Issue 53 June-August 2000
Georges Perec: A User’s Maual
Georges Perec and the Oulipians
Material World
A tale of textile wars
Listen With Mother
Raymond Scott
Bump ‘n’ Grind
A new use for old power tools
Box Clever
McSweeny's - reading the smallprint
Snap Happy
Focusing on novelty cameras
Cold Comfort
Wilson 'Snowflake' Bentley
Whiteout
Elmgreen and Dragset
Species of Spaces
Jonathan Jones on Mike Nelson
What It Is
Jean-Siméon Chardin
Erase and Rewind
Elaine Sturtevant
Man Trap
Paul Pfeiffer
Jeff Koons
Deutsches Schauspielhaus, Hamburg, Germany
By Jan Verwoert
Shopping with Stuart Bale
The Conservative Centre, Liverpool, UK
By Neal Brown
Cold Conceptualism
Suitable, Chicago, USA
By Michelle Grabner
Claire Barclay
The Showroom, London, UK
By Andrew Gellatly
Mike Stevenson & Danius Kesminas
China Art Objects, Los Angeles, USA
By Charles LaBelle
Christopher Muller
Monika Reitz Gallery, Frankfurt, Germany
By Martin Pesch
Gareth Jones
Cabinet Gallery , London, UK
By Dan Fox
Robert Therrien
Los Angeles County Museum of Art,, Los Angeles, USA
By Carmine Iannaccone
Heaven
Tate Gallery, Liverpool, UK
By Neal Brown
Yoshihiro Suda
D'Amelio Terras, New York, USA
By Ronald Jones
Mayonnaise
1st Floor, Melbourne, Australia
By Daniel Palmer
Neo Rauch
David Zwirner Gallery, New York, USA
By Kristin M. Jones
Lars Mathisen
Overgaden, Copenhagen, Denmark
By Lars Bang Larsen
Panamarenko
Hayward Gallery, London, UK
By Jeremy Millar
Luisa Lambri
Fotogalleriet, Oslo, Norway
By Ina Blom
Jakob Tuggener
Hans Rudolf Reust, translated by Imke Werner, Zurich, Switzerland
By Hans Rudolf Reust, translated by Imke Werner
Lost
Ikon Gallery, Birmingham, UK
By Izi Glover
Whitney Biennial 2000
The Whitney Museum of American Art, New York, USA
By Kristin M. Jones
1900: Art at the Crossroads
Royal Academy of Art, London, UK
By Alex Farquharson
Sounds & Files
Kunstlerhaus, Vienna, Austria
By Markus Wailand
John Chilver
asprey jacques, London, UK
By Mark Godfrey
Chloe Piene
Marianne Boesky Gallery, New York, USA
By David Hunt
Greater New York
PS1, New York, USA
By Gregory Williams
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