frieze

Issue 83 May 2004

Museums

Northern Exposure

Considering recent museum developments in the light of Stockholm's reopened Moderna Museet by Ronald Jones

Publishing

Art Brute

Terry Painter l'artiste, the latest satirical take on the creative life by Andrew Gellatly

Books

After the Fact

The vices and virtues of literary reportage by Jerome-Boyd Maunsell

Books

Future Systems

Almanacs worry the FBI, fascinate Dave Eggers and help farmers by George Pendle

Books

In the Realm of the Senses

Revisiting the work of author, artist and translator Pierre Klossowski by Brian Dillon

Music

Last Days of Disco

Arthur Russell by Steven Stern

Picture Piece

Picture Piece: Jacob and the Angel

The curious history of Jacob Epstein's famous sculpture by Jennifer Higgie

Art History

Dimensions variable

'A Minimal Future? Art as Object 1958-68' at MoCA, Los Angeles by Mark Godfrey

Monograph

Remembrance of things past

Emma Kay by Brian Dillon

Monograph

Only Connect

Gabriel Kuri by Kate Bush

Monograph

Back to Reality

Xavier Veilhan's Le Projet Hyperrealiste by Tom Morton

Monograph

The mind’s eye

Luke Fowler by Dan Fox

Monograph

Ain’t no such thing as Superman

William Pope L by James Trainor

Monograph

The Darkness

Cameron Jamie by Alex Farquharson

Survey

American Pie

The 2004 Whitney Biennial, a survey of contemporary art made in the US, opened in March at the Whitney Museum of American Art, New York. It was curated by Chrissie Illes, Shamim M. Momin and Debra Singer. frieze asked seven critics and curators to repsond to a few questions

Interview

Show and tell

An interview with Jens Hoffmann about his recent appointment as Director of Exhibitions at the Institute of Contemporary Arts (ICA), London by Polly Staple

Monograph

Exhibition Programme

The current touring exhibition 'Ready to Shoot', documents Gerry Schum's experimental fusion of art and television by Catrin Lorch

East Africa Art Biennale

Various locations, Dar es Salaam, Tanzania

By Jerome Boyd-Maunsell

X-Screen: Film Installation and Actions of the ‘60s and ‘70s

Museum of Modern Art Ludwig Foundation, Vienna, Austria

By Mark Webber

Kaye Donachie

Maureen Paley Interim Art, London, UK

By Peter Suchin

Be Afraid

Helmhaus, Zurich, Switzerland

By Tirdad Zolghadr

John Salt

Southhampton City Art Gallery, Southampton, UK

By Morgan Falconer

Paul Schutze

Alan Cristea Gallery, London, UK

By Brian Dillon

Jane South

Spencer Brownstone Gallery, New York, USA

By Michael Wilson

Robert Mapplethorpe: Pictures Pictures

Marc Selwyn Fine Art, Los Angeles, USA

By Jenni Sorkin

I, Assassin

Wallspace, New York, USA

By Michael Wilson

Jon Pylypchuk

Asprey Jacques, London, UK

By Tom Morton

Brian Jungen

Triple Candle, New York, USA

By Charles LaBelle

That bodies speak has been known for a long time

Generali Foundation, Vienna, Austria

By Nicole Scheyerer

Loretta Lux

Yossi Milo Gallery, New York, USA

By Kristin M. Jones

Surasi Kusolwong

Rooseum, Malmo, Sweden

By Polly Staple

Phillip Allen

The Approach, London, UK

By Marcus Verhagen

Edgar Arceneaux/Rodney McMillian

Susanne Vielmetter Los Angeles Projects/UCLA Hammer Museum, Los Angeles, USA

By Julien Myers

Gail Pickering

Matt's Gallery, London, UK

By Tom Morton

Jan De Cock

Galerie Luis Campaña, Cologne, Germany

By Amanda Coulson

The Uncanny

Tate Liverpool, Liverpool, UK

By Alex Farquharson

Sean Landers

Andrea Rosen Gallery, New York, USA

By Sean Landers

The Snow Show

Various locations, Ruutinrannanpuisto, Kemi, Koskipuisto & Rovaniemi, Finland

By Rob Young

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Marian Goodman
Spruth Magers
Lisson Gallery
Hauser and Wirth
White Cube
Gladstone Gallery
Maureen Paley
Stephen Friedman
Chisenhale
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