Dan Fox rounds up 'Surround Audience: The 2015 New Museum Triennale'
Ara H. Merjian
'Surround Audience’ – the third New Museum Triennial, curated…
London-based graphic designer Fraser Muggeridge talks us through his…
Why are there so few biographies of African artists?
On collective memory and personal experience
Mining the traditions of the political cartoon
The Glasgow School of Art — past and future
W.A.G.E.’s fight for artist fees
PJ Harvey records a new album in public
Meriç Algün Ringborg discusses the books that have influenced her
Re-reading Shulamith Firestone’s The Dialectic of Sex
Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock
Jennifer Higgie on the bewildered mystics, mournful minstrels and mysterious rituals of Ryan Mosley’s paintings
Working for the man, or machine
Gideon Lewis-Kraus traces the transcontinental journeys of Brazilian artist Paolo Nazareth
Ida Ekblad talks to Zoe Pilger about painting, drifting, emptiness and energy
Containers, collaboration and perception
How a generation of artists is re-ordering the building blocks of photography
The memory and lifespan of objects.
Simon Ling and plein-air painting in east London
The Big Pineapple
From September 2002
Okwui Enwezor has been appointed as director of the 56th Biennale di Venezia. Here Dan Fox reports from the Enwezor-curated Documenta 11