Issue 88 February 2005
Shooting the Archaeozoic
Robert Smithson's adventures in time travel on the road to Rozel Point
Die Familie Schneider
Whitechapel, London
Robert Lumley, Arte Povera
Arte Povera (Tate Publishing, London 2004)
Hal Foster, Prosthetic Gods
Prosthetic Gods (MIT Press, Cambridge Mass. & London, 2004)
Fun Palace Berlin 200X
Palast der Republik, Berlin
Laughter, Tears and Rage
A new book suggests subtitles are not simply translations but passports to foreign worlds.
Michael Collins, Record Pictures
Record Pictures: Photographs from the Archives of the Institution of Civil Engineers (Steidl, Gottingen, 2004)
The Feast against Nature
P.S.1 Contemporary Art Center, New York Charles LaBelle
Liebeslied / My Suicides
ICA, London
Centre of Attention
Trafalgar Square recently hosted a screening of Sergei Eisenstein’s Battleship Potemkin to the accompaniment of a new soundtrack by the Pet Shop Boys. It was an event that highlighted the symbolic importance of London’s largest public square
Going Dutch
Two recent books ask why design in the Netherlands is so good - but is it?
Informant
A new travelling exhibition by the US Drug Enforcement Agency says as much about America’s relationship to the rest of the world as it does about the dangers of narcotics
View from the Bridge
New York's Museum of Modern Art has been transformed into an elegant Modernist museum. But what happens now?
State of the Art
‘Go West, young man, go West! Grow Up with the Country!’ Horace Greeley c. 1844
This Land is Your Land
Sprial Jetty is overrun with day-trippers, and you can sign up for a 'Tour of the Monuments of the Great American Void'. So much for geologic entropy
Call of the Wild
David Thorpe's collages, books and sculptures describe a fantasy separatist ccommunity in a fictional wilderness - images of loneliness entwined with the appeal of solitude
Time Has Told Me
Tacita Dean's private mythologies and homages are explored through journeys and chance connections; yet the structure and logic of the work remains elusive
Over the Border
Reporting from the outer limits of the critical frontier
Michaela Meise
A worldly post-Minimalism, understatement, a singer's lament, dissonance and Feminism
Rosalind Nashashibi
Aimlessness and sunlight, everyday life and inrospection, communities and kitchens
Nathaniel Mellors
Satire and television, debris and progressive Rock, psychotic cinema, the gallery as a liver
David Altmejd
Platforms and plinths, werewolves and crystals, severed heads, discos and skeletons
Debate: Ethnocentrism
Geographically defined group exhibitions abound, categorizing artists according to nationality, ethnicity, or both. Are these shows an attempt to resist the evaporation of cultural difference? Or do they fetishize locality and biography, undermining more complex approaches to looking at art?
Steingrimur Eyfjord
101 Gallery, Reykjavik, Iceland
By Elena Filipovic
Sixth Werkleitz Biennial
Volkspark, Halle, Germany
By Jan Verwoert
Steve McQueen
South London Gallery, London, UK
By Mark Godfrey
Fifth Shanghai Biennial
Various locations, Shanghai, China
By Ralph Rugoff
Fashination
Moderna Museet, Stockholm, Sweden
By Ronald Jones
Bernhard Kahrmann
Wurttembergischer Kunstverein, Stuttgart, Germany
By Michael Hubi
Expander
Royal Academy, London, UK
By Neil Mulholland
Ian Kiaer
Alison Jacques Gallery, London, UK
By Mark Godfrey
Fragmentos e Souvenirs paulistanos, Vol.1
Galeria Luisa Strina, Sao Paulo, Brazil
By Christy Lange
Boyle Family
Construction, London, UK
By Peter Suchin
Atsuko Tanaka
Grey Art Gallery and Paula Cooper Gallery, New York, USA
By Kristin M. Jones
26th Bienal de Sao Paulo
Various locations, Sao Paulo, Brazil
By Peter Eleey
Dave Muller
Blum & Poe, Los Angeles, USA
By Julian Myers
Living Dust
Norwich Gallery, Norwich, UK
By Tom Morton
2004 Carnegie International
Carnegie Museum of Art, Pittsburgh, USA
By James Trainor
Julia Ziegler
Kunstverein Vernheim,
By Martin Pesch
Kirsten Hassenfeld
Bellwether Gallery, New York, USA
By Katie Stone
Freq_Out
Henie Onstad Art Centre, Oslo, Norway
By Ina Blom
Robin Rhode
Perry Rubenstein Gallery, New York, USA
By Megan Ratner
Printemps de Septembre
Various locations, Toulouse, France
By Craig Burnett
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