Category: Monograph Monograph

Issue 167 November-December 2014

After the EndRegistered only

With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America by Jonathan Griffin

Issue 167 November-December 2014

A Wall to Object toRegistered only

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas by Caoimhín Mac Giolla Léith

Issue 167 November-December 2014

The Cartoon NetworkRegistered only

Illustration and art history collide in Sanya Kantarovsky’s paintings by Scott Roben

Issue 167 November-December 2014

In its PlaceSubscriber only

Decoding Uri Aran’s mysterious work-tables by Declan Long

Issue 167 November-December 2014

Heads Above WaterRegistered only

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde by Andrew Maerkle

Issue 166 October 2014

Perfect Pretence

In Shahryar Nashat’s films and sculptures, dodecahedrons, dance and desire come together in delirious studies of impossible ideals by Jörg Heiser

Issue 166 October 2014

Cultural Currency

How Andra Ursuta’s sculptures play with national stereotypes by Summer Guthery

Issue 166 October 2014

What’s Not to Like?

How Darren Bader has pushed the readymade to its extreme by Domenick Ammirati

Issue 166 October 2014

The Sun On Your Face

Zoe Pilger talks to Laure Prouvost about translation, tea, fictitious grandparents, erotic films and trying to make sense of the world by Zoe Pilger

Issue 166 October 2014

Strike a Pose

The consistently inconsistent career of Scottish artist Bruce McLean by Colin Perry

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