frieze

Issue 92 June-August 2005

Publishing

The Importance of Being Earnest

(Or how not to confuse Whimsy or Camp with Ironic Kitsch) by Charlotte Taylor

Events

Regarding Evil: A Summit

Massachusetts Institute of Technology

Events

Terence Koh

The Voyage of Lady Midnight Snowdrops Through Double Star Death by Michael Ned Holte

View from the Bridge

View from the Bridge

What are the ever increasing numbers of art school graduates to do? by Robert Storr

Events

New Moderns?

Conference by Roland Kapferer

State of the Art

Is The Pen Still Mightier

Are curators responding more quickly to developments in the art world than critics. by Alex Farquharson

Debate

Debate: Biennials

The proliferation of biennials has become integral to the explosion of contemporary art. Are large-scale international shows sites for experiment and exchange, or little more than tourist attractions? by Francesco Bonami and Charles Esche

Informant

Informant

A pessimist's guide to the idle life by George Pendle

Design

Screen Print

Illustrated posters are a creative antidote to insipid commercial film marketing by Emily King

Laughter, Tears and Rage

Laughter, Tears and Rage

Whether pristine or slovenly, a writer's desk is a state of mind by Brian Dillon

Monograph

Can Altay

Ankara's public spaces, slide-shows, animations and videos by Can Altay

Monograph

About Time

In 1968 Ian Wilson made his final sculpture. Since then, he has explored the idea of oral communication as an art form by Edward Allington

Focus

Germaine Kruip

Shooting stars, passers-by and the view from a window by Tom Morton

Monograph

Note to Self

From index cards to diners, Allen Ruppersberg's approach to making art is replete with endless loops of reference by Steven Stern

Focus

Marcus Schinwald

Complicity and conflict explored via films, performances, paintings, installations and billboards by Kirsty Bell

Monograph

As Eloquence Appears

Frances Stark's playful work is as richly literary as it is visually economic by Benjamin Weissman

Monograph

Conditional Tense

Yang Fudong's photographs, films and videos evoke a dream world of unresolved conflicts and extreme sensations by Chris Berry

Art

A Theory of Relativity

What is slow? by Jennifer Higgie

Focus

Donald Urquhart

Queer history, fantasy connections and imaginary alliances by Dominic Eichler

Questionnaire

Sharon Lockhart

Sharon Lockhart is an artist who lives and works in Los Angeles. She is currently working on a new film and photographic series addressing the experience of American childhood.

Eccentric Space

Frith Street Gallery, London, UK

By Sally O'Reilly

Keren Cytter

Frankfurter Kunstverein, Frankfurt, Germany

By Amanda Coulson

Matts Leiderstam

Magasin 3, Stockholm, Sweden

By Ronald Jones

Africa Remix

Hayward Gallery, London, UK

By Roland Kapferer

Sharjah Biennial 7

Various locations, Sharjah, United Arab Emirates

By Tom Morton

Susan Hiller

Kunsthalle Basel, Basel, Switzerland

By Michael Hubl

Mateo Maté

Galería Oliva Arauna, Madrid, Spain

By Amanda Coulson

Gerwald Rockenschaub

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

By Nicole Scheyerer

Sue de Beer

Whitney Museum at Altria, New York, USA

By Emily Speers Mears

Rob Fischer

Cohan and Leslie, New York, USA

By Megan Ratner

Art Since 1900: Modernism, Antimodernism, Postmodernism

Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin Buchloh,

By Norman Bryson

Thing

UCLA Hammer Museum, Los Angeles, USA

By Lauri Firstenberg

Monuments for the USA

CCA Wattis Institute for Contemporary Arts, San Francisco, USA

By Eve Meltzer

Mark Flores

David Kordansky Gallery, Los Angeles, USA

By Malik Gaines

Goshka Macuga

Kate MacGarry, London, UK

By Peter Suchin

Shannon Ebner

Wallspace,

By Peter Eleey

Just Do It!

Lentos Kunstmuseum, Linz, Austria

By Matthias Dusini

Spectres

Victoria and Albert Museum, London, UK

By Esther Leslie

Robert Gober

Matthew Marks Gallery, New York, USA

By Katie Stone

Jens Haaning

Galerie Nicolai Wallner, Copenhagen, Denmark

By Staffan Boije af Gennas

Kutlug Ataman

The Sorting Office, London, UK

By Peter Suchin

Clare Stephenson

Talbot Rice Gallery, Edinburgh, UK

By Andrew Hunt

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Herald Street
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