Issue 19 November-December 2004
Easy Listening
Picking up some good vibrations
Go Ahead, Chun Li, Make My Day
Violence in the videodrome
Whose Life is it Anyway?
Evaluating the position of biography in art criticism
Unfashionable Thoughts
Whining its way through much art currently in fashion in New York is the banal but culturally powerful voice of self-help - the voice at the root of 'political correctness'.
Global Proposals
An interview with Gliane Tawadros
Rude Awakening
Dinos & Jake Chapman
Blood and Guts After High School
An interview with Art Club 2000
Leigh Bowery’s Immaculate Conception
Under Leigh Bowery
Continuous Migration
Eran Schaerf
Private Functions
Elke Krystufek
Spunkflakes
Vauxhall Tavern / Royal College of Art, London, UK
By Stuart Morgan
Little Pieces from Big Stars
Flowers East, London, UK
By Mark Edwards
Till Exit
Alternative Arts, London, UK
By David Barrett
Andres Serrano
Galerie Yvon Lambert, Paris, France
By Deborah Irmas
David Griffiths
Gilmour Gallery, London, UK
By Mark Currah
Betsy Berne
Curt Marcus Gallery, New York, USA
By Hilton Als
Simon Bill
Cabinet Gallery, London, UK
By Jeffrey Kastner
Doug Aitken
303 Gallery, New York, USA
By Sydney Pokorny
Seen/Unseen
Bluecoat Gallery, Liverpool, UK
By Sean Cubitt
Rosmarie Trockel
Barbara Gladstone Gallery, New York, USA
By Ronald Jones
Terminal Futures
ICA, London, UK
By Chris Darke
Julius Shulman
Craig Krull Gallery, Los Angeles, USA
By Craig Krull Gallery
Auditorium: Ian Breakwell & Ron Geesin
Hawth Theatre, Crawley, ICA, London, London, UK
By Hugh Stoddart
Marlene Dumas
Jack Tilton Gallery, New York, USA
By Dan Cameron
This is the Show and the Show is Many Things
Museum van Hedendaagse, Ghent, Belgium
By Adrian Searle
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