Issue 134 October 2010
Shock of the Old
What can the past do for the present?
Video Store
The dematerialization of the moving image
Escape Artist
One man's crusade against 'woo-woo'
All Change
New railway stations in Belgium and the UK reveal different approaches to utility and excess
Last Things
The work of the late French artist and novelist Édouard Levé explores the ‘fiction of identity’
Mind Reader
The rise of the ‘neuronovel’ and its implications
Free Thinking
Is the Mountain School of Arts in Los Angeles the ideal art school?
Life in Film: John Smith
In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice
Books
The poetry, translation and fiction of Anne Carson and Lydia Davis
Music
A number of new publications take diverse approaches to music, imagination and identity
Books
The poetry, translation and fiction of Anne Carson and Lydia Davis
Video Store
The dematerialization of the moving image
Ai Weiwei
Ai Weiwei
As We Speak
American artist Christopher Williams’ major solo show at Kunsthalle Baden-Baden this summer and Dutch artist Willem de Rooij’s current exhibition, ‘Intolerance’, at Berlin’s Neue Nationalgalerie, both highlight the connection between conceptualism and the image, between appropriation and autonomy. The artists discuss whether referentiality in art, if once polemical, has become an orthodoxy and if so, is there is a way out?
Come Together
Whether re-making found furniture or organizing a makeshift ‘Trattoria’, Martino Gamper produces ad hoc solutions for living
Time & Tide
On the occasion of a major touring retrospective, Lynda Benglis talks to Marina Cashdan about her 40-year career and Vivian Rehberg considers Benglis' legacy and her current retrospective
LA City Report
From powerhouse institutions to tiny project spaces, legendary art schools and artist-run initiatives, LA’s dispersed art scene is flourishing
What Goes Around
Imagination as a form of resistance in the work of Klaus Weber
James Richards
Low-resolution images, installations and curated film programmes; desire, politics and poetry
Richard Aldrich
Portraits, abstraction and missing pieces; hobbits, systems and Syd Barrett
Follow Me
Social histories and spectral fictions in the films of Elizabeth Price
Out of the Cave
What do the first art works and recent speculations about early man tell us about today?
John Cage
BALTIC Centre for Contemporary Art, Gateshead, UK
By Sam Thorne
Liz Magic Laser
Derek Eller Gallery, New York, USA
By Katie Kitamura
Scott Myles
Glasgow Print Studio, Glasgow, UK
By Steven Cairns
Jef Geys
Museum of Contemporary Art, Detroit, USA
By Mike Powell
Animism
Kunsthalle, Bern, Switzerland
By Burkhard Meltzer
Gordon Matta-Clark
Galerie Thomas Schult, Berlin, Germany
By Mark Prince
Based On A True Story
ArtSway, New Forest, UK
By David Trigg
Jennifer Karady
SF Camerawork, San Francisco, USA
By Aimee Le Duc
Paul Sietsema
Cubitt, London, UK
By Chris Fite-Wassilak
Sue Williams
Galerie Eva Presenhuber, Zurich, Switzerland
By Quinn Latimer
Sergej Jensen
White Cube, London, UK
By Isobel Harbison
Other Space Odysseys
Canadian Centre for Architecture, Montreal, Canada
By Charles Reeve
Andreas Schulze
Sammlung Falckenberg, Hamburg and Sprüth Magers, Berlin, Germany
By Jörg Heiser
The New Decor
Hayward Gallery, London, UK
By Kathy Noble
Jo Baer & John Wesley
Matthew Marks Gallery, New York, USA
By Dan Fox
Aaron Curry
David Kordansky Gallery, Los Angeles, USA
By Jonathan Griffin
Infermental
Focal Point Gallery, Southend-on-Sea, UK
By Melissa Gronlund
Liam Gillick
Esther Schipper, Berlin, Germany
By Mitch Speed
... For Those Who Live In It
By Daniel Miller
Kerry Tribe
Arnolfini, Bristol, UK
By Paul Teasdale
Richard Tuttle
Galleri Nicolai Wallner, Copenhagen, Denmark
By Chris Fite-Wassilak
Contemporaneity
Museum of Contemporary Art, Shanghai, China
By Carol Yinghua Lu
Mark Bradford
Wexner Center for the Arts, Columbus, Ohio, USAColumbus, USA
By Leora Maltz-Leca
The Surreal House
Barbican Art Gallery, London, UK
By Colin Perry
Mike Bouchet
Schirn Kunsthalle, Frankfurt, Germany
By Amanda Coulson
Greater New York 2010
P.S.1. Contemporary Art Center, New York, USA
By Mark Beasley
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