Issue 46 May 1999
We Are The Music Makers
The rise of audio-gaming
Light Laboratories
Lightshows of the Beat era
When Worlds Collide
Close encounters between art and music
Please Wait, Calculating Overview
The mutation of music creation software
Blood on the Tracks
Looking back on the Rockumentary
Lipstick Traces
Three recent surveys of feminism in the late-90s
Ghost in the Machine
An interview with Jeff Noon
The Natural Laws of Music
Discussing the state of music criticism
Culture Club
Gerwald Rockenschaub
The Trouble With Harry
Harry Nilsson
Julian Schnabel
The South London Gallery, London, UK
By Andrew Gellatly
Unfinished History
Walker Art Center, Minneapolis, USA
By Michelle Grabner
Elizabeth Wright
Delfina, London, UK
By Neal Brown
Alan Belcher
The Japan Foundation, Toronto, Canada
By Ingrid Chu
Martin Boyce
Lotta Hammer, London, UK
By Dale McFarland
Verne Dawson
Gavin Brown's Enterprise, New York, USA
By Ronald Jones
Gregory Crewdson
Mark Foxx, Los Angeles, USA
By Michael Darling
From/To
Witte de With, Rotterdam, Netherlands
By Holger Liebs
Jim Lambie
Transmission Gallery, Glasgow, UK
By Ross Sinclair
Helen Mirra
Chicago Project Room, Chicago, USA
By Laurie Palmer
Christian Philipp Müller
University of Lüneburg,
By Jan Verwoert
Fleeting Portraits
NGBK and Shift, Berlin, Germany
By Axel John Wieder
Mimi Smith
Anna Kustera Gallery, New York, USA
By Helen Molesworth
Walkmen
Synaesthesia Music, Melbourne, Australia
By Daniel Palmer
Xn99
Espace des Arts, Chalons sur Saône, France
By Sophie Berrebi
Francis Bacon
Tony Shafrazi Gallery, New York, USA
By Ronald Jones
Bonnie ‘Prince’ Billy
I See a Darkness, Domino Records,
By Jennifer Higgie
Matthew Buckingham
Murray Guy, New York, USA
By Gregory Williams
Karen Finley
Track 16 Gallery , Los Angeles, USA
By James Scarborough
Michel François
Galerie Jennifer Flay, Paris, France
By Laurie Attias
Portraits by Ingres
National Gallery, London, UK
By Neal Brown
Steve McQueen
ICA, London, UK
By Andrew Gellatly
Callum Innes
Kunsthalle, Bern, Switzerland
By Hans Rudolf Reust
Simon Norfollk
Open Eye, Liverpool, UK
By Padraig Timoney
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