Issue 114 April 2008

Reality in the Age of Aesthetics

What does it mean when artists create scenarios that rely on existing social realities, or when they actively enter a social realm in order to generate works of art? by Mark Nash

Issue 48 September-October 1999

Message to Michael

An essay by Bruce Hainley

Issue 44 January-February 1999

Rules of the Game

Once upon a time, a curator's principal expertise was limited to hanging shows, eyeballing a painting with a connoisseur's gaze and sagely suggesting that it be re-hung a couple of inches to the left. While there were always notable exceptions, it has only been during the last decade that curatorial practice has been reinvented on a grand scale, and that the curator has been elevated to a kind of cult status by Ralph Rugoff

Issue 43 November-December 1998

Better Bodies

This summer in Vienna, a strange group of objects provided a rare illustration of a crucial moment in Austrian art: Modernism's emergence into the previously aloof and self-sufficient Viennese art world by Patricia Grzonka

Issue 42 September-October 1998

The Art of Disappearing

Finding virtue in the invisible by Joe Scanlan

Issue 42 September-October 1998

Yours Sincerely

The twisted relationship between artists, journalists and the media by Ralph Rugoff

Issue 41 June-August 1998

Modernism Blazing

Michael Fried's Formalist Flashback by Lane Relyea

Issue 39 March-April 1998

The Good The Bad and The Ugly

Porn, photography and Picabia's late paintings by Daniel Birnbaum

Issue 38 January-February 1998

That Sinking Feeling

Cruising the Mercury Art Collection by Ralph Rugoff

Issue 38 January-February 1998

Art of Darkness

Photographing war by Joe Laniado

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Most Viewed Articles (This Issue)

• Reality in the Age of Aesthetics
• Yours Sincerely
• The Good The Bad and The Ugly
• Modernism Blazing
• Rules of the Game
• That Sinking Feeling
• The Art of Disappearing
• Message to Michael
• Art of Darkness
• Better Bodies

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