Issue 67 May 2002
Eye spy
Decoding the first biography of Anthony Blunt
Reasons to be cheerful
The current vogue for popular philosophy
Of Mice and Men
Ted Noten
Revolt Into Style
Eric Rohmer's latest film
Ordinary People
The Ballad of Halo Jones
Myth Universe
Fired up by Promethea
Close to the hedge
The sound of the suburbs
The glass bead game
Georg Baldele
Yes Cannes Do
The changing fortunes of film festivals
Craft Work
Gareth Jones
The Passenger
Matthew Barney
Tears before bedtime
Melancholy in British sitcoms
Flim Flam Man
Gary Webb
If…
George Shaw
Mother Country
The video work of Anri Sala
Ian Breakwell
De la Warr Pavilion, Bexhill, UK
By Dale McFarland
non-places
Kunstverein, Frankfurt, Germany
By Verena Kuni
J’en ai pris des coups mais j’en ai donne aussi
Galerie Chez Valetin, Paris/Tours, France
By Sophie Berrebi
Chiho Aoshima
Blum & Poe, Los Angeles, USA
By Zoey Mondt
Exchange
Richard Salmon, London, UK
By Sally O'Reilly
Michael Parekowhai
Jonathan Smart Gallery, Christchuch, New Zealand
By Justin Paton
Kim Jones
Pierogi, New York, USA
By Jenni Sorkin
Wim Delvoye
New Museum of Contemporary Art, New York, USA
By Saul Anton
Site de création contemporaine
Palais de Tokyo, Paris, France
By Jemima Montagu
Frequencies [Hz]
Schirn Kunsthalle, Frankfurt, Germany
By Jorg Heiser
Urs Fischer
Contemporary Fine Arts, Berlin, Germany
By Kirsty Bell
Stephen Vitiello
The Project, New York, USA
By James Trainor
Atom Egoyan
former Museum of Manknd, London, UK
By Peter Suchin
Edgar Bryan
China Art Objects, Los Angeles, USA
By Siobhan McDevitt
Violence is at the Margin of All Things
Generali Foundation, Vienna, Austria
By Justin Hoffmann
Presentness is Grace
Arnolfini, Bristol, UK
By Izi Glover
Maria Eichhorn
Kunsthalle, Bern, Switzerland
By Mai-Thu Perret
Nan Goldin
Whitechapel Art Gallery, London, UK
By Alex Farquharson
Damian Ortega
D'Amelio Terras, New York, USA
By Michael Wilson
Spookie Knowledge
Pearl, London, UK
By Jennifer Higgie
Stephanie Taylor
Galerie Christian Nagel, Berlin, Germany
By Dominic Eichler
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