EU Reviews

Showing results 21-40 of 301

At Peres Projects, Berlin, the artist’s new series dispels the limiting stereotype that women’s identities are based on the home

BY Eliza Levinson | 21 DEC 22

A small retrospective at Centre Pompidou, Paris, strikes a balance between the artist’s unique brand of expressionist figuration and her activism

BY Wilson Tarbox | 19 DEC 22

At Azkuna Zentroa, Bilbao, a group exhibition is cast as a ‘constellation’ of Bruce Baillie’s influence

BY Ren Ebel | 15 DEC 22

Featuring more than 50 years of work, the artist’s survey at Kunsthalle St. Annen, Lübeck, builds on his idiosyncratic system of shapes and symbols

BY Mitch Speed | 14 DEC 22

At Gianni Manhattan, Vienna, the artist evokes painful memories of childhood cruelty

BY Kathrin Heinrich | 08 DEC 22

From Cyprien Galliard’s triumphant homecoming in Paris to Bruno Zhu’s Barcelona debut, these are the best exhibitions of the year

BY Chloe Stead | 05 DEC 22

At Damien & the Love Guru, Zurich, the artist’s new series presents a stylistic mashup of unsettling scenes

BY Mitchell Anderson | 30 NOV 22

At Museum der Moderne Salzburg, the artist rebels against the limits of traditional media

BY Francesca Gavin | 24 NOV 22

The artist’s survey exhibition at Mathaf: Arab Museum of Modern Art captures immateriality and the residues of loss

BY Nadine Khalil | 23 NOV 22

A two-venue homecoming exhibition at Palais de Tokyo and Lafayette Anticipations explores youthful silliness, romanticism and the pitfalls of restoring the past

BY Pablo Larios | 22 NOV 22

'Queering Photography’ at C/O Berlin and ‘Queering the Crip, Cripping the Queer’ at Schwules Museum explore representations of identity, gender, disability and sexuality

BY Kevin Brazil | 18 NOV 22

At Kunsthalle Münster, the artist canonizes contemporary history in his riotous first institutional solo exhibition outside of Poland

BY Krzysztof Kościuczuk | 18 NOV 22

An exhibition of the artist’s films at Eye Filmmuseum, Amsterdam, examines the relationship between landscapes, archives and memories

BY Patrick Kurth | 15 NOV 22

From Camille Henrot’s gossipy solo exhibition at Munch Museum, Oslo, to a group show dedicated to used objects at Thomas Dane, Naples

BY frieze | 04 NOV 22

At Astrup Fearnley Museet, the American visual artist interrogates private and performative spaces of engagement

BY Alice Godwin | 03 NOV 22

At Thomas Dane, Naples, a group exhibition looks to the found object for inspiration

BY Allie Biswas | 02 NOV 22

At Haus am Waldsee, Berlin, the artist's site-specific installation investigates the ‘incurable experience’ of being female

BY Isabel Parkes | 26 OCT 22

At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice

BY Camila McHugh | 19 OCT 22

At Alma Sarif, Brussels, the artist quietly presents 56 litres of paint

BY Emile Rubino | 07 OCT 22

From Tora Schultz’s first solo exhibition at Palace Enterprise, Copenhagen, to a group show on authorship at Galerie Fons Welters, Amsterdam

BY frieze | 07 OCT 22