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Issue 144 January-February 2012

The Way They Looked at Each Other

What two photographs taken by a Spanish judge in Baghdad reveal about the impossibility of untangling a moment in the past by Mario Garcia Torres

Issue 144 January-February 2012

Radical Bleak

Art’s conflicted relationship with the Arab Spring by Negar Azimi

Issue 144 January-February 2012

And Then?

A year of unrest in the UK by Dan Hancox

Issue 144 January-February 2012

Useful Art

Kathy Noble talks to Tania Bruguera about the artist’s long-term project in New York, Immigrant Movement International, and what it means not to ‘represent politics but to create political situations’ by Kathy Noble

Issue 144 January-February 2012

The Long Nineties

Revisiting art’s social turn and the 1990s – the decade that has yet to end by Lars Bang Larsen

Issue 144 January-February 2012

Words & Deeds

The factors behind the mayor of Berlin’s controversial decision to fund the exhibition ‘Made in Berlin' by Jörg Heiser

Issue 144 January-February 2012

Top Secrets

Advocate or Informer? Julian Assange and WikiLeaks by Jan Verwoert

Issue 144 January-February 2012

Going Dutch

Reasons and responses: the cuts to arts funding in the Netherlands by Moosje Goosen

Issue 137 March 2011

Good Intentions

Art has a long history of engagement with politics. Does recent so-called socially engaged or political art really effect change? by Negar Azimi

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Most Viewed Articles (This Issue)

• The Way They Looked at Each Other
• Radical Bleak
• And Then?
• Useful Art
• The Long Nineties
• Words & Deeds
• Top Secrets
• Going Dutch
• Good Intentions

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