Issue 114 April 2008
No Such Thing As Society: Photography in Britain, 1967–1987
David Alan Mellor (Hayward Publishing, London, 2008)
The Craftsman
Richard Sennett (Allen Lane, London, 2008)
The Trials of Art
ed. Daniel McClean (Ridinghouse, London, 2007)
Real English Tea Made Here
William S. Burroughs (Audio Research Editions, 2007)
The Bees Made Honey in The Lion’s Skull
Earth (Southern Lord, 2008)
A Flat Man
Ivor Cutler (Hoorgi House Records, 2008)
Film as a Critical Practice
Office for Contemporary Art, Oslo, Norway
Negotiating the Lesser Evil
Bard College, Annandale-on-Hudson, USA
Indeterminacy
Galerie Jan Mot, Brussels, Belgium
Age of Anxiety
So much criticism. So little time
Crossword
Crossword
Give and Take
Eli Broad, the Los Angeles County Museum of Art and the perils of philanthropy
Scene and Heard
Two recent plays suggest that artists make bad subjects for the theatre
Art and Artifice
Hillary Clinton's 'tears', fake gondolas and Lyon in the desert - is fiction the new reality?
Death Becomes Them
Recent years have seen a rise in panel discussions about the demise of art criticism - while the birth of the curator-critic has passed largely unremarked
Dead Men Walking
No Country for Old Men's recent success at the Oscars heralds the return of the cowboy - a figure who, after decades of phenomenal popularity, had all but disappeared from the big, and small, screen
Hito Steyerl
In ‘Life in Film’, an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice.
Reality in the Age of Aesthetics
What does it mean when artists create scenarios that rely on existing social realities, or when they actively enter a social realm in order to generate works of art?
War and Peace
Israeli artist Yael Bartana asks: ‘What is this place where I grew up?’
Alexander the Great
A new 16-disc DVD box set of Alexander Kluge’s films highlights the 30-year career of this influential German filmmaker, philosopher, author and media mogul
Schorr edits Mikhailov
Ukrainian artist Boris Mikhailov has been documenting the inhabitants of his homeland for over 30 years. American artist Collier Schorr responds to his confrontational photographs by designing this layout and annotating his images
Tales from the City
How we create architectural spaces that in turn define our social behaviour is a constant theme in the films of Clemens von Wedemeyer
Duncan Campbell
The Troubles, Samuel Beckett, Joan of Arc, knitted club flyers and reconstructing the past
Hannah Rickards
Stars, thunder and birdsong; transformation and translation
Hany Armanious
Pragmatic metaphysics, painstaking copies and infinite pedestals
Guido van der Werve
Chopin, melancholy, pianos and slapstick
Another Country
A citizen of both the USA and Palestine, Emily Jacir explores the limits and possibilities of exile and representation
Game Theory
The social experiments Artur Zmijewski documents in his provocative videos reveal disquieting aspects of human nature
Isaac Julien
Isaac Julien is a filmmaker and artist. He curated the current exhibition at the Serpentine Gallery, ‘Derek Jarman: Brutal Beauty’ (23 February – 13 April 2008), which features his new film Derek. His film installation Fantôme Afrique (2005) is also on show at the University Art Museum, University of California, Santa Barbara until 11 May 2008.
Double Agent
Institute of Contemporary Arts, London, UK
By Melissa Gronlund
Unmonumental
The New Museum, New York, USA
By Steven Stern
Luciano Fabro
Museo d’Arte Donna Regina, Naples, Italy
By Andrew Bonacina
Willie Doherty
Matt’s Gallery, London, UK
By Maria Fusco
Omer Fast
Arratia, Berlin, Germany
By Bert Rebhandl
African Photography Encounters
Various venues, Bamako, Mali
By Sean O’Toole
Kathy Temin
Roslyn Oxley9 Gallery, Sydney, Australia
By Kit Wise
Liam Gillick
Witte de With, Rotterdam, Netherlands
By Katie Kitamura
Madelon Vriesendorp
Architectural Association, London, UK
By Sam Thorne
Thomas Demand
303 Gallery, New York, USA
By Anne Wehr
Ellipsis
Museo Tamayo Arte Contemporáneo, Mexico City, Mexico
By Ara H. Merjian
Matthew Darbyshire
Gasworks, London, UK
By Tom Morton
Shandyismus: Authorship as Genre
Kunsthaus Dresden, Dresden, Germany
By Saskia Draxler
Victor Man
Blum & Poe, Los Angeles, USA
By Natalie Haddad
Patrick Keiller
BFI Southbank Gallery, London, UK
By Richard Unwin
Silke Otto-Knapp
Galerie Daniel Buchholz, Cologne, Germany
By Catrin Lorch
Klaus Weber
Andrew Kreps Gallery, New York, USA
By Jonathan Griffin
Shaun Gladwell
Artspace, Sydney, Australia
By Daniel Palmer
Dean Byington
Leslie Tonkonow, New York, USA
By Merrill Falkenberg
Koo Jeong-A
Centre International d’Art et du Paysage, Ile de Vassivière, France
By Vivian Rehberg
Quisqueya Henríquez
Bronx Museum, New York, USA
By Morgan Falconer
Mounir Fatmi
Lombard-Fried Project, New York, USA
By Claire Gilman
Dorota Jurczak
Corvi-Mora, London, UK
By Chris Fite-Wassilak
Mathieu Mercier
ARC / Musée d’Art moderne de la Ville de Paris, Paris, France
By Christophe Gallois
Late Titian
Kunsthistorisches Museum, Vienna, Austria
By Rainer Metzger
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