Issue 115 May 2008

Almost Blue

The release of the film Chromophobia raises questions about authorship and appropriation by David Batchelor

Issue 106 April 2007

Law of the Land

Bamako, a new film from Mali, stages a fictitious trial of the World Bank and the International Monetary Fund by Dan Fox

Issue 100 June-August 2006

Prose and Cons

The state of film criticism today by Geoff Andrew

Issue 95 November-December 2005

The Player

Miranda July is a video and performance artist turned commercially successful filmmaker. What’s the difference? by Melissa Gronlund

Issue 93 September 2005

Games Without Frontiers

The relationship between cinema and video games is becoming increasingly incestuous by Keith Stuart

Issue 91 May 2005

Adventures in the Screen Trade

An Oscar-winning artist's guide to a fragmented Hollywood experience by Pierre Bismuth

Issue 88 February 2005

Shooting the Archaeozoic

Robert Smithson's adventures in time travel on the road to Rozel Point

Issue 86 October 2004

Middle, End, Beginning

Mainstream films are increasingly employing narrative fragmentation and non-linearity – attributes more commonly associated with experimental cinema by Jonathan Romney

Issue 86 October 2004

Et in Arcadia Ego

In June this year a few hundred people gathered in a terraced field in a remote part of Arcadia in Greece to witness the world premiere of the opening cycles of Gregory Markopoulos' 80-hour film Eniaios (1947-91) by Mark Webber

Issue 82 April 2004

Information Man

Exhibited for the first time in Frankfurt, Stanley Kubrick's archive reveals the working methods of a director obsessed with detail and veracity. by George Pendle

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Most Viewed Articles (This Issue)

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Listings June-August 2008

Download the June-August 2008 exhibition listings from the latest issue (PDF)

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