Issue 42 September-October 1998
We Are Not Alone
Rejecting the media's moralising response to The Truman Show
The Glitter People
Todd Haynes' Velvet Goldmine reveals the central role of homosexuality in British Pop from the 50s through to the 80s
Untamed Nature
IMAX might be bigger, but it's definitely not better
Executive Stress
Charting the unhappy lot of the modern office worker
All Together Now
Manifesta 2
Self-Portrait as the Garden Between Eve and the Snake
Liz Craft
Back To School
Jake and Dinos Chapman
Doing Time
Darren Almond
The Art of Disappearing
Finding virtue in the invisible
Yours Sincerely
The twisted relationship between artists, journalists and the media
Cut Out and Keep
Simon Periton
Chris Ofili
Southampton City Art Gallery, Southampton, UK
By Jennifer Higgie
The Art of the Motorcycle
Guggenheim Museum, New York, USA
By Matthew DeBord
Make Way for the Mediterranean
Kunsthaus Zurich, Zurich, Switzerland
By Justin Hoffmann
Jochen Klein
Feature, New York, USA
By Ronald Jones
Hygiene
Galerie Yvonamor Palix, Paris, France
By Laurie Attias
Dak’Art: The 4th Dakar Biennale
BIennial, Dakar, Senegal
By Okwui Enwezor
Biohazard 2, Capcom / Parasite Eve, Square
Game genre,
By James Roberts
Bili Bidjocka, Los Carpinteros, Rivane Neuenschwander
New Museum of Contemporary Art, New York, USA
By Márcia Fortes
Animation
LEA Gallery, London, UK
By David Barrett
Bill Viola
Whitney Museum of American Art, New York, USA
By Joe Scanlan
Frances Whitehead
Tough Gallery, Chicago, USA
By Laurie Palmer
John Tremblay
Sandra Gering Gallery, New York, USA
By Bruce Hainley
Georges Tony Stoll
Galerie Jennifer Flay, Paris, France
By Sophie Berrebi
Mike Slattery and Jno Cook
Beret International, Chicago, USA
By Laurie Palmer
Peter Shelton
Henry Moore Studio, Halifax, UK
By Neal Brown
Manfred Pernice
Anton Kern Gallery , New York, USA
By Gregory Williams
Ferdinand Porsche
Design Museum, London, UK
By Laurie Attias
Martin Parr
Treadwells Art Gallery, Bradford, UK
By Neal Brown
Pakkhus
Momentum Festival, Moss, Norway
By Ina Blom
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