Laughter, Tears and Rage

Righteous Eire

The re-release of Peter Lennon’s 1968 documentary on Ireland’s fraught relationship to change reveals a filmmaker transfixed by the faces of his subjects by Brian Dillon

View from the Bridge

Night Watchman

Video art must exploit its technological availability in order to find a wider public by Robert Storr

Informant

Here Be Dragons

The explosion of online role-playing games is causing legal, moral and financial repercussions in the real world by George Pendle

Music

The Lost Chord

Free Improvisation and the late Derek Bailey by Dan Fox

State of the Art

The Name of the Game

What is a Curator? by Tom Morton

Art

Une Heureuse Régression

Bojan Sarcevic, (Kunstverein München, 2004) by Christy Lange

City Report

Winnipeg

Prairie Surrealism, paddlewheel disasters, endemic somnambulism, honeybee collaborations, hockey and hairdryers: more is going on in the Great White North than anyone suspected. A report from the city supposedly chosen by the London Times four years running as ‘the world capital of sorrow’. by Robert Enright and Guy Maddin

Monograph

Different Strokes

Richard Hawkins’ collages and paintings explore desire and decadence, the culture industry, abstraction, land-rights and fandom by Alex Farquharson

Focus

Bernd Krauß

Cardboard boxes, wood chunks, mouldy fruit and newspapers by Jan Verwoert

Monograph

Making History

Using sources as varied as Schindler’s List and the CNN news, Omer Fast scrutinizes how history is presented and meaning is disseminated by Mark Godfrey

Focus

Anne Collier

Photographs, LPs, abstraction, humour and melancholy by Brian Dillon

Monograph

Track and Field

From the Modern Pentathlon to Bauhaus gymnastics, New Wave Cinema and magic, Daria Martin’s 16mm films explore the expressive possibilities of the body in space by Kirsty Bell

Monograph

Terminally New

Tomma Abts’ small, intense paintings and drawings treat art as something compellingly unfamiliar: not a language that exists in relation to other art, but to itself by Tom Morton

Monograph

Tomorrow Never Comes

Many of Mike Kelley’s obsessions and strategies were reinvigorated in the artist’s recent multi-media spectacle ‘Day is Done’ by Steven Stern

Questionnaire

Cosey Fanni Tutti

Cosey Fanni Tutti is an artist who lives and works in Norfolk, England. Her work can be seen in the Tate Triennial, Tate Britain until 14 May and her solo show opens at Fales Library and Special Collection, New York in October. Cosey also works extensively on audio/visual projects with her long-term partner Chris Carter as CTI and CARTER TUTTI. She was a co-founder of Throbbing Gristle, who have recently regrouped. Their first studio album in 25 years, entitled PART TWO, is released this year.

Focus

Heather and Ivan Morison

Science fiction and cut flowers, postcards, vegetables and travel by Sally O’Reilly

Frequency

The Studio Museum in Harlem, New York, USA

By Melissa Gronlund

In The Poem About Love You Don’t Write the Word Love

Centre for Contemporary Art, Glasgow, UK

By Mike Sperlinger

If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution

Various venues, Utrecht, ‘s-Hertogenbosch, Leiden, Leiden, Netherlands

By Sinisa Mitrovic

Insen: Alva Noto and Ryuichi Sakamoto

Barbican Hall, London, UK

By Michael Bracewell

A Brief History of Invisible Art

CCA Wattis Institute for Contemporary Arts, San Francisco, USA

By Julian Myers

Robert Malaval

Palais de Tokyo, Paris, France

By Morgan Falconer

Lygia Clark

Musée des Beaux-Arts de Nantes, Nantes, France

By Vivian Rehberg

Pierre Bismuth and Michel Gondry

Cosmic Galerie, Paris, France

By Aaron Schuster

Joe Scanlan

Galerie Micheline Szwajcer, Antwerp, Belgium

By Elena Filipovic

Interrogation Machine: Laibach and NSK

Alexei Monroe , (MIT Press, Cambridge, Mass., 2005),

By Diedrich Diederichsen

Roe Ethridge

Andrew Kreps Gallery, New York, USA

By Megan Ratner

Between Past and Future

Victoria and Albert Museum, London, UK

By Nathaniel McBride

Walid raad/The Atlas Group

FACT, Liverpool, UK

By Mark Beasley

Starting at Zero

Arnolfini, Bristol, UK

By Bruce Haines

PERFORMA05

Various Venues, New York, USA

By James Trainor and Kristin M. Jones

Matthew Day Jackson

Perry Rubenstein Gallery, New York, USA

By Kristin M. Jones

White Noise

Australian Centre for the Moving Image, Melbourne, Australia

By Daniel Palmer

The Prop Makers

MOT, London, UK

By Kim Dhillon

Death 24x a Second: Stillness and the Moving Image

Laura Mulvey, (Reaktion Books, London, 2005), London, UK

By Melissa Gronlund

Zilvinas Landzbergas

Modern Art Oxford, Oxford, UK

By Jonathan Griffin

Rita Donagh

Ikon Gallery, Birmingham, UK

By Michael Bracewell

ANTI Festival

Various venues, Kuopio, Finland

By Dominic Johnson

Projekt Migration

Kölnischer Kunstverein, Cologne, Germany

By Dominic Eichler

Merlin Carpenter

Reena Spaulings Fine Art, New York, USA

By Katie Sonnenborn

Frequency

The Studio Museum in Harlem, New York, USA

By Melissa Gronlund

In The Poem About Love You Don’t Write the Word Love

Centre for Contemporary Art, Glasgow, UK

By Mike Sperlinger

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Cultural Cartography: Roni Horn - Added on 13/10/07
Roni Horn presents a keynote lecture exploring ideas of site- specificity and seriality

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Frieze Art Fair Yearbook 2007-8
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Podcasts

The Expanded Gallery: Mass Forms for Private Consumption - Added on 13/10/07
What cultural value do industrial design, graphics and film bring to the spaces of the gallery and the museum?