Issue 60 June-August 2001
Sofa so Good
Visiting I salon del Mobile in Milan
Lights, Camera, industrial action!
Pondering the significance of a screenwriters strike
Nothing Like the Real Thing
Bemoaning the caricaturing of artists on TV
Making Waves
Tuning into revolutionary radio
Armchair Critics
Online consumer reviews
The New Brat Pack
Unwrapping the Lego fimmaking kit for kids
She’s Like a Rainbow
Ina Celaya's new collection
A Breath of Fresh Air
Cappellini's experimental approach to design
Lux Interior
Looking forward to the Future Systems shopping mall
Hook, Line and Singer
Advances in music marketing
Reading Between the Lines
Literary forensics
Innocence Abroad
Erlend Loe's new novel
Re-Make / Re-Model
Jessica Craig-Martin
Editions of You
J. G. Ballard, Buffy the Vampire Slayer, Brooke Shields and The Dukes of Hazzard - Bruce Hainley on misinformation and fakery in the signatures of Richard Prince
This is Softcore
'Even though he wasn't wearing silken gowns right out of Liberty's and his long blonde hair no longer fell wavily past his shoulders David Bowie was looking yummy. He'd slipped into an elegant patterned type of combat suit, very tight around the legs, with the shirt unbuttoned to reveal a full expanse of white torso. The trousers were turned up at the calves to allow a better glimpse of a huge pair of red plastic boots with at least three inch rubber soles; and the hair was Vidal Sassooned into such impeccable shape that one held one's breath in the case the slight breeze from the open window dared to ruffle it. I wish you could have been there to varda him; he was so super.'
Sirens
David Hamilton
Another Green World
Torbjørn Rødland
3 in 1 Curatorial Mutiny, Part 4
Nylon, London, UK
By Neal Brown
Dub, I-in TROODer
Transmission, Glasgow, UK
By Neil Mulholland
Beneath the Surface
Montserrat College of Art Gallery, Boston, USA
By Gary Duehr
Give and Take/ Mixed Messages
Serpentine Gallery & Victoria and Albert Museum, London, UK
By Alex Farquharson
Superflat
Museum of Contemporary Art, Los Angeles, USA
By Carmine Iannaccone
Jenny Holzer
Neue Nationalgalerie, Berlin, Germany
By Dominic Eichler
Century City
Tate Modern, London, UK
By Chris Turner
Rob Pruitt
Gavin Brown's Enterprise, New York, USA
By Michelle Grabner
The Short Century
Museum Villa Stück, Munich, Germany
By Justin Hoffman, translated by Helen Slater
Thomas Demand
303 Gallery, New York, USA
By Jenni Sorkin
Kirsten Stoltmann
Donald Young Gallery, Chicago, USA
By Carol Jackson
Peter Roehr
BQ, Cologne, Germany
By Holger Liebs
Sophie Rickett
Dundee Contemporary Arts, Dundee, UK
By Izi Glover
Valie Export
Santa Monica Museum of Art, California, USA
By Charles LaBelle
Les Années Pop
Centre Pompidou, Paris, France
By Sophie Berrebi
Robert MacPherson
Art Gallery of Western Australia, Perth, Perth, Australia
By Chris Chapman
All Tomorrow’s Parties
Potins Holiday Centre, East Sussex, UK
By Dan Fox
Salla Tykkä
Delfina Project Space, London, UK
By Polly Staple
Valentin Carron
By Mai-Thu Perret
Mary Heilmann
Camden Arts Centre, London, UK
By Jennifer Higgie
Painting at the Edge of the World
Walker Art Centre, Minneapolis, USA
By Michelle Grabner
Albert Oehlen
Kestner Gesellschaft, Hanover, Germany
By Mark Prince
Kristin Lucas
Postmasters Gallery, New York, USA
By Rachel Green
Martin Kersels
Deitch Projects, New York, USA
By James Trainor
Letizia Cariello
Viafarini, Milan, Italy
By Caroline Corbetta
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