II

De Appel, Amsterdam, Netherlands

By Dominic Eichler

Pigment Piano Marble

Maipú 327, Buenos Aires, Argentina

By Amanda Coulson

Tomory Dodge

ACME, Los Angeles, USA

By Jeffrey Ryan

Alan Kane & Humphrey Spender

Ancient & Modern, London, UK

By Sally O’Reilly

Tino Sehgal

ICA, London, UK

By Tom Morton

Gulnara Kasmalieva and Muratbek Djumaliev

The Art Institute of Chicago, Chicago, USA

By Jason Foumberg

Imogen Stidworthy

Galerie Hohenlohe, Vienna, Austria

By Nicole Scheyerer Translated by Nicholas Grindell

A History of Artists’ Film and Video in Britain

David Curtis, (BFI, London, 2007) ,

By Mark Webber

Rudolf Stingel

Museum of Contemporary Art, Chicago, USA

By Michelle Grabner

Hans Haacke

Deichtorhallen, Hamburg, Akademie der Künste, Berlin, Germany,

By Manfred Hermes

Daniel Buren

Modern Art, Oxford, UK

By < back to search results

Sioban Hapaska

Tanya Bonakdar Gallery, New York, USA

By Megan Ratner

Tropicalia

Bronx Museum of the Arts, New York, USA

By Kristin M. Jones

Eleanor Antin

Galerie Erna Hécey, Brussels, Belgium

By Aaron Schuster

Concerto for Voice and Machinery

ICA, London, UK

By Virginie Guichard

From Brussels With Love

Various artists (LTM 2007),

By Dan Fox

Victor Grippo

Camden Arts Centre, London, UK

By Cameron Irving

Music is a Better Noise

PS1 Contemporary Art Center, New York, USA

By Mark Beasley

Phillip Lai

Stuart Shave/Modern Art, London, UK

By Jonathan Griffin

Ice Trade

Chelsea Space, London, UK

By David Shariatmadari

Dump Valve

Various artists (2003 ongoing),

By Tony F. Wilson

Tony Conrad

Greene Naftali Gallery, New York, USA

By Megan Ratner

Sleepwalkers

The Museum of Modern Art, New York, USA

By Steven Stern

Harun Farocki

Index, Stockholm, Sweden

By Ronald Jones

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Frieze Art Fair Yearbook 2007-8
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The Expanded Gallery: Mass Forms for Private Consumption - Added on 13/10/07
What cultural value do industrial design, graphics and film bring to the spaces of the gallery and the museum?