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November • December 2014

What's So Funny?

How humour feeds painting

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November • December 2014

Museum Guide

FILM

Frederick Wiseman’s new documentary about London’s National Gallery

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November • December 2014

Made in LA

REVIEW

by Summer Guthery

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November • December 2014

Being Observant

The films of Abderrahmane Sissako

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November • December 2014

Rachel Reupke

IN FOCUS

Taking stock of stock images

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November • December 2014

A Wall To Object To

Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas

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November • December 2014

Gwangju Biennale

REVIEW

by Paul Teasdale

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November • December 2014

Oscar Santillan

IN FOCUS

‘Civilizations of the jaguar’, vacuum cleaners and the human body

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November • December 2014

After The End

The art of Michael E. Smith plots the bleak landscapes of exurban America

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November • December 2014

Network Fatigue

VIDEO

Pablo Larios talks about 'Network Fatigue’ in the age of digital circulation

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Postcard from Warsaw Gallery Weekend

Postcard from Warsaw Gallery Weekend

Over the last few years the Warsaw Gallery Weekend (WGW) has grown from a string of low-key, sequential openings into a – still fairly modest…

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Current Issue November-December 2014 RSS

State of the Art

The Art of DistractionSubscriber only

Movie stars, late capitalism and fragmented attention spans by Tom Morton

In These Intemperate Times

O.T.T.Registered only

Is too much information ever enough? by Lynne Tillman

Weekend Special

Being ObservantSubscriber only

The films of Abderrahmane Sissako by Sean O’Toole

Other cities, other seas

Productive AnguishRegistered only

How to survive exile by Kaelen Wilson-Goldie

Life in Fragments

Life in FragmentsSubscriber only

Conversations, buildings, books and films by Céline Condorelli

Feminism

Rare MindsRegistered only

The dark, unsettling feminism of Jacqueline Rose by Nina Power

Music

MusicRegistered only

James Hoff’s music goes viral by Andy Battaglia

Film

Museum GuideRegistered only

Frederick Wiseman’s new documentary about London’s National Gallery by Nick Pinkerton

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Survey

What’s so funny?Subscriber only

How humour feeds painting by Paul Teasdale

Monograph

After the EndRegistered only

With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America by Jonathan Griffin

Focus

In Focus: Oscar SantillanRegistered only

‘Civilizations of the jaguar’, vacuum cleaners and the human body by Timotheus Vermeulen

Focus

In Focus: Rachel ReupkeSubscriber only

Taking stock of stock images by Dan Kidner

Monograph

A Wall to Object toRegistered only

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas by Caoimhín Mac Giolla Léith

Monograph

The Cartoon NetworkRegistered only

Illustration and art history collide in Sanya Kantarovsky’s paintings by Scott Roben

Monograph

In its PlaceSubscriber only

Decoding Uri Aran’s mysterious work-tables by Declan Long

Monograph

Heads Above WaterRegistered only

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde by Andrew Maerkle

Picture Piece

Picture Piece: Egyptian Desert CinemaSubscriber only

Egyptian Desert Cinema by Sukhdev Sandhu

Page 1 of 1 pages

Jenny’s

Chuck NanneySubscriber only by Kari Rittenbach

The Art Institute of Chicago

Sarah CharlesworthRegistered only by William J. Simmons

Metro Pictures

Jim ShawSubscriber only by Ara H. Merjian

Gladstone Gallery

Allora & CalzadillaSubscriber only by Jason Farago

Cornerhouse

Sophia Al-MariaRegistered only by Luke Healey

Modern Art Oxford

Stuart BrisleySubscriber only by Jonathan P. Watts

David Zwirner Gallery

Jack BilboRegistered only by Charlie Fox

Waterside Contemporary

Oreet AsherySubscriber only by Matthew McLean

French Riviera

Lisa BriceSubscriber only by Josephine New

Sadie Coles HQ

Michele AbelesRegistered only by Sara Knelman

Chisenhale Gallery

Ed FornielesRegistered only by Patrick Langley

Page 2 of 2 pages  <  1 2

From the Archives

Oh I Do Believe

From June 1993

Oh I Do Believe

Lou Reed has sadly died aged 71. In an article from the 11th issue of frieze Jon Savage reflects on the 'reckless courage' of The Velvet Underground

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