Issue 65 March 2002
The empress’ new clothes
Unmasking Boudicca
Hungry Souls
Of Scientology
Are Friends Electric?
Design Noir: The Secret Life of Electronic Objects
Dark side of the room
Plain surfaces
Under Construction
Florian Pumhosl
Body Language
Pina Bausch
Black box recorder
Tom Burr
The mirror stage
David Hockney's Secret Knowledge
Strange angels
Black science
When worlds collide
Nigel Cooke
Bleak houses
Paul Noble
Weird Science
Crossing over to the dark side
Joe Brainard
PS1, New York, USA
By James Trainor
Timewave Zero/ The Politics of Ecstasy
Grazer Kunstverien, Graz, Austria
By Alex Farquharson
Into the Light
Whitney Museum of American Art, New York, USA
By Michael Wilson
Andrea Zittel
Sadie Coles HQ/ Ikon Gallery, London, UK
By David Gleeson
The Magic Hour
Neu Galerie, Graz, Austria
By Jan Verwoert
Patricia Piccinini
Tolarno Gallery, Melbourne, Australia
By Daniel Palmer
Angela Bulloch
Kunsthaus Glarus, Glarus, Switzerland
By Mai-Thu Perret
Air Portugal
Pond Gallery, San Francisco, USA
By Julian Myers
Cary Leibowitz
Andrew Kreps, New York, USA
By Michael Wilson
Utopia Now!
California College of Arts and Crafts,, San Francisco, USA
By Berin Golonu
Delia Brown
Margo Leavin Gallery, Los Angeles, USA
By Charles LaBelle
Evan Holloway
The Approach, London, UK
By Sally O'Reilly
Keith Farquhar
Antony Reynolds Gallery, London, UK
By Tom Morton
Duane Hanson
Schirn Kunsthalle, Frankfurt, Germany
By April Lamm
Gabriel Orozco
Marian Goodman Gallery, New York, USA
By Kristin M. Jones
Francesca Gabbiani
Karyn Lovegrove Gallery, London, UK
By Jenni Sorkin
Dorit Margreiter
Galerie im Taxispalais, Innsbruck, Austria
By Matthias Dusini
Exposed: The Victorian Nude
Tate Britain, London, UK
By Polly Staple
Nancy Reese
Chac Mool Gallery, Los Angeles, USA
By Siobhan McDevitt
In Many Ways the Exhibition Already Happened
ICA, London, UK
By Dale McFarland
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ZMK, Karlsruhe, Germany
By Ralf Christofori
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