Issue 24 September-October 1995
Crossover Dreams
Artists with other amibitions
Back to the Future
The resurgence of 60s culture
First Action Heroes
Celebrating the 100th anniversary of cinema
Eden, Eden, Eden
Christopher Knight, Creation Press, London
Wrap it Up
Christo and Jeanne-Claude's Reichstag Project
Bodies Are Extreme Things
Bruce LaBruce
Groping Around with the Almost Invisible
Siobhan Liddell
The Fullness of Empty Containers
Gabriel Orozco
Just An Illusion
'Mirage'
The Man Who Couldn’t Get Up
Paul Thek
Between You and Me
Jaki Irvine
Until the End of the World
Rites of Passage
24Back2 Mariko Mori
American Fine Arts, New York, USA
By Christian Haye
Marilyn Minter
TRI Gallery, Los Angeles, USA
By David A. Greene
Elizabeth Peyton
The Prince Albert Pub, London, UK
By Gregor Muir
A Long Story with a Lot of Twists Fluxus in Germany 19621994
Kunstsammlung, Gera, Germany
By Marius Babias, translated by Shaun Whiteside
Lauren Wittels
Lauren Wittels, New York, USA
By Jeffrey Kastner
Nutopi (Nowtopia)
Rooseum, Malmö, Sweden
By Maria Lind
Zombie Golf
BANK Space, London, UK
By David Barrett
Sean Landers
Andrea Rosen Gallery, London, UK
By Ronald Jones
Signs and Wonders
Kunsthaus Zürich, Zurich, Switzerland
By Elizabeth Janus
Hidden Witness: African Americans in Early Photography, Carrie Mae Weems Reacts to ‘Hidden Witnesses
J. Paul Getty Museum, Los Angeles, USA
By David Pagel
Gary Simmons
Metro Pictures, New York, USA
By Alexander Alberro
Mark Wallinger
Ikon Gallery / Serpentine Gallery, London, UK
By Mark Sladen
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- Mark Wallinger
- Marilyn Minter
- Elizabeth Peyton
- Hidden Witness: African Americans in Early Photography, Carrie Mae Weems Reacts to ‘Hidden Witnesses
- Gary Simmons




















