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Postcard from Brussels: Experienz #2 at WIELS
The parlour, historically, was a place designated by monks for formal discussions outside of sanctified religious areas. It later became the name for a room…
Current Issue
Lip Service
From the Vatican to the Venice Biennale: the limits to symbolic acts of altruism
City Living
The shifting landscape of contemporary art in Beijing
Decade-ism
How taste and preferences change
Bodies of Evidence
Artists respond to migration in Africa
The Italian Job
Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’
Loop the Loop
A brief history of the GIF
Books
Oulipo and the re-release of Raymond Queneau’s 1947 Exercises in Style
After Life
A new film reconstructs Félix Guattari’s unproduced sci-fi script
Blurred Visions
What do drones see? And how can we see them?
In Your Head
The surreal, oddly familiar world of Nicole Eisenman
Picture Piece: Joe Orton’s bedroom
The Islington bedroom where the playright was bludgeoned to death
Mascots & Muses
From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair
In Focus: Petrit Halilaj
The Kosovar artist’s biographical narratives and loaded artefacts
Focus Interview: Ian Cheng
Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’
Thought Maps
Gianfranco Baruchello’s long career encompasses painting, sculpture and film as well as farming and psychoanalysis
Organic Systems
Argentinian artist Adrián Villar Rojas talks to Kathy Noble about creating with clay, sculpture-as-film and team-work
My Influences: Helen Marten
The artist discusses skeuomorphism, skins and soup
Focus Case Study: Peles Empire
A collaboration that began with a castle in the Carpathians
The Breeder
Paola Revenioti
Galería Fúcares
Simeón Saiz Ruiz
Muzeum Sztuki
The Themersons and the Avant-Garde
Kate MacGarry
Jeff Keen
Maureen Paley
Michael Krebber
Thomas Dane Gallery
Kutlug Ataman
Arcade
Jeremiah Day
The Showroom
Mark Fisher & Justin Barton
Cornerhouse & Turner Contemporary
Rosa Barba
The Bluecoat
The Universal Addressability of Dumb Things
CCA & Stills
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Magician Space
Guan Xiao
Abadi Art Space
Queering Making II
Chatterjee & Lal
Nityan Unnikrishnan
Current Shows 
Kunsthalle Zürich
Alejandro Cesarco by Aoife Rosenmeyer
Tenerife Espacio de Artes
Regina José Galindo: Piel de Gallina by Ara H. Merjian
ShangART
Geng Jianyi by John Mateer
Sørlandets Kunstmuseum
Ane Graff by Matthew Rana
Virginia Commonwealth University
Tasmeem Doha 2013: Hybrid Making by Kurchi Dasgupta
Gazelli Art House
Niyaz Najafov by Josephine New
Galerie Kamm
Annette Ruenzler by Matthew Burbidge
Castlefield Gallery
Maurice Carlin by Carol Huston
Zachęta National Gallery of Art
Piotr Uklański by Kamila Wielebska
Art Gallery of New South Wales
We Used To Talk About Love by Ruth Learner
Galeria Foksal
Daniel Malone by Krzysztof Kosciuczuk
Museum für Gegenwartskunst
Tell It To My Heart: Collected by Julie Ault by James Voorhies
Monitor
Nathaniel Mellors by Mike Watson
Nature Morte
Bharti Kher by Kurchi Dasgupta
Manchester Art Gallery
Raqib Shaw by Carol Huston
Breenspace
On collaboration: Angela & Hossein Valamanesh and Raafat Ishak & Tom Nicholson by Eleanor Ivory Weber
Frieze Magazine
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Listen to Lydia Davis and Emily Stokes in conversation at Frieze New York on May 11th: http://t.co/nRRT8rLRDo
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All of the frieze talks from Frieze New York 2013 now available for download! Fill your boots! http://t.co/Y39FseKAtE
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Lydia Davis has won the Booker International prize!Congratulations!Read Emily Stokes on her fictions and translations:http://t.co/76LamycESr
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New on the frieze blog! Laura McLean-Ferris reports from Experienz #2 at WIELS, Brussels http://t.co/RHtWdqGUC7
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Polly Staple: Venice Biennale 2003:'It was hot & there was a lot to see & I’m not sure what everyone was looking for' http://t.co/8ZoB0j99QX











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