September 2015


Tom Newth on the restoration of Powell & Pressburger's 1951 film, The Tales of Hoffman

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September 2015

No Offence?

UK art institutions and self-censorship by Ellen Mara De Wachter

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September 2015

The Eyes Have It

Puns, pictograms and props in the work of Math Bass by Dan Fox

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September 2015

The Long and Short

The evolution of the artist's feature film by Dan Kidner

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September 2015

Nevin Aladağ


by Andreas Schlaegel

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September 2015

All Together

Sam Thorne discusses activism, collaboration and absurdity with Ahmet Öğüt

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September 2015


Mimesis, art and alchemy by Jan Verwoert

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September 2015

Salmon Creek Farm: Part 1


Co-editor Dan Fox visits Salmon Creek Farm, former commune and the site of Fritz Haeg's new long-term project

Watch here »

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Postcard from Nizhny Novgorod

Postcard from Nizhny Novgorod

When the invitation arrived this spring to attend a symposium in Nizhny Novgorod, I immediately said yes. I had always wanted to see this Russian…

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BooksRegistered only

Why do artists write novels? by Nathaniel Budzinski

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The Long and ShortSubscriber only

Feature-length films made by artists have broken box-office records, whilst celebrated filmmakers have developed parallel careers as visual artists. Dan Kidner considers the evolution of the ‘artist’s feature film’. by Dan Kidner


In Focus: Celia HemptonRegistered only

Painting, nudes and chatrooms by Matthew McLean

Think Piece

SpellboundRegistered only

On mimesis, art and alchemy by Jan Verwoert


In Focus: Nevin AladağSubscriber only

The city plays itself by Andreas Schlaegel


City LimitsSubscriber only

25 years of Jem Cohen’s free-wheeling cinema by Isabel Stevens


All TogetherRegistered only

Sam Thorne discusses activism, collaboration and the uses of absurdity with Ahmet Öğüt by Sam Thorne

Picture Piece

Picture Piece: Video Game PhotographySubscriber only

Video Game Photography by James Bridle


This CorrosionRegistered only

Lara Favaretto: exploring the nuances of death and disappearance by Barbara Casavecchia


The Eyes Have ItSubscriber only

Puns, pictograms and props in the work of Math Bass by Dan Fox


Questionnaire: Elena FerranteRegistered only

Q: What should stay the same? A: The desire to tell stories. by Elena Ferrante

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Barbara KastenSubscriber only by Devika Singh

Contemporary Arts Museum

Marilyn MinterRegistered only by William J. Simmons

Esker Foundation

Mia FeuerSubscriber only by Maeve Hanna


The LulennialRegistered only by Daniel Garza-Usabiaga

Heide Museum of Modern Art

Melinda HarperSubscriber only by Sophie Knezic

Long March Space

Zhu YuRegistered only by Kate Sutton

Chinese Academy of Oil Painting

Wu DayuRegistered only by Carol Yinghua Lu


Janek SimonSubscriber only by Krzysztof Kosciuczuk


What We KnowSubscriber only by Viktoria Draganova


InhumanRegistered only by Noemi Smolik

Henie Onstad Kunstsenter

Torbjørn RødlandSubscriber only by Brian Sholis

Galerie Eva Presenhuber

Ugo RondinoneRegistered only by Aoife Rosenmeyer

Kunsthalle Basel

Anicka YiSubscriber only by Kirsty Bell


Zak KitnickRegistered only by Mitch Speed


The Welfare StateSubscriber only by Ellen Mara de Wachter

Punta della Doganna

Slip of the TongueRegistered only by Caoimhín Mac Giolla Léith

Fondation Louis Vuitton

Accrochage 3: Pop & Music/SoundSubscriber only by Robert Barry


Xavier RibasRegistered only by Max Andrews

Museu do Chiado

Hybridize or DisappearSubscriber only by Elvia Wilk

Nils Stærk / Mellemrummet & Overgaden Institute of Contemporary Art

Lea PorsagerRegistered only by Lizzie Lloyd

Various Venues

Off-BiennáleSubscriber only by Chris Fite-Wassilak

MK Gallery

Ellen AltfestRegistered only by Amy Sherlock

Page 1 of 2 pages  1 2 >

From the Archives

Ed Atkins

From May 2011

Ed Atkins

On the occassion of his major exhibition at the Serpentine Gallery we revisit the work of Ed Atkins in this archive article from issue 139, May 2011

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Do you speak English? Added on 15/10/11 Frieze Projects 2011

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