Issue 94 October 2005
Publish and Be Damned
The Crypt, St James Church Clerkenwell, London
The Exhibitionists
Part two of the question ‘are curators artists?’ asks whether the visual arts would be better served if curators modelled themselves on editors
Question Time
Art is changing - into what?
Writing Wrongs
Art criticism is no longer dominated by history and theory. Does this create space for curiosity and openness, or leave writers ill-equipped to describe the complexities of the present?
The Walk To Dover
London to Dover
Conflict of Interest
The recently opened Nobel Peace Centre in Oslo has abandoned traditional museum display in favour of high-tech interactivity. Does it work?
Cause and Effect
With its terrifying philosophical possibilities, time travel is still the most excellent adventure
Spirit of Preservation
British record label Ghost Box is releasing advanced electronica that makes dead men sing
The Subterraneans
The inspiration for sci-fi fantasists, underground storage facilities – born of Cold War paranoia – are now big business
How has art changed?
With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond.
Do It Again
At the Guggenheim Museum, New York this November, Marina Abramovic will re-enact seminal performances from the 1960s and ’70s, including works by Joseph Beuys and Valie Export. Although Monica Bonvicini is not a performance artist, her installations resonate richly with the question of how bodies relate to space. On the Italian island of Stromboli, the two artists met to discuss the unstable status of performance, the relationship between sex and self, homage and rip-off, then and now
Phoebe Washburn
Rubbish isn’t always a dead-end – sometimes it’s a beginning
Minority Report
Whether scrutinizing the machinations of TV news or the participatory pleasures of karaoke, Phil Collins’ photographs and videos place the role of the media centre stage
Let It Grow
From her ‘Portable Parks’ to the ‘Living Library’, for over 30 years Bonnie Sherk has aspired to ‘expand the concept of art to include, and even be life’
How has art changed? Part four
Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond
Travelling Hopefully
Art has changed dramatically over recent decades – but many of these developments have been positive
The Bigger Picture
Morgan Fisher engages with definitions of the filmic not only in cinema but within painting, video and photography
How has art changed? Part three
Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond
Rafal Bujnowski
No depth, no illusions, just paint
Peter Peri
Microcosmic particulars and macrocosmic leaps
Strong Current
Adrian Paci explores personal histories, highlighting their construction and re-staging – from filming the unveiling of a Madonna to selling electricity to fellow artists
How has art changed? Part two
Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond
Infinite Jester
Since the late 1980s Maurizio Cattelan has been making darkly comic work that holds a mirror up to our pomposities, foibles and fears
Michael Sailstorfer
Between the earth and the sky
Roger Hiorns
Roger Hiorns is an artist who lives and works in London. His work is included in the travelling ‘British Art Show 6’, which is currently on show at BALTIC, Gateshead.
Andrea Bowers
Van Horn, Dusseldorf, Germany
By Catrin Lorch
Tina Keane
Sketch, London, UK
By Belinda Bowring
Liz Larner
Regen Projects, Los Angeles, USA
By Lauri Firstenberg
Threshold
Max Wigram Gallery, London, UK
By Kim Dhillon
Neo Rauch
David Zwirner, New York, USA
By Jan Verwoert
Alessandro Pessoli
Chisenhale Gallery, London, UK
By Melissa Gronlund
Isaac Julien
Centre Pompidou, Paris, France
By Malcolm Le Grice
The American West
Compton Verney, Compton Verney, Warwickshire
By Morgan Falconer
Simon Starling
Kunstmuseum Basel Museum für Gegenwartskunst, Basel, Switzerland
By Mark Godfrey
Anna Parkina
Galerie Meerrettich, Berlin, Germany
By Dominic Eichler
Sven Gundlach
E.K.ArtBureau, Moscow, Russia
By Romilly Eveleigh
Museum Highlights: The Writings of Andrea Fraser
Alexander Alberro (ed.), (MIT Press, Cambridge, MA, and London, 2005),
By Melissa Gronlund
Stephen Shore
Hammer Museum, Los Angeles, USA
By Megan Ratner
Annalise Coste
Galerie Reinhard Hauff, Stuttgart, Germany
By Ralf Christofori
4D
Staatsballett Berlin, Berlin, Germany
By Dominic Eichler
Matthew Monahan
Anton Kern Gallery, New York, USA
By Peter Eleey
Fernando Bryce
Fundació Tàpies, Barcelona, Spain
By Peio Aguirre
Bridge Freezes Before Road
Gladstone Gallery, New York, USA
By Kristin M. Jones
Avalanche
CHELSEA Space, Chelsea College of Art and Design, London, UK
By Emily Pethick
Un oscuro día de justicia (A Dark Day of Justice)
Rodolfo Walsh , (Missingbooks, Amsterdam, 2005), Amsterdam, Netherlands
By Jerome Boyd-Maunsell
Art & Language
Lisson Gallery, London, UK
By Andrew Hunt
The Need to Document
Kunsthaus Baselland/ Halle für Kunst Lüneburg, Baselland, Switzerland/ Lüneburg, Germany
By Christy Lange
Jack Goldstein
Mitchell-Innes & Nash and Metro Pictures, New York, USA
By Kristin M. Jones
Mungo Thomson
John Connelly Presents, New York, USA
By Megan Ratner
Film as a Subversive Art
Amos Vogel , (C.T. Editions, London, 2005), London, UK
By Mike Sperlinger
Becoming Animal
MASS MoCA, North Adams, Massachusetts, USA
By Francine Koslow Miller
Max Schumann
Taxter & Spengemann, New York, USA
By Katie Sonnenborn
Tadeusz Kantor
Zacheta National Gallery of Art, Warsaw, Poland
By Goska Charylo
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