Issue 100 June-August 2006

Binary Fluffing

What criteria do we use to judge art? During the opening of the 4th Berlin Biennial in March, Thomas Demand, Mark Godfrey, Jörg Heiser, Jennifer Higgie, Adrian Searle, Polly Staple and Tirdad Zolghadr gathered on a Saturday afternoon in frieze’s Berlin office to informally discuss, over cheese and strawberries, this very question

Issue 94 October 2005

How has art changed?

With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond.

Issue 94 October 2005

How has art changed? Part four

Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond

Issue 94 October 2005

Travelling Hopefully

Art has changed dramatically over recent decades – but many of these developments have been positive by Mark Godfrey

Issue 94 October 2005

How has art changed? Part three

Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond

Issue 94 October 2005

How has art changed? Part two

Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond

Issue 84 June-August 2004

What’s the Difference?

Discussing the relationship between art and documentary filmmaking with artists Yael Bartana, Annika Eriksson, Anri Sala and Gitte Villesen by Jörg Heiser and Jan Verwoert

Issue 83 May 2004

American Pie

The 2004 Whitney Biennial, a survey of contemporary art made in the US, opened in March at the Whitney Museum of American Art, New York. It was curated by Chrissie Illes, Shamim M. Momin and Debra Singer. frieze asked seven critics and curators to repsond to a few questions

Issue 82 April 2004

What is the object?

The Donald Judd retrospective opened at Tate Modern in February. It is the first major survey of the artist's career since 1988. frieze asked the following artists, historians, critics and designers for their responses to the show: James Meyer, Lynne Cooke, Mary Heilmann, Mark Godfrey, Richard Wentworth, Liam Gillick, David Musgrave, Jasper Morrison and Deyan Sudjc.

Issue 38 January-February 1998

Spin City

The Istanbul, Johannesburg and Kwangju Biennales by Christian Haye

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