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Issue 146 April 2012

Picture This

From Roni Horn and Thomas Struth to the unbearable gaze of Marina Abramović, photographer Christina Zück examines the ‘enraptured faces’ of portrait photography today by Christina Zück

Issue 144 January-February 2012

The Way They Looked at Each Other

What two photographs taken by a Spanish judge in Baghdad reveal about the impossibility of untangling a moment in the past by Mario Garcia Torres

Issue 143 November-December 2011

Depth of Focus

In recent years, a number of US-based artists have been taking new approaches to photography, emphasizing process, digital manipulation and the physical support by Chris Wiley

Issue 143 November-December 2011

Out in the World

The intertwining of art and commercial photography is nowhere more evident than in the genre of still life by David Campany

Issue 143 November-December 2011

Set Pieces

Barbara Kasten has been creating inventive and influential images for more than 40 years. Artist Anthony Pearson talked to her about theatricality, her approach to photography and what it means to ‘think like a painter’ by Anthony Pearson

Issue 143 November-December 2011

All Other Images

When he died in 1992, Italian photographer Luigi Ghirri left behind a body of work characterized by its intimacy, humour and focus on both the world he lived in and the role of images within it by Christy Lange

Issue 142 October 2011

Talking Pictures

Yto Barrada juggles her work as an artist with running a cinémathèque in Tangier. She talked to Jennifer Higgie about her reasons for opening a cinema, the ‘strategies of resistance’ she encounters in Morocco today, and her interest in botany by Jennifer Higgie

Issue 137 March 2011

The Other Eye of Sam Wagstaff

The little-known photographs of a pioneering photography collector; an artist’s project by Jennifer Bornstein

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Most Viewed Articles (This Issue)

• Picture This
• The Way They Looked at Each Other
• Depth of Focus
• Out in the World
• Set Pieces
• All Other Images
• Talking Pictures
• The Other Eye of Sam Wagstaff

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