Current Issue
January-February
Artist’s Block
What can artists learn from writers?
The Power of One
The strange allure of amulets
Remains of the Day
What a show in New York says about artistic freedom in Lebanon
Get ’em Whilst They’re Hot! They’re Lovely!
As the savage frosts of recession threaten the gilded lilies of art, frieze speaks to a new wave of young, dynamic gallerists about their hopes and dreams ...
Architecture
From housing design in Japan to urban interventions in Caracas, architecture in 2011 was characterized by a rethinking of public and private space
Useful Art
Kathy Noble talks to Tania Bruguera about the artist’s long-term project in New York, Immigrant Movement International, and what it means not to ‘represent politics but to create political situations’
La Comédie Humaine
A golden age of television
The Long Nineties
Revisiting art’s social turn and the 1990s – the decade that has yet to end
Words & Deeds
The factors behind the mayor of Berlin’s controversial decision to fund the exhibition ‘Made in Berlin'
Top Secrets
Advocate or Informer? Julian Assange and WikiLeaks
Going Dutch
Reasons and responses: the cuts to arts funding in the Netherlands
Ten Years
Remembering 9/11: how exhibitions in New York and Berlin commemorated the tenth anniversary of the attacks
Pacific Standard Time
Stretching across 70 museums and galleries, ‘Pacific Standard Time’ is an unprecedented collaboration that traces different histories of Southern Californian art between 1945 and 1980
Collezione Maramotti
Alessandro Pessoli
Gasconade
Andrea Romano
greengrassi
Moyra Davey
Hotel
Duncan Campbell
Kunsthal Charlottenborg
Nina Beier
Victoria & Albert Museum London
Postmodernism: Style and Subversion 1970–1990
Witte de With
Melanchotopia
Stedelijk Museum Bureau
Vincent Vulsma
Galerie Juliètte Jongma
Donna Huddleston
Bétonsalon
Jikken Kobo
Grazer Kunstverein
Public Folklore
Galerie Andrea Caratsch
John Armleder
Deutsche Guggenheim
Paweł Althamer
Kunstmuseum
Laura Owens
Various venues
Third Thessaloniki Biennale
Firstsite
Camulodunum
Peles Empire
Nicholas Hatfull
Various venues
Videobrasil
Essex Street Market
Living as Form
Matthew Marks Gallery
La Carte d’Après Nature
Friedrich Petzel Gallery
Nicola Tyson
Studio Voltaire
Alexandra Bircken and Doreen McPherson
Blog 
Bland Ambition
I had been putting off visiting Damien Hirst’s exhibition ‘The Complete Spot Paintings 1986–2011’ since it opened last month. Partly, this was a matter of…
Current Shows 
Lalit Kala Akademi
Vivan Sundaram by Hemant Sareen
Ludwig Muzeum
Yona Friedman by Robert Barry
Cobra Museum of Modern Art
Nathaniel Mellors by Irene de Craen
FRAC Centre
Gramazio & Kohler and Raffaello D’Andrea by Charles Reeve
Centre d'art contemporain
Les Marques Aveugles by Robert Barry
migros museum für gegenwartskunst
Florian Germann by Aoife Rosenmeyer
Galerie Jocelyn Wolff
Franz Erhard Walther by Caroline Soyez-Petithomme
P/////AKT – platform for contemporary art
Christian Friedrich by Irene de Craen
Museo Marino Marini
João Maria Gusmão and Pedro Paiva by Barbara Casavecchia
ShanghART Gallery
MadeIn Company by Colin Chinnery
Signal Center for Contemporary Art
Kostis Velonis by Matthew Rana
Today Art Museum
Jannis Kounellis by Iona Whittaker
Galerija Gregor Podnar
Antic Measures by Mark Prince
Frieze Magazine
frieze_magazine
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Human Rights Watch Film Festival London, 21-30 March http://t.co/WwB4oA6w 19 Films Address Economic Inequality & Consequences Worldwide
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'Do unto others as they wish, but with imagination.' Marcel Duchamp
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La Cité Radieuse, the housing estate in Marseille built by Le Corbusier, has been damaged by fire. http://t.co/T8bj1LKi
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frieze archive: Guy Debord & the connections between terrorist strategies, the networked 21st century & the avant-garde http://t.co/HZb5Zo2c
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David Shrigley's app. Is he channeling Martin Creed? http://t.co/bxwbRwuX
From the Archives
From September 1995
Jesus Doesn’t Want Me for a Sunbeam
With his major survey opening tomorrow at the Hayward Gallery, London, Michael Bracewell on David Shrigley from issue 25, Nov-Dec 1995.
















