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Category: Film

Issue 142 October 2011

More than a Feeling

In recent years, artists in the UK have increasingly turned to narrative cinema and mainstream TV, a shift that has coincided with a renewed interest in the video and new-media practices of the 1970s and ’80s. How does this relate to issues of funding, ideology, duration and display? A round-table discussion with artists Ed Atkins, Melanie Gilligan, Anja Kirschner and Ben Rivers by Dan Kidner

Issue 142 October 2011

Focus: Laure Prouvost

Slippages and the peculiarities of language; its problems and potential by Nick Aikens

Issue 142 October 2011

We Have a Situation

Ryan Trecartin’s immersive video environments are amplified reflections of the joy, madness and ambiguity of our culture by Chris Wiley

Issue 141 September 2011

Survey: On Screen

What have you been watching? 26 artists and writers respond to the last two decades

Issue 140 June-August 2011

Reel Life

Working between documentaries and blockbusters, Brazilian director José Padilha is reviving the legacy of neo-realism by Bert Rebhandl

Issue 133 September 2010

The Volcano Lover

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan to Naples. Dominic Eichler accompanied him on his journey south by Dominic Eichler

Issue 111 Nov-Dec 2007

Real to Reel

When a low-budget Romanian film about abortion won the Palme d'Or at this year's Cannes Film Festival it heralded a new era of filmmaking in a country still struggling with post-communism by Bert Rebhandl

Issue 107 May 2007

Light and Dark

David Lynch’s first digital video feature, INLAND EMPIRE, is his most experimental work in years by Kristin M. Jones

Issue 103 November-December 2006

Ghost World

Thai director Apichatpong Weerasethakul’s compelling films have often delved into the realms of popular folklore and the supernatural. His latest project, Syndromes and a Century, is no exception by Bert Rebhand

Issue 98 April 2006

Who Loves the Sun?

Since the early 1960s, Jonas Mekas has been documenting his life on film, creating a personal testament to friendship, exile and the flow of history by Jan Verwoert

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Spruth Magers
Gagosian Gallery
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Marian Goodman
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Maureen Paley
Stephen Friedman
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