Issue 76 June-August 2003
Being There
Contemporary artists’ response to war
Birth of a Nation
Poul Ruders' The Handmaid's Tale
Weather Girl
Marie Darrieussecq's A Brief Stay with the Living
Cultural Politics
The role of art at the United Nations
Calling cards
Ham radio graphics
Picture Piece: Rossetti and the wombat
The Pre-Raphaelite's love affair with the unassuming marsupial
Adaptation
Franz West
The Vortex
Victoria Morton
Periodic tables
Cheyney Thompson
Slices of life
Thomas Scheibitz
Private Lives
Neal Tait
Taking stock
Claes Oldenburg's 'The Store'
The Right Stuff
Phillip King
The Ugly Truth
It was 1961...
Concrete Thinking
An interview with Oscar Niemeyer
Trenton Doyle Hancock
James Cohan Gallery, New York, USA
By Peter Eleey
Paulina Olowska
Cabinet Gallery, London, UK
By Sally O'Reilly
Amy O’Neill
Mamco, Geneva/Amy O'Neill & Emmanuel Piguet Centre d'édition contemporaine,, Geneva, Switzerland
By Fabrice Stroun
Hans op De Beeck
Hales Gallery, London, UK
By Martin Herbert
Sophie Tottie
carlier | gebauer, Berlin, Germany
By Dave Allen and Raimar Stange
Tony Matelli
Andréhn- Schiptjenko, Stockholm, Sweden
By Ronald Jones
Sarah Lucas, Colin Lowe and Roddy Thomson
Milton Keynes Gallery, Milton Keynes, UK
By Holly Walsh
Marine Hugonnier
Chisenhale Gallery/MW Projects, London, UK
By Mark Godfrey
CoBrA
BALTIC, Gateshead, UK
By Morgan Falconer
Jocelyn Shipley and Michael Mahalchick
Canada, New York, USA
By Lisi Raskin
Helen Mirra
Stephen Friedman Gallery, London, UK
By Olivia Plender
Laura Owens
MoCA, Los Angeles, USA
By Benjamin Weissman
Hans Schabus
Secession/Kerstin Engholm Galerie, Vienna, Austria
By Dominic Eichler
Expedition Art
Hamburg Kunsthalle, Hamburg, Germany
By Jan Verwoert
Jan Nelson
Perth Institute of Contemporary Arts, Perth, Australia
By Robert Cook
Cristina Iglesias
Whitechapel Art Gallery, London, UK
By Andrew Hunt
Trespassing: Houses X Artists
The MAK Center, Los Angeles, USA
By Jan Tumlir
Pierre Bismuth
Lisson Gallery, London, UK
By Tom Morton
Marlene Dumas
Art Institute of Chicago, Chicago, USA
By Judith Russi Kirshner
hey production
Cubitt, London, UK
By Jacob Dahl Jürgensen
Simon Martin
Counter, London, UK
By Martin Herbert
Hans-Peter Feldmann
Museum Ludwig, Cologne, Germany
By Catrin Lorch (translation by John William Gabriel
Jean Fautrier
Columbia University Wallach Art Gallery, New York, USA
By The New Yorker critic Adam Gopnik has attributed the current crisis of French cooking to the traditional formula of a 'lump of p
Saatchi Gallery
Saatchi Gallery, London, UK
By Alex Farquharson
How Latitudes Become Forms: Art in a Global Age
Walker Art Centre, Minneapolis, USA
By James Trainor
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