Issue 21 March-April 1995
Saints’ Blood and Pale Ice Pink
Trawling the celebrity auctions
Chaos Says Welcome
Joining the European Hacker Party
Mr. Make Out
Undressing Christopher Makos
Pret-à-Porter (Ready to Wear)
Miramax, 1995
Heavenly Creatures
Miramax, 1995
Anglo-Saxon Attitudes
Dipping into Shark Infested Waters
Third World First
The São Paulo Bienal
LettError
The Innovative Dutch Design Duo
Life In a Closet
Ilya Kabakov's Operation Room - Mother and Son
The Future’s Not What it Used To Be
Visiting 'The Institute of Cultural Anxiety'
Animal Instinct
Lucy Gunning
Close Encounters
Gregory Crewdson
Seen and Not Seen
James Coleman
Catherine Opie
Jack Hanley Gallery, San Francisco, USA
By Christian Haye
John Berger: A Tribute
Denise Cade Gallery, New York, USA
By Jay Murphy
Nick Waplington
The Photographers' Gallery, London, UK
By Joseph Jackson
Jordan Baseman
Heber-Percy Gallery, Leamington Spa, Warwickshire, UK
By Ian Hunt
Thom Merrick
John Gibson Gallery, New York, USA
By Paul Myoda
David Medalla
55 Gee Street, London, UK
By Richard Dyer
Art from Argentina 1920-1994
Museum of Modern Art, Oxford, UK
By David Barrett
Thomas Grünfeld
Galerie Jousse Seguin, Paris, France
By Deborah Irmas
Maureen Connor
The Alternative Museum, New York, USA
By Sydney Pokorney
David Deutsch
Jay Gorney Modern Art, New York, USA
By Collier Schorr
Kunst Heimat Kunst
Künstlerhaus, Graz, Austria
By Justin Hoffman
After the Last Sky
Royal College of Art, London, UK
By Hugh Stoddart
Kim Dingle
Blum & Poe, Los Angeles, USA
By David Pagel
Jana Sterbak
Musée des Beaux Arts, Nantes, France
By Deborah Irmas
Douglas Gordon
Lisson Gallery, London, UK
By Angela Kingston
Mapping: A Response to MoMA
American Fine Arts, Co., New York, USA
By Ronald Jones
Abyssal Forms: The Body and its Extreme Representation in France, 1930-1960
Koldo Mitxelena Erakusketaretoa, San Sebastian, Spain
By Adrian Searle
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