Fan Letter

Showing results 1-20 of 146

The Brazilian artist brought food, film, art and love to her social project

BY Michelle Sommer | 12 MAR 19

‘I was 13, with a group of friends, and it was my first time hearing anything so Black and British – and, also, so working class’

BY Kadish Morris | 21 FEB 19

‘The world certainly wasn’t perfect but that night I didn’t have to contend with an unmadeness’

BY Ima-Abasi Okon | 21 FEB 19

‘Some have mattered more to the living Jalal, others to the dead one indulging in jouissance

BY Jalal Toufic | 20 FEB 19

‘I have always chosen to listen to my heart and stick to my convictions, rather than yielding to reality’

BY Zeng Fanzhi | 19 FEB 19

‘I felt as though I’d walked in on what the future of art-making could be: a curation of time and space between us and the world in which we exist’

BY Rirkrit Tiravanija | 19 FEB 19

‘When I read that essay, I literally feel some kind of space opening up: I can breathe’

BY Beatrice Gibson | 19 FEB 19

‘Through the doors of underworld rose a mind structured by languages inherited from the dead’

BY Forrest Gander | 18 FEB 19

‘It’s a tenacious act of enthusiasm within Europe’s changing political landscape’

BY Krzysztof Kościuczuk | 15 FEB 19

‘I would like to dedicate this tribute to all of Zidane’s fans (of whom I am one)’

BY Violaine Boutet de Monvel | 13 FEB 19

‘Never before has a document of an event given such a vivid sense of what things may look like after we are gone’

BY Ned Beauman | 12 FEB 19

The artist creates a specially commissioned work for frieze in response to Yoko Ono’s legendary 1965 performance ‘Cut Piece’

BY Wangechi Mutu | 12 FEB 19

‘These are photographs in which moments – and lives – are constantly moving from then to now, bodies finding echoes in the world around them’

BY Caroline Marciniak | 12 FEB 19

Enemy Kitchen makes Iraqi culture visible in the US beyond war, producing an alternative discourse and social space.’

BY Michael Rakowitz | 12 FEB 19

‘This is the passing of time visualized through a contrapuntal freezing of it’

BY Harry Thorne | 08 FEB 19

‘Every Wednesday, we would drink and watch Italian masterpieces – Fellini, Pasolini, Visconti – without subtitles’

BY Sohrab Mohebbi | 08 FEB 19

‘Burdekin was a feminist, speculative, dystopian writer of essential texts’

‘It would be easy to cry to this tune, but difficult to dance to it’

BY Patrick Langley | 08 FEB 19

‘Her strange, thinking surfaces have become the artworks I think about the most’

BY Quinn Latimer | 08 FEB 19

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

BY Carina Bukuts | 07 FEB 19