Issue 85 September 2004
True Lies
‘And it seems to me that it’s up to all of us to try to tell the truth, to say what we know, to say what we don’t know, and recognize that we’re dealing with people that are perfectly willing to lie to the world to attempt to further their case.’ Donald Rumsfeld
The Vanishing
Georges Didi-Huberman’s new book examines the use of photography as evidence, and the way images of violence and trauma are understood
Looking at the Overlooked
A recent exhibition at MoMA in New York included masterpieces of everyday design such as Post-It notes, tea-bags and the Chupa Chups lollipop wrapper created by Salvador Dalí; Paola Antonelli in conversation
This Mortal Coil
As a recent retrospective made clear, the playful and visceral work of Dieter Roth is a vivid reminder of human fragility
Killu Sukmit & Mari Laanemets
Identity is something you perform – a performance restrained by norms and expectations
Christian Holstad
Imagine your state of mind if, up late one night in a halcyon Ecstasy haze, you channel-surfed between documentaries on Glam Rock, Stonewall and Studio 54
Emma Hedditch
Distribution, social movements and political activism are not just the content of Emma Hedditch’s art, but also its form
Road to Ruin
The real, the social and the surreal merge in sculptures that reference or employ what Ed Ruscha once described as the ‘unreported artefacts’ of the urban landscape
A Kind of Musical Space
An interview with John Ashbery
Mata Hari takes a Picture
Louise Lawler
Warsaw
Increased international interest in Polish art coincides with the country joining the European Union. How do the economic and social changes affect making and showing art, and Warsaw’s urban environment?
Energy Fools the Magician
The artist explores themes of loss and conservation with archaic machines, extinct bird-songs, lost sounds, failed speeches, a stuffed bear, melting money, ticker tape machines, marching music and 86 car horns
Saadane Afif
Art doesn’t get much more provisional-looking than Saadane Afif’s Memory of Fire (2004)
Before and After Science
Carsten Holler
Teresa Margolles
Museum für Moderne Kunst, Frankfurt, Germany
By Amanda Coulson
Mike Nelson
Modern Art Oxford, Oxford, UK
By Dan Fox
Lee Lozano
P.S.1 Contemporary Art Center, New York, USA
By Peter Eleey
Paul Thek
Mai 36 Galerie, Zurich, Switzerland
By Ralf Christofori
Giuseppe Penone
Milton Keynes Gallery/ Centre Pompidou, Milton Keynes, UK/ Paris, France
By Nicholas Cullinan
Jennifer Pastor
Regen Projects, Los Angeles, USA
By Julian Myers
MANIFESTA 5 European Biennial of Contemporary Art
Various locations, Donostia/ San Sebastián, Spain
By Dan Fox
Larry Sultan
San Francisco Museum of Modern Art, San Francisco, USA
By Eve Meltzer
Shhh …
Victoria and Albert Museum, London, UK
By Rob Young
Joe Andoe
Feigen Contemporary, New York, USA
By Megan Ratner
Roman Ondák
Kölnischer Kunstverein, Cologne, Germany
By Catrin Lorch
David Korty
Sadie Coles HQ, London, UK
By Tom Morton
Vito Acconci
Gladstone Gallery, New York, USA
By James Trainor
Andrade Tudela
Counter Gallery, London, UK
By Mark Godfrey
Bojan Sarcevic
Carlier|Gebauer, Berlin, Germany
By Kirsty Bell
NEW04
Australian Centre for Contemporary Art, Melbourne, Australia
By Kit Wise
Klaus Weber
Cubitt, London, UK
By Sally O'Reilly
Toby Paterson
Sutton Lane, London, UK
By Sarah Lowndes
Nedko Solakov
Rooseum, Malmö, Sweden
By Jan Verwoert
Amy Cutler
Leslie Tonkonow Artworks+Projects, New York, USA
By Kristin M. Jones
Michel Journiac
Musée d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France
By Elena Filipovic
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