EU Reviews

In an exhibition at Kunstverein München, Hill’s work from the 1960s appears prescient in its exploration of female office labour

At Tabakalera, San Sebastián, 24 artists reflect on the algorithms that rule the world

In her first institutional exhibition at Kunsthall Trondheim, the artist combines scientific research with fictional elements to create puzzling audio-visual narratives

Within the chaos murmurs an incoherent hope in this ambitious – and at times baffling – exhibition

An exhibition at Centre d’Art Contemporain, Geneva, explores writing’s role in embodiment and spiritual grounding

The artist’s exhibition at Haus der Kunst, Munich, examines empirical uncertainty and political disillusionment 

The artist’s exhibition at Migros Museum, Zurich, reflects on the political uses of platitudes and truisms

How archival footage at MAXXI, Rome, brings to life Ponti’s wit, intellect and erudition

An exhibition by the late American painter at Galerie Max Hetzler, Berlin, explores the struggle between men and women’s desires 

At Królikarnia, Warsaw, the artist imagines a world in which unique natural, cultural and recreational resources are protected instead of endangered

At Galerie Barbara Weiss, Berlin, the artist’s painted grids speak to how memories are always mediated and wrought

At Mendes Wood DM, Brussels, a world of quiet empathy is set against modernity, instantaneity and the desecration of wild Brazil

For her exhibition at Galerie Francesca Pia, Zurich, the artist reassembled disused advertising signs into abstract sculptures

The artist’s exhibition at PSM Gallery, Berlin, reflects on the relationship between body and mind

From the first steps of the internet to vibrant raves, ‘Time Is Thirsty’ at Kunsthalle Wien aspires to create a ‘temporal mash up’

In a retrospective at MAMCO, Geneva, rigour is underscored by play

A major retrospective at Dresden’s Albertinum sheds new light on the artist’s relationship with his hometown

At Marta Cervera, Madrid, the artist conjures up survival mechanisms and congealed debris

The artist’s first exhibition at DREI, Cologne, reflects on the social implications of everyday objects and the permanent switching between self and role

At Converso, Milan, the artist transforms a baroque church into a playground for sculptural interventions