frieze

Issue 119 Nov-Dec 2008

Events

Institut im Glaspavillon

Berlin, Germany by Christy Lange

Events

ANGER/NATION

Radiohole, The Kitchen, New York, USA by Natalie Haddad

Events

This Filthy World

John Waters, Hammersmith Apollo, London, UK by Sally O’Reilly

Books

The Language of Things

Deyan Sudjic (Penguin, London, 2008) by Eugenia Bell

Books

Canvases and Careers Today: Criticism and Its Markets

eds. Daniel Birnbaum and Isabelle Graw (Sternberg Press, Berlin and New York, 2008) by Maria Fusco

Books

The Broken World

Tim Etchells (Heinemann, London, 2008) by Tim Robey

Music

The John Peel SessionsWith video

Magazine (Virgin/EMI, 2008) by Mark Fisher

Music

Studies for Player Piano

Conlon Nancarrow (Other Minds, 2008) by Paul Kildea

Music

BCD-2

Basic Channel (Basic Channel, 2008) by Dan Fox

Ideal Syllabus

Monika Baer

In an ongoing series frieze asks curators, artists and writers to list the books that have influenced them

Music

The Wrong Note

How Western pop music is being used as ‘touchless torture’ by the American military by Andrew Hultkrans

Publishing

That’s Life!

A re-print of General Idea’s radical, now defunct FILE Megazine celebrates its idiosyncratic brilliance by Maria Fusco

Icons

A Life in Letters

The tragic death of David Foster Wallace has robbed the world of a writer who brilliantly reflected upon the joys and complications of both language and living by Jerome Boyd-Maunsell

Pretty, Pretty Good

Not so Black and White

Are reproductions of art works helpful, or do they confuse our experience of the real thing? by Jennifer Allen

More Than A Feeling

Work it Out

Keeping fit, autonomy, disappointment and art criticism by Tirdad Zolghadr

View from the Bridge

Courage and Convictions

The first India Art Summit prompted timely debates about artistic freedom on the subcontinent by Robert Storr

My Brilliant Career

Livid at not being included in ethnographer Sarah Thornton’s book Seven Days in The Art World (Granta, 2008), curator Jean-Philippe Obu-Stevenson has paid frieze an undisclosed sum to publish the following exclusive extract from the preface to his forthcoming sociological bodice-ripper Don’t You Know Who I Am? Actualizing Myself in the Art World (Editions Obu-Stevenson, Schiphol Airport, Amsterdam, 2009) by Jean-Philippe Obu-Stevenson

State of the Art

Debit and Credit

How to stop worrying and love the ‘content crunch’ by Dan Fox

Life in Film

Life in Film: Clio BarnardWith video

In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice

Interview

On Making Pictures

Glaswegian novelist and artist Alasdair Gray answers questions from frieze about his approach to art, life and literature. Canongate will publish a visual biography of the artist’s work, A Life In Pictures, next year

Interview

Metal WorksWith video

Richard Serra’s new show of monumental sculptures heralds the artist’s first exhibition in London for 16 years. In a rare interview, he talked with Adrian Searle about the evolution of his ideas and his plans for the future

Questionnaire

Annika Ström

After 12 years in Berlin, Swedish artist Annika Ström now lives in Hove, UK. Her new monograph annika ström live!, edited by Christophe Boutin and published by Fälth & Hässler and onestar press, is out now. She has recently had solo shows at c/o Atle Gerhardsen, Berlin, and Uddevalla Konsthall, Sweden and her exhibition at Lautom Contemporary, Oslo, runs until 7 December. Her work is also included in the group shows ‘Intimacy’ at ACCA, Melbourne, until 30 November, and ‘Sonic Voices, Rocking Hard’, at the Netherlands Media Art Institute, Amsterdam, until 2 November. She is currently working on her first feature-length script.

