frieze

Category: Interview Interviews and discussion

Issue 144 January-February

Chris Dercon: Interview

Jennifer Higgie and Sam Thorne talk to the new director of Tate Modern about the museum’s plans for the future

Issue 144 January-February

Useful Art

Kathy Noble talks to Tania Bruguera about the artist’s long-term project in New York, Immigrant Movement International, and what it means not to ‘represent politics but to create political situations’ by Kathy Noble

Issue 91 May 2005

Hans Peter Feldmann

Hans Peter Feldmann and Kaspar König in conversation by Kaspar König

Issue 143 November-December 2011

On Display

Elad Lassry makes sculptures that, in his words, ‘happen to be photographs’. He talks about the relationship between objects, images and looking, the importance of the frame and the potential of ‘nervous pictures’ by Mark Godfrey

Issue 143 November-December 2011

Set Pieces

Barbara Kasten has been creating inventive and influential images for more than 40 years. Artist Anthony Pearson talked to her about theatricality, her approach to photography and what it means to ‘think like a painter’ by Anthony Pearson

Issue 142 October 2011

More than a Feeling

In recent years, artists in the UK have increasingly turned to narrative cinema and mainstream TV, a shift that has coincided with a renewed interest in the video and new-media practices of the 1970s and ’80s. How does this relate to issues of funding, ideology, duration and display? A round-table discussion with artists Ed Atkins, Melanie Gilligan, Anja Kirschner and Ben Rivers by Dan Kidner

Issue 142 October 2011

Talking Pictures

Yto Barrada juggles her work as an artist with running a cinémathèque in Tangier. She talked to Jennifer Higgie about her reasons for opening a cinema, the ‘strategies of resistance’ she encounters in Morocco today, and her interest in botany by Jennifer Higgie

Issue 142 October 2011

A Writer Prepares

Jesse Ball is an author, poet, artist and lucid dreaming instructor based in Chicago. Ross Simonini talked to him about his new novel, The Curfew, ‘writing as a performance’, and the importance of both clarity and deception in story-telling by Ross Simonini

Issue 142 October 2011

Ryan Trecartin: in conversation

An interview by Katie Kitamura and Hari Kunzru

Issue 142 October 2011

Surround Sound

On the occasion of a major retrospective in London, Paul Schütze talked to pioneering composer Eliane Radigue about her 50-year career, which spans electronic music, Tibetan Buddhism, musique concrète and ‘anti-acoustics’ by Paul Schütze

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