Issue 107 May 2007
What’s Left?
How the political divide between democratic socialists and romantic anarchists impacts on the art world
Skin Deep
The erotics of looking and collecting
Diary of a Somebody
Susan Sontag’s journals reveal her Warholian efforts at fashioning a persona
Pass the Evian
How to improve symposia, seminars and conferences
Co-Pilots
Stuart Bailey and Ryan Gander on the script for their proposed television series, Appendix Appendix
Love Letters
A new documentary celebrates the 50th anniversary of the Helvetica typeface
Luke Fowler
In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice.
REAL LIFE Magazine: Selected Writings and Projects 1979–1994
ed. Miriam Katzeff, Thomas Lawson & Susan Morgan, (Primary Information, New York, 2007)
Teenage: The Creation of Youth, 1875–1945
Jon Savage , (Chatto & Windus, London, 2007)
The Madrid Trial
ARCO, Madrid, Spain
The Rise of the London Art Market
Tate Britain, London, UK
Chantal Akerman: Là-bas
French Institute/Florence Gould Hall, New York, USA
Life Without Buildings
Live at the Annandale Hotel (Gargleblast Records, 2007)
Pantaleimon
Cloudburst and Under the Water (Durtro Jnana, 2007)
Nico
The Frozen Borderline: 1968–70 (Rhino, 2007)
Time’s Fool
For nearly three decades, George Condo’s paintings and sculptures have described a bawdy world of existential angst
Turning So Many Corners
Negotiation and communication are as key to Renata Lucas’s architectural interventions as the Brazilian Neo-Concretist tradition she works in
Light and Dark
David Lynch’s first digital video feature, INLAND EMPIRE, is his most experimental work in years
The Body Politic
For over three decades Mary Kelly has fused aesthetics, politics, psychoanalysis and radical formalism. She talked to Ian White about her unique approach to making art and her work for documenta 12
Room with an Overview
The format of the traditional retrospective is undergoing a radical re-evaluation – especially at the Musée d’Art moderne de la Ville de Paris
Up Close and Personal
Estonian artist Mark Raidpere’s photographs and videos mine the space between private and public
Tino Sehgal
Tino Sehgal is an artist based in Berlin. His work is currently on view at the Total Museum in Seoul.
Valentin Carron
Alpine aesthetics and Modernism; imitation and a boar’s head
Lúcia Koch
Light, eye-popping patterns and a Turkish bathhouse
Spartacus Chetwynd
The epic and the everyday; theatre, bats, puppets and paintings
Nairy Baghramian
Deserted frames, whispery voices; marquees, mirrors and steel earrings
Mark Wallinger
Tate Britain, London, UK
By Tom Morton
Andreas Gursky
Haus der Kunst, Munich, Germany
By Holger Liebs
2nd Moscow Biennial
Various venues, Moscow, Russia
By Simon Rees
Eve Sussman & the Rufus Coporation
IFC Theater/Creative Time, New York, USA
By Jenni Sorkin
Vija Celmins
Hammer Museum, Los Angeles, USA
By Jeffrey Ryan
Juan Davila
National Gallery of Victoria International, Melbourne, Australia
By Dominic Eichler
Katerina Šedá
Arratia, Beer, Berlin, Germany
By Christy Lange
Alexander Knox
Murray White Room, Melbourne, Australia
By Daniel Palmer
Grace Ndiritu
Chisenhale Gallery, London, UK
By Melissa Gronlund
Pawel Althamer
neugerriemschneider, Berlin, Germany
By Matt Saunders
Christoph Buchel
Hauser and Wirth Coppermill, London, UK
By Dan Fox
Yoshua Okon
The Project, New York, USA
By Claire Gilman
The 80s: A Topology
Serralves Museum, Porto, Portugal
By Dominic Eichler
Phill Niblock
Sketch, London, UK
By Sam Thorne
Design Life Now
Cooper-Hewitt National Design Museum, New York, USA
By Eugenia Bell
Wunderground
The Rhode Island School of Design, Providence, USA
By Mark Beasley
Radical Living Papers
Gavin Brown’s Enterprise at Passerby, New York, USA
By George Pendle
A Secret Service
De La Warr Pavilion, Bexhill, UK
By Peter Suchin
Tommy Støckel
Frankfurter Kunstverein, Frankfurt, Germany
By Amanda Coulson
Rob Churm
Sorcha Dallas, Glasgow, UK
By Sarah Lowndes
Paradjanov the Magnificent
École nationale supérieure des Beaux-Arts de Paris, Paris, France
By Vivian Rehberg
Harrell Fletcher
LA>
By Jeffrey Ryan
Good Riddance
MOT International, London, UK
By Courtney J. Martin
Ernesto Neto and Carlos Bevilacqua
Galeria Fortes Vilaça, Sao Paulo, Brazil
By Jochen Volz
Very Abstract and Hyper Figurative
Thomas Dane Gallery, London, UK
By Jonathan Griffin
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