frieze

November • December 2014

What's So Funny?

How humour feeds painting

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November • December 2014

Museum Guide

FILM

Frederick Wiseman’s new documentary about London’s National Gallery

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November • December 2014

Made in LA

REVIEW

by Summer Guthery

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November • December 2014

Being Observant

The films of Abderrahmane Sissako

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November • December 2014

Rachel Reupke

IN FOCUS

Taking stock of stock images

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November • December 2014

A Wall To Object To

Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas

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November • December 2014

Gwangju Biennale

REVIEW

by Paul Teasdale

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November • December 2014

Oscar Santillan

IN FOCUS

‘Civilizations of the jaguar’, vacuum cleaners and the human body

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November • December 2014

After The End

The art of Michael E. Smith plots the bleak landscapes of exurban America

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November • December 2014

Network Fatigue

VIDEO

Pablo Larios talks about 'Network Fatigue’ in the age of digital circulation

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Postcard from Warsaw Gallery Weekend

Postcard from Warsaw Gallery Weekend

Over the last few years the Warsaw Gallery Weekend (WGW) has grown from a string of low-key, sequential openings into a – still fairly modest…

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Current Issue November-December 2014 RSS

Music

MusicRegistered only

James Hoff’s music goes viral by Andy Battaglia

Film

Museum GuideRegistered only

Frederick Wiseman’s new documentary about London’s National Gallery by Nick Pinkerton

Books

Books

Gilda Williams’s new book on how to write about contemporary art by Orit Gat

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Survey

What’s so funny?Subscriber only

How humour feeds painting by Paul Teasdale

Monograph

After the EndRegistered only

With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America by Jonathan Griffin

Focus

In Focus: Oscar SantillanRegistered only

‘Civilizations of the jaguar’, vacuum cleaners and the human body by Timotheus Vermeulen

Focus

In Focus: Rachel ReupkeSubscriber only

Taking stock of stock images by Dan Kidner

Monograph

A Wall to Object toRegistered only

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas by Caoimhín Mac Giolla Léith

Monograph

The Cartoon NetworkRegistered only

Illustration and art history collide in Sanya Kantarovsky’s paintings by Scott Roben

Monograph

In its PlaceSubscriber only

Decoding Uri Aran’s mysterious work-tables by Declan Long

Monograph

Heads Above WaterRegistered only

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde by Andrew Maerkle

Picture Piece

Picture Piece: Egyptian Desert CinemaSubscriber only

Egyptian Desert Cinema by Sukhdev Sandhu

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Galerie Perrotin

Laurent Grasso & Wim DelvoyeRegistered only by Robert Barry

Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine

The Promise of Moving ThingsSubscriber only by Rahma Khazam

Signal – Center for Contemporary Art, Malmö at Kunsthal Charlottenborg, Copenhagen

Jennifer TeeRegistered only by Nathaniel Budzinski

STANDARD (OSLO)

Matias FaldbakkenSubscriber only by Pablo Larios

mother’s tankstation

Kevin CosgroveRegistered only by Gemma Tipton

Various venues

26th International Biennial of Graphic DesignSubscriber only by Emily King

Kaufmann Repetto

Adrian PaciSubscriber only by Barbara Casavecchia

LABoral Centro de Arte y Creación Industrial

David Ferrando GirautSubscriber only by Lorena Muñoz-Alonso

Kunsthalle Athena

This is Not My Beautiful HouseRegistered only by Jennifer Higgie

Gertrude Contemporary

Octopus 14: Nothing Beside RemainsRegistered only by Rebecca Coates

Gallery EXIT, Pearl Lam Galleries & Oi!

Around TownSubscriber only by Chris Fite-Wassilak

Various venues

5th Fukuoka Asian Art Triennale & Yokohama Triennale 2014Subscriber only by Ellen Mara De Wachter

Proyectos Monclova

Daniel Steegmann MangranéSubscriber only by Gabriela Jauregui

Museo Tomayo

The Theater of the WorldSubscriber only by Nick Aikens

Aspen Art Museum

David Hammons / Yves KleinSubscriber only by Dan Fox

ltd los angeles

Alex Becerra by Jonathan Griffin

Jenny’s

Chuck NanneySubscriber only by Kari Rittenbach

The Art Institute of Chicago

Sarah CharlesworthRegistered only by William J. Simmons

Metro Pictures

Jim ShawSubscriber only by Ara H. Merjian

Gladstone Gallery

Allora & CalzadillaSubscriber only by Jason Farago

Cornerhouse

Sophia Al-MariaRegistered only by Luke Healey

Modern Art Oxford

Stuart BrisleySubscriber only by Jonathan P. Watts

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From the Archives

50th Venice Biennale

From September 2003

50th Venice Biennale

Revisiting the Francesco Bonami-curated Venice biennale

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