frieze

Issue 21 March-April 1995

Events

Saints’ Blood and Pale Ice Pink

Trawling the celebrity auctions by Michael Duncan

Debate

Chaos Says Welcome

Joining the European Hacker Party by Hans-Christian Daay

Debate

Mr. Make Out

Undressing Christopher Makos by Bruce Hainley

Film

Pret-à-Porter (Ready to Wear)

Miramax, 1995 by Glenn O'Brien

Film

Heavenly Creatures

Miramax, 1995 by Sydney Pokorney

Art

Anglo-Saxon Attitudes

Dipping into Shark Infested Waters by Stuart Morgan

Events

Third World First

The São Paulo Bienal by Adriano Pedrosa

Design

LettError

The Innovative Dutch Design Duo by Emily King

Art

Life In a Closet

Ilya Kabakov's Operation Room - Mother and Son by Ina Blom

Art

The Future’s Not What it Used To Be

Visiting 'The Institute of Cultural Anxiety' by Stuart Morgan

Art

Animal Instinct

Lucy Gunning by Kate Bush

Art

Close Encounters

Gregory Crewdson by Collier Schorr

Art

Seen and Not Seen

James Coleman by Anke Bangma

Catherine Opie

Jack Hanley Gallery, San Francisco, USA

By Christian Haye

John Berger: A Tribute

Denise Cade Gallery, New York, USA

By Jay Murphy

Nick Waplington

The Photographers' Gallery, London, UK

By Joseph Jackson

Jordan Baseman

Heber-Percy Gallery, Leamington Spa, Warwickshire, UK

By Ian Hunt

Thom Merrick

John Gibson Gallery, New York, USA

By Paul Myoda

David Medalla

55 Gee Street, London, UK

By Richard Dyer

Art from Argentina 1920-1994

Museum of Modern Art, Oxford, UK

By David Barrett

Thomas Grünfeld

Galerie Jousse Seguin, Paris, France

By Deborah Irmas

Maureen Connor

The Alternative Museum, New York, USA

By Sydney Pokorney

David Deutsch

Jay Gorney Modern Art, New York, USA

By Collier Schorr

Kunst Heimat Kunst

Künstlerhaus, Graz, Austria

By Justin Hoffman

After the Last Sky

Royal College of Art, London, UK

By Hugh Stoddart

Kim Dingle

Blum & Poe, Los Angeles, USA

By David Pagel

Jana Sterbak

Musée des Beaux Arts, Nantes, France

By Deborah Irmas

Douglas Gordon

Lisson Gallery, London, UK

By Angela Kingston

Mapping: A Response to MoMA

American Fine Arts, Co., New York, USA

By Ronald Jones

Abyssal Forms: The Body and its Extreme Representation in France, 1930-1960

Koldo Mitxelena Erakusketaretoa, San Sebastian, Spain

By Adrian Searle

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Lisson Gallery
Marian Goodman
White Cube
Contemporary Fine Arts
Hauser and Wirth
Gagosian Gallery
Maureen Paley
ACCA
Modern Art Oxford
Sorcha Dallas
David Kordansky Gallery
Herald Street
Fondazione Sandretto Re Rebaudengo
Frith Street Gallery
Witte de With
Stephen Friedman


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