Issue 66 April 2002
Country life
Fields of pastoral electronica
Jewel in the crown
Diamonds are my best friend
Census sensibility
Delving into the dusty recesses of Internet archives
Pause for thought
The cultural significance of a comma
Material Guy
The simplicity of Jan von Borstel's products
This Year’s Model
Frankfurt's motor fair
White lines (don’t do it)
The pros and cons of writing under the influence
High Anxiety
Tripping through the history of narcotics
Walk on by
Janet Cardiff
Poisoned arrow
Christian Jankowski
Dream machines
Robot art
Neighbourhood threat
Jakob Kolding
Moving pictures
James Elkins
Luxe, calme et volupté
Pae White
How things get done
In conversation with Richard Artschwager
Travelling Light
Franz Ackermann
Nina Saunders
The Kiosk Project, London, UK
By David Gleeson
Art & Language
Musée d'Art Moderne, Lille, France
By Tom Morton
Christoph Buchel
Maccarone Inc., New York, USA
By Lauri Firstenberg
L.A. Raeven
Casco Projects, Ultrecht, Netherlands
By Maxine Kopsa
Ugo Rondinone
Schipper & Krome, Berlin, Germany
By April Lamm
Daria Martin
Andrea Rosen Gallery, New York, USA
By Esther Pierini
Claudia and Julia Muller
Galerie Peter Kilchmann, Zurich, Switzerland
By Mai-Thu Perret
Willie Doherty
Matt's Gallery, London, UK
By Peter Suchin
Partnerschaften
NGBK, Berlin, Germany
By Dominic Eichler
Liliana Porter
Annina Nosei Gallery, New York, USA
By Jenni Sorkin
Lee Bontecou
Daniel Weinberg Gallery, Los Angeles, USA
By Zoey Mondt
Bart Wells Gang
Bart Wells Institute, London, UK
By Benedict Seymour
David Burrows
fa projects, London, UK
By Tom Morton
Werner Feiersinger
Raum Aktveller Kunst, Vienna, Austria
By Jorg Heiser
Drew Heitzler
Anthology Film Archives, New York, USA
By Michael Wilson
Bruce Nauman
Dia Center for the Arts, New York, USA
By Kristin M. Jones
Richard Hamilton
British Museum, London, UK
By Sally O'Reilly
Urgent Painting
Musee d'Art Moderne de la Ville de Paris, Paris, France
By Jemima Montagu
Andrea Fraser
Pat Hearn Art Gallery/ Friedrich Petzel Gallery,, New York, USA
By James Trainor
Keith Tyson
South London Gallery, London, UK
By Alex Farquharson
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