EU Reviews

This year's edition, ‘Persons, Persone, Personen’, celebrates ecologically minded contemporary art that is joyful and sensual

At O—Overgaden, Copenhagen, the artist’s videos hint at an ecstatic climax on a sweat-drenched dance floor

At Galerie Nagel Draxler, Cologne, the artist's collages delve into the economic and geopolitical realities of Nord Stream 2

At Pinacoteca Agnelli, Turin, the artist’s works playfully subvert the art historical canon

At M Leuven, the artist draws on the allegorical as a means of exposing the absurdity of the current state of affairs

Despite some worthy presentations, this year’s edition adds little to the ongoing conversation about decolonization

At Layr, Vienna, the artist’s new video works put a group of men under a scrupulous yet intimate examination

From Marilia Furman’s ‘Monstrous’ at PSM, Berlin, to ‘ARS22: Living Encounters’ at Kiasma, Helsinki, here are our picks

A posthumous exhibition at Galerie Knoell, Basel, makes the case for the artist's inclusion in transatlantic art history

At PSM, the artist's low-tech, smoke-and-mirrors intervention traces the connection between capitalism and militarism

At Kiasma, Helsinki, a group exhibition weaves the strands of contemporary life’s omnipresent anxieties into a complex and intriguing fabric

At Galerie Nordenhake, Stockholm, the artist's collages destabilize the notion of the Strong Black Woman

At Kunstverein für die Rheinlande und Westfalen, six filmic propositions look at intimacy in the digital age

At Museum Ludwig, the second iteration of the late artist's first comprehensive European retrospective unpacks his experimental approach to material, time and space

In her triumphant survey exhibition at Palazzo Grassi, Venice, the artist continues her long-running exploration of women as generative, creative forces

Based on choreography by Trisha Brown, the artist's solo exhibition at Zilberman, Berlin, references and revives performance practices

Laden with scenes of sex, the artist's new paintings at Croy Nielsen, Vienna, test the border of the disturbing

Building on the feminist themes of Deborah Levy's 'Real Estate', the artist’s solo exhibition at Istituto Svizzero celebrates women relegated to the side-lines of history

At Kunsthalle Mainz, the artist contrasts presence and absence to question the truth of captured events

The first edition of the Parisian festival brings together twenty-seven artists who grapple with technologies of image-making