Monograph

Here, There and Everywhere

Melik Ohanian’s aim to ‘question the operative mode of the exhibition’ is apparent in his complex, multimedia project which recently opened in 15 venues across Paris by Vivian Rehberg

City Report

Naples

Despite massive problems including organized crime, a chaotic infrastructure and an inability to deal with its rubbish, Naples offers much in the way of a thriving contemporary art scene, breathtaking architecture and extraordinary food by Jörg Heiser, Mario Codognato and Pádraig Timoney

Monograph

Shape Shifter

Ambiguity, concealment and eroticism lurk in the shadows of Victor Man’s paintings and installations by Tom Morton

Monograph

After and BeforeWith video

Political engagement in art from the USA and Silvia Kolbowski’s ambitious new work by Christopher Bedford

Focus

Athanasios ArgianasWith video

Sound and form: grasshoppers, vocal canons and communicating with the dead by Sam Thorne

Focus

Harry Dodge and Stanya KahnWith video

Videos, hoods, a ‘period eye’; surrealism and surveillance by Christopher Bedford

Focus

Natascha Sadr Haghighian

Institutional critique and collective authorship; money, fruit and Robbie Williams by Luca Cerizza

Focus

Bili Bidjocka

Begonias, the lure of travel, endless writing and an unfinished book by Sean O'Toole

Monograph

You and Me

From participatory projects to socially mindful curating, Harrell Fletcher explores the role art plays in human relations by Jens Hoffmann

Case Study

‘Harpstrings and Lava’ and ‘Minotaur’ by Daria MartinWith video

Two new films, influenced by a friend’s childhood nightmare and a choreographer, which grew from collaboration and improvisation

Monograph

The Embarrassing Truth

The elegant aesthetic of Matthew Brannon’s pictures and sculptures belies a witty, acerbic take on the human condition by Jennifer Higgie

7th Shanghai Biennale

Various venues, Shanghai, China

By Carol Yinghua Lu

Liverpool Biennial 2008

Various venues, Liverpool, UK

By Martin Herbert

After Nature

New Museum of Contemporary Art, New York, USA

By Steven Stern

Dorothy Iannone

September Gallery, Berlin, Germany

By Dominic Eichler

Eric Bainbridge

Middlesbrough Institute of Modern Art, Middlesbrough, UK

By Jonathan Griffin

Against the Grain

Los Angeles Contemporary Exhibitions, Los Angeles, USA

By Christopher Bedford

3rd Guangzhou Triennial

Guandong Museum of Art, Guangzhou, China

By Saskia Draxler

U-TURN Quadrennial for Contemporary Art

Various venues, Copenhagen, Denmark

By Lars Bang Larsen

Diego Teo

Sala de Arte Público Siqueiros, Mexico City, Mexico

By Jessica Berlanga Taylor

Fiona Hall

City Gallery Wellington/Museum of Contemporary Art, Wellington, New Zealand / Sydney, Australia

By Nicola Harvey

Charles Avery

Parasol Unit, London, UK

By Chris Fite-Wassilak

In the Desert of Modernity

Haus der Kulturen der Welt, Berlin, Germany

By Daniel Miller

Sarah Morris

White Cube, London, UK

By Martin Herbert

Still Moving Image

Devi Art Foundation, Gurgaon, India

By Devika Singh

Corin Sworn

ZieherSmith, New York, USA

By Morgan Falconer

It’s Not Only Rock ‘n’ Roll, Baby!

BOZAR Centre for Fine Arts, Brussels, Belgium

By Douglas Heingartner

Iain Forsyth and Jane Pollard

Kate MacGarry, London, UK

By Conor Carville

Street Level

Institute for Contemporary Art, Boston, USA

By Sarah-Neel Smith

Alexander Heim

doggerfisher, Edinburgh, UK

By Kate Forde

Martin Beck

Gasworks, London, UK

By Ian Hunt

Margaret Salmon

STORE, London, UK

By Bettina Brunner

Meredyth Sparks

Elizabeth Dee, New York, USA

By Graham T. Beck

Not Quite How I Remember It

The Power Plant, Toronto, Canada

By Benjamin Carlson

Implant

UBS Art Gallery, New York, USA

By Anne Wehr

Cold War Modern

Victoria and Albert Museum, London, UK

By Simon Rees

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