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Issue 137 March 2011

Case Study: Gilles Barbier

Gilles Barbier speaks about his work in progress that will be shown at the Centre Pompidou in Paris later this year. by Vivian Rehberg

Island Nation

After the tsunami: the role of disaster in Japan’s artistic psyche by Philip Brophy and Kyoji Maeda

Issue 119 Nov-Dec 2008

‘Harpstrings and Lava’ and ‘Minotaur’ by Daria Martin

Two new films, influenced by a friend’s childhood nightmare and a choreographer, which grew from collaboration and improvisation

Issue 118 October 2008

‘Seizure’ by Roger Hiorns

In a new section, frieze examines the evolution of an art work. First up: a commission that involved the artist filling a condemned building with 90,000 litres of chemical liquid

Issue 118 October 2008

‘... In the Cherished Company of Others ...’ by Marc Camille Chaimowicz

A new work is a retrospective, of sorts

Issue 118 October 2008

‘Spiteful of Dream’ by Jane and Louise Wilson

The artists employ voices for the first time in an installation that comprises film, sound and kinetic elements

Issue 118 October 2008

‘Half Full – Half Empty’ by Barbara Bloom

The artist’s first web-based project began with the barest of ideas: that two people would be having a conversation, and that their relationship would be revealed indirectly

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Most Viewed Articles (This Issue)

• ‘Seizure’ by Roger Hiorns
• ‘Harpstrings and Lava’ and ‘Minotaur’ by Daria Martin
• ‘... In the Cherished Company of Others ...’ by Marc Camille Chaimowicz
• ‘Half Full – Half Empty’ by Barbara Bloom
• ‘Spiteful of Dream’ by Jane and Louise Wilson
• Case Study: Gilles Barbier
• Island Nation

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