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January • February 2015

Join the Movement

Astrid Kaminski talks to legendary artist and choreographer Simone Forti

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January • February 2015

One Take

In the first of a new series focusing on a single work, Jennifer Higgie considers Pierre Huyghe’s latest film

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January • February 2015

Robert Gober

REVIEW

by Ara H. Merjian

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January • February 2015

The Sharp White Background

Thoughts on race and art in the 21st century

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January • February 2015

Lucy Stein

STUDIO VISIT

Painting on the brink of hysteria

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January • February 2015

World of Interiors

Amy Sherlock considers images of domestic space in contemporary art

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January • February 2015

Anna Ostoya

IN FOCUS

Mining historical works for new conceptual paths

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January • February 2015

Both Ways

Viviane Sassen talks to Aaron Schuman about her fashion and art photography

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January • February 2015

Loaded Vehicle

How the iconic, discontinued Ambassador car has inspired Indian artists

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A Year in Western Australia

A Year in Western Australia

It’s traditional to begin examinations of Western Australian economics, politics or culture by invoking the state’s geography, making particular reference to the isolation of its…

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State of the Art

The Quiet LifeRegistered only

Artists and the freedom of the desert by Jonathan Griffin

Technology

History 2.0Subscriber only

How Wikipedia skews the story of art by Olivian Cha

Weekend Special

Town & CountryRegistered only

The role of the village in perceptions of Africa by Sean O’Toole

Art History

Loaded VehicleSubscriber only

How the iconic, discontinued Ambassador car has inspired Indian artists by Shanay Jhaveri is a contributing editor of frieze who lives in Mumbai, India, and London, UK.

Film

Things To ComeSubscriber only

Hollywood’s recent taste for revolt by Mark Fisher

Music

MusicRegistered only

The haunting soul music of Lonnie Holley by Andrew Hultkrans

By Design

By Design

Is the design world still a boys’ club? by Alice Rawsthorn

Politics

The Sharp, White BackgroundRegistered only

Thoughts on race and art in the 21st century by Naomi Beckwith

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Monograph

A Tension of MoodsSubscriber only

Kai Althoff’s recent work by Michael Bracewell

Questionnaire

Questionnaire: Karl Ove KnausgårdSubscriber only

Q: What do you wish you knew? A: I wish I knew less. by Karl Ove Knausgård

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Fondation Louis Vuitton

Inaugural exhibitionsRegistered only by Rahma Khazam

Kadist Art Foundation

Meiro KoizumiSubscriber only by Christy Lange

Focal Point Gallery

Hannah SawtellRegistered only by Jonathan P. Watts

Castlefield Gallery

Hardeep PandhalSubscriber only by Chris Sharratt

Whitechapel Gallery & Tate Modern

Richard TuttleRegistered only by Martin Herbert

Pippy Houldsworth Gallery, London

Carrie Mae WeemsRegistered only by Sara Knelman

The Showroom

Grace SchwindtSubscriber only by Matthew McLean

Carroll / Fletcher

Rafael Lozano-HemmerRegistered only by Basia Lewandowska Cummings

Carl Kostyál

Timur Si-QinSubscriber only by Pablo Larios

Project Arts Centre

Chris EvansRegistered only by Joanne Laws

Stedelijk Museum Schiedam

herman de vriesSubscriber only by Renske Janssen

Wilfried Lentz

Wendelien van OldenborghRegistered only by Vivian Sky Rehberg

Mu.ZEE & S.M.A.K.

The Sea. A Tribute to Jan Hoet & Collection Study III: Art in Europe After 1968Subscriber only by Ellen Mara De Wachter

établissement d’en face projects

Elusive EarthsSubscriber only by Laura Preston

Kunsthalle Zürich

Jana EulerSubscriber only by Andrew Hunt

Sandy Brown

Gili TalRegistered only by Saim Demircan

Esther Schipper & Schinkel Pavillon

Philippe ParrenoSubscriber only by Pablo Larios

Kunsthalle Bergen

Julia WachtelRegistered only by Kathy Noble

ar/ge kunst

Gareth KennedyRegistered only by Federica Bueti

Fondazione Marconi

Adriano AltamiraSubscriber only by Emily Verla Bovino

García Galería

Rasmus NilausenRegistered only by Max Andrews

Instituto Tomie Ohtake

Histórias mestiçasSubscriber only by Jens Hoffmann

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From the Archives

Inside Out

From November 2006

Inside Out

Maria Lassnig in conversation with frieze co-editor Joerg Heiser

